"Mesh" (2022-2023) for ensemble and live-electronics, here live-performed by the Nadar Ensemble at the Concertgebouw Brugge on 26.3.2023 (Yves Goemaere, perc & live-electronics; Dries Tack, bass clarinet and live-electronics; Thomas Moore, trombone & euphonium; Nico Couck, e-guitar+FX; Pieter Matthynssens, cello; Stefan Prins, live-electronics, Wannes Gonnissen, sound engineer).

Additional samples from Rainforests in Borneo and the Amazon recorded by David Monacchi for "Fragments of Extinction".

Commissioned by Nadar Ensemble & Concertgebouw Brugge. Supported by the Flemish Community.

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Even though "Mesh" can be performed as a stand-alone composition, it was premiered as part of the evening-length project "Der Wanderer 2.0" which I developed together with the Nadar Ensemble in 2023. In the version presented in the context of this project, the audience is wearing headphones on which part of the soundtrack and amplification is played back, while other parts of the soundtrack and amplification are heard through the loud speakers on stage. This splitting allowed for an extensive manipulation of sonic depth, nearness, distance, foreground, background, blanketing and uncovering. The audience was encouraged to play with the headphones, taking them on and off freely, listening to only one ear, etc., creating their own listening experience.
Of course none of this can be replicatd on this live-recording, in which the soundtrack is rendered to stereo.

Mesh (Stefan Prins, 2022-2023) - LIVE

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Granular -Unpredictability -Aleatoric-Music -Avoid AI 
" ars gratia artis "

Ali Latif-Shushtari (*1990) was born in Iran. After studying Mathematics in high school, he started an academic major in Solid-state Physics at the University of Isfahan and the University of Kashan, successfully fulfilling both a BSc and an MSc specializing in Nano-electronics. Alongside his academic studies, he began to educate himself in classical music and soon discovered his passion for music theory and composition which finally led him to change his academic focus. In September 2019, he was admitted directly to a Master’s degree program in Music Composition at Hochschule der Künste Bern (HKB), a program he successfully finished in October 2022 under the mentorship of Xavier Dayer, Simon Steen-Andersen, and Leo Dick. He has attended numerous workshops and masterclasses instructed by composers such as Stefan Prins, Mauro Lanza, Dieter Ammann, Oscar Bianchi, and Gilbert Nouno. His music has been performed by ensembles such as Ensemble ICTUS, Windspiel Duo für Neue Musik, Ensemble Shockwave, and Ensemble Vortex. He was also one of the two assistant composers and the co-directors in the CHROMA XXI and XXII projects; an installation of instruments and sound objects created by Rebecca Saunders realized in October 2021.
He currently is pursuing his Ph.D. in Composition / Musicology at Graduate School Freiburg-Bern for Artistic Research. His research is focused on the Analysis/Integration of liminality in interdisciplinary composition.

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My work primarily focuses on electronic music. I am fascinated by the auditory landscape of the environment, experimenting with noise, whispers, echoes, and natural rhythms captured from the sound environment in which I find myself. I often utilize the phenomenon of ASMR, exploring the space between sounds and what lies within their essence. My main inspiration comes from concepts related to human perception, especially its subjectivity and instability. I frequently incorporate original recordings, samples, and field recordings in my work and have a passion for experimental cinema.
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--all tracks are under CreativeCommons0/PublicDomain and free to download
--feel free to sample and re-use them, no need for asking
--account reset #6
--Soundcloud is dead

--i maxxed out in trying to offer new ideas and approaches to contemporary musik making for all but noone cares so here will now be more Noise and stupid shit

peace and
ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧ vegan love <3

Composer of contemporary classical music (BE)
Born in 2006

Compositora y Orquestadora  
[Composer & Orchestrator]
Egresada de la Universidad Nacional de Colombia y de la Folkwang Universität der Künste.
[Graduated from the National University of Colombia and in the Folkwang University of the Arts].