COMPOSITIONS (selection)

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Charli xcx - Boom Clap (Remix)

Extract from the premiere of "inhabit_inhibit" (2019-2021) for 4 spatialized quartets, 6 soloists and live-electronics, by ASKO|Schoenberg & Ensemblekollektiv Berlin, conducted by Baldur Brönnimann, with sound engineer Florian Bogner.
@Muziekgebouw aan 't Ij, Amsterdam, 24.2.2022.
Composition commissioned by Ammodo/Muziekgebouw aan 't Ij & Ernst von Siemens Musikstiftung
Edit: Stefan Prins

inhabit_inhibit (2019-2021) - extract

"inhabit_inhibit", for 4 spatialized quartets, 6 feedback soloists & live-electronics (2019-2021). World premiere at Muziekgebouw aan 't IJ (24.2.2022) by ASKO|Schönberg & soloists of Ensemblekollektiv Berlin, conductor: Baldur Brönnimann, sound: Florian Bogner. 
For a video recording of this performance, go to https://youtu.be/PkVCB_kq1Lc
Commissioned by Ammodo/Muziekgbouw aan 't IJ & Ernst von Siemens Musikstiftung.
Editing&Mastering: Stefan Prins

inhabit_inhibit (2019-2021)

Live-recording of "Inhibition Space #2" for bass clarinet and live-electronics, by Georg Wettin (Ensemble Courage), at Hellerau, Dresden, on 6.11.2022.

Inhibition Space #2 (2021) - Live

"Mesh" (2022-2023) for ensemble and live-electronics, here live-performed by the Nadar Ensemble at the Concertgebouw Brugge on 26.3.2023 (Yves Goemaere, perc & live-electronics; Dries Tack, bass clarinet and live-electronics; Thomas Moore, trombone & euphonium; Nico Couck, e-guitar+FX; Pieter Matthynssens, cello; Stefan Prins, live-electronics, Wannes Gonnissen, sound engineer).

Additional samples from Rainforests in Borneo and the Amazon recorded by David Monacchi for "Fragments of Extinction".

Commissioned by Nadar Ensemble & Concertgebouw Brugge. Supported by the Flemish Community.

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Even though "Mesh" can be performed as a stand-alone composition, it was premiered as part of the evening-length project "Der Wanderer 2.0" which I developed together with the Nadar Ensemble in 2023. In the version presented in the context of this project, the audience is wearing headphones on which part of the soundtrack and amplification is played back, while other parts of the soundtrack and amplification are heard through the loud speakers on stage. This splitting allowed for an extensive manipulation of sonic depth, nearness, distance, foreground, background, blanketing and uncovering. The audience was encouraged to play with the headphones, taking them on and off freely, listening to only one ear, etc., creating their own listening experience.
Of course none of this can be replicatd on this live-recording, in which the soundtrack is rendered to stereo.

Mesh (Stefan Prins, 2022-2023) - LIVE

For soprano, ensemble, live-electronics & live-video; Live-recording of premiere by Sarah Defrise (soprano), Ensemble Ascolta, Niklas Werani (sound engineer) & Stefan Prins (live-electronics) + Warped Type (video + scenography) at Festival NOW! Essen, Philharmonie Essen, 29.10.2023.

"skin deep #1" was commissioned by Festival NOW! Essen & Ensemble Ascolta with funding from the Ministeriums für Wissenschaft, Forschung und Kunst, Baden-Württenberg

Recording by Niklas Werani, mixing & mastering by Stefan Prins

skin deep #1 (Stefan Prins, 2023)

Streetlight Sonata EP
website : Get fire beats @ https://sikj-beats.com
https://ffm.bio/35pgkpa

StreetLight Sonata

Atlantic Rhythms

この楽曲は、(対峙~演奏版)にヴォーカルを加えました。

This song has added vocals to the (Taiji~performance version).

対峙

Purple Mind

kean3D - Noize In Hand

I created a track that incorporates old-fashioned Japanese sounds. Thank you for listening.

skin deep #1 (Stefan Prins, 2023)

Stefan Prins

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Martin Hoogeboom

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