@dixon steps up to the decks for the 400th instalment of the #GroovePodcast. Check out the track list for this mix as well as Kristoffer Cornils's in-depth interview with Dixon here: bit.ly/DixPodDE (German) or bit.ly/DixPodEN (English)

Groove Podcast 400

Tracklist

Groove Podcast 400 - Dixon

Der Andachtsjodler mit Neuvertextung "Scheiß Afd"

In besinnlichem Dreiklang schließen wir uns Schulter an Schulter mit euch gegen Hass und Hetze zusammen!

SCHEIß AFD SAMPLE

Gain Weight - Original Mix

Currently in heavy rotation by the likes of Maceo Plex, Adam Beyer and Sven Vath 

Cut from DCR720 – Drumcode Radio Live - Adam Beyer live mix from Resistance at Ultra, Santiago 
https://soundcloud.com/adambeyer/dcr720-drumcode-radio-live-adam-beyer-live-mix-from-ultra-santiago 

► IDJunkie 
https://soundcloud.com/idjunkie 
https://youtube.com/idjunkie 

If an artist, label or stakeholder has an issue with an upload please message or email (idjunkie@hotmail.com) and it will be removed immediately.

Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

New @heimlichaufsc podcast by @kruderdorfmeisterofficial
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Tracklist below!
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www.instagram.com/kruder_dorfmeister/
www.instagram.com/heimlichcrew/
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Podcast #100 !!! We are insanely excited to share our anniversary mix by none other than the original downtempo legends @kruderdorfmeisterofficial 🔥 thanks to all the artists that provided incredible sets over the last 8 years, thanks to everyone who keeps this flame alive by listening and sharing, thanks to @orangedrift for providing 100 unique podcast covers over these years and thanks to @leschueft for taking care of the whole logistics ❤️ next stop: 200 
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Was geeeeheeeet?!?!? 100!!! Diesesmal beehren uns zwei wirkliche Akrobaten der Musik. Wer erinnert sich nicht gern an K&D Sessions oder die geniale DJ Kicks by K&D. Wirkliche Schmankerl der elektronischen Musikgeschichte. 
Und nun, aufgemerkt ihr lieben, musikfanatischen Menschen, denn mit der heutigen Nummer 100 beglücken uns Kruder & Dorfmeister.
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Cover by www.instagram.com/orangedrift___/
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Tracklist:
01 - WILLIAM ORBIT - Strange Cargo .Million Town (K_D Session) Kruder & Dorfmeister rmx
02 - GINGEMBRE - Footstep in the Fog
03 - SOLAR MOON - Mwezii (Stefan Obermaier rmx)
04 - ULISES - Pewunguen (Coss & Iorie rmx)
05 - TOSCA - Love boat - (Shanti Roots & Scheibosan rmx)
06 - GAZEL - Warten Auf Lotta
07 - KALUPKE - Distorted Perception (OKUMA Rmx)
08 - SORDINO - Flow
09 - OKUMA - Macabeo
10 - OKUMA - Trop Invers
11 - LUI MAFUTA - Nectarphilia
12 - OBERST+BUCHNER.Amabeha - Amabeha
13 - DMTB - Tapes the Cake
14 - KERMESSE - Siux
15 - ZAKIR - Meree.Aatma
16 - THEO GRAMAL - Pastel
17 - HESSELBERG - Dude Where's My Camel? (Iorie's WeWaWu Remix)
18 - LOS SCRUBA - Peccio
19 - LUCA D`ALBERTO - Her Dreams ( Richard Dorfmeister & Stefan Obermaier rmx)
20 - rush2theUnknown - 眠るダイダラボッチ
21 - JIM - Ballad Of San Marino (Mang Dynasty Remix ) (PK EDIT)
22 - LAST GENTLEMAN ON PLAYA - Moloca Sunrise
23 - DAN BAY - Cilantro
24 - FRANCK VIGROUX - L.A. Live
25 - CARROT GREEN - Pedra
26 - QUIET VILLAGE - Reunion (Reprise)
27 - QUIET VILLAGE - Reunion (Radio Edit)
28 - QUENUM VS. THE POLICE - Can't Stand Losing You (Quenum Edit)
29 - ISAAC SOTO - Noche
30 - MAKEKE - Streichler
31 - BOLIS PUPUL - Spicy Crab (PK EDIT)
32 - FRED UND LUNA - Monotonikum (Edit)

Heimlich Musik Podcast

Heimlich Podcast #100 by Kruder & Dorfmeister

La artista audiovisual alemana Amelie Duchow trabaja en el ámbito experimental de la relación entre sonido, espacio y percepción visual. Su enfoque conceptual combina microsonidos sutiles y estructuras electrónicas complejas con articulaciones visuales inmersivas, creando obras que retan los límites de la percepción.

En la 19 edición de L.E.V. Festival, presentó su proyecto LOGOS MATER, donde investiga sobre cuestiones esenciales:

- ¿Cómo suena una lengua más allá del significado de sus palabras?
- ¿En qué medida nos influye el sonido de una lengua?
- ¿Cómo resuena en nosotros el sonido de una lengua?

La composición sonora de LOGOS MATER se inspira en elementos fonéticos y acústicos que exploran la esencia de las lenguas del mundo. Para ello, Amelie Duchow invita a personas de todo el mundo a participar en el proyecto mediante una plataforma web donde pueden grabar su voz. Estas aportaciones vocales son analizadas y transformadas por la artista, dando lugar a un proceso creativo de alteración sonora.
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German audiovisual artist Amelie Duchow works in the experimental field of the relationship between sound, space and visual perception. Her conceptual approach combines subtle micro-sounds and complex electronic structures with immersive visual articulations, creating works that challenge the limits of perception.

At the 19th edition of L.E.V. Festival, he presented his project LOGOS MATER, where he investigates essential questions:

- What does a language sound like beyond the meaning of its words?
- To what extent does the sound of a language influence us?
- How does the sound of a language resonate in us?

The sound composition of LOGOS MATER is inspired by phonetic and acoustic elements that explore the essence of the world's languages. To this end, Amelie Duchow invites people from all over the world to participate in the project via a web platform where they can record their voice. These vocal contributions are analysed and transformed by the artist, giving rise to a creative process of sound alteration.
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@AmelieDuchow #LOGOSMATER
#LEVGijon #LEVFestival

LEVpodcast - Amelie Duchow live (L.E.V. 2025)

One of the enduring powerhouses of our era returns for RA.1000 with a riotous mix.

When Helena Hauff made her first RA Podcast appearance back in 2013, she was on the eve of releasing her debut production on Actress' Werkdiscs imprint. In the 12 years that have elapsed, she's become not just a household name within electronic music, but the kind of rare talent that lives in seclusion from industry tumultt.

(Hauff, enviously, has never even owned a smartphone.)

Her calling card continues to be her penchant for rough and ready EBM, electro and new wave. Her unique ability is creating a singular listening experience from disparate or out-of-favour tracks, with a raw immediacy that functions as a redress to over-choreographed modern DJing.

Her outsider approach is on show once again for RA.1000. Threaded together by strobe-lit DIY electronica, old-school acid house and corrosive machine funk that chews up the ear, the nearly two-hour set raises the bar once again.

In the sci-fi themed first half, Hauff drops two Cybotron tracks, nodding to Juan Atkins' blueprint for electro. You'll also hear "Riot" by Underground Resistance, the definitive mission statement for a world ablaze. This is musical anarchism, executed to the highest degree.

Find the tracklist and interview at ra.co/podcast/1017. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Helena Hauff

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

Marching band version of deep house bomb MENTAL HELP, originally performed by Madrid based producer Gonçalo.

MENTAL HELP

Taken from 'The Night Land Remixed'
18/05/18 - http://smarturl.it/thenightand-remixed

Dins El Llit  - Superpitcher Remix
The Ghosts Hood - Samo DJ Remix
Brutal Chugga Chugga - L.B. Dub Corp Remix
Loser’s Hymn - Powder Remix


John Talabot and Axel Boman teamed up in 2017 for their R&S debut ’The Night Land’ where they got to flex their creative muscles over eight tracks of rich synth jams.  

The two electronic artists have been independently successful in their respective careers, but as Pitchfork expressed in their glowing review “Their collective output doesn’t sound much like either’s work; it doesn’t even necessarily reflect the thin, convex sliver where their interests overlap. Instead, they’ve hit upon something new.”

This new sound also proved to be a hit with the likes of Mojo, Phonica, XLR8R, Self Titled and DJ Mag all including it their annual best of lists.

The artists have now handpicked four artists to create their own vision of the Talaboman sound.  
Superpitcher, Samo DJ, Luke Slater under his L.B. Dub Corp alias and Powder have all seriously delivered the goods.

Gain Weight - Original Mix

Stefan Kranz

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