this i made with ableton live  remasteringprogram and reason in slave and mac master key and push performance in mood i woke up at4 o'clock-made some music.....not professionell....

If you keep hammering anti-abortion,
We'll tell you no more masturbation for men.
Ev'ry day you're killing living sperms in billions,
So how do you feel about that, brother?

What a waste, what a waste,
What a waste, what a waste,
To have to talk to a phony like you.

If you keep telling us we're more than equal,
We'll tell you equal is not equal enough.
For centuries we've been taking your double ass deal,
So what do you say to that, brother?

What a drag, what a drag,
What a drag, what a drag,
To have to cope with a crazy like you.

Brrrr -

Ah -
Ah -
Ah -

If you keep laying on money or power,
We'll tell you meanwhile your sprinkler is out of soda.
So keep off our grass till you're in some kinda order,
What do you say to that, brother?

What a mess, what a mess,
What a mess, what a mess,
To have to put up with a fuzzy like you.


from the Yoko Ono album "Approximately Infinite Universe"

Yoko Ono: vocals
Stan Bronstein: saxophone, flute, clarinet
Richard Frank Jr: drums, percussion
Daria Price: castanet. 
Gary Van Scyoc: bass, trumpet
Adam Ippolito: piano, organ, harmonium, trumpet
Wayne Gabriel: guitar
Joel Nohnn (John Lennon): guitar and background vocals

Produced by Yoko Ono and John Lennon
Arrangement: Yoko Ono
String orchestration: Ron Frangipane

From the Yoko Ono album 'Approximately Infinite Universe'.

Approximately Infinite Universe is a double album by Yoko Ono, released in early 1973. It represents a departure from the experimental avant-garde rock of her first two albums towards a more conventional pop/rock sound, while also dabbling in feminist rock.

The 1997 CD re-issue on Rykodisc added two acoustic demos of songs from this era that were later released on 1981's Season of Glass.

Yoko Ono - What A Mess

Yang yang holds on to a giant phone,
Yang yangs soft voice goes on and on,
I hate you, I hate you, where did it go wrong? 
Yangyang goes talking to himself on the phone.

Yang yang sends his men pebbles and stones,
Yang yang rips his women down to the bones.
I own you, I own you, so give us a song,
Yangyang goes talking to his world on the phone.

Yang yangs born with a phone cord round his neck,
Yang yang never fails to stick to his kick.
I want you, I want you, youre making me sick.
But yangyang, the chords never long enough
To reach your mommys trick.

Yang yang yang yang yang,
Yang yang yang yang yang,
Yang yang, snap out,
Give up, cut out,
Tune up and join us,
Join the revolution,
Join the revolution.

No kick is good enough for lifetime substitution,
No brick will give you a lifetime consolation.
And whether you dig it or not,
We outnumber you in population.
And leave your private institution,
Get down to real communication,
Leave your scene of destruction
And join us in revolution.

Yang yang yang yang yang,
Yang yang yang yang yang,
Yang yang, wake up,
Give up, cut out,
Come out and join us,
Join the revolution,
Join the revolution.


APPROXIMATELY INFINITE UNIVERSE
Approximately Infinite Universe is a double album by Yoko Ono, released in early 1973. It represents a departure from the experimental avant garde rock of her first two albums towards a more conventional pop/rock sound, while also dabbling in feminist rock. It peaked at #193 in the United States. The 1997 CD re-issue on Rykodisc added two acoustic demos of songs from this era that were later released on 1981's Season of Glass.


Yoko Ono - Yang Yang

From their full-length debut "Im Sinne der Zeit" - out NOW on Trouble In Mind Records (www.troubleinmindrecs.com)

Klaus Johann Grobe - Between The Buttons

I was asked to visit Cambridge University to perform my vocal work. Near the date, they called me, asking if I was still coming... since they knew that I was about to get married and didn't know if my plans had changed or not. "Tell him you're coming with a band," John whispered loud from the side. John and I thought it was a riot, but we didn't know they would take it at the other end of the phone. Was it alright to bring a rocker? But the guy held his ground well. It was Cambridge, so the greeting committee was cordial but cool. John took that in, of course. He joined me on the stage and played underneath my vocal. Maybe I WANNA HOLD YOUR HAND? That would have been cute. But he went in for the kill and played an incredibly creative avant-garde guitar that nobody in the world had ever heard before and since. The audience didn't react to it. I was probably the only musician who was totally impressed by it. But did I express my appreciation? John loved CAMBRIDGE 1969. So for awhile, he always asked for it to be played when we were in the car. I just thought "Oh, not that one again!" "How about Yesterday?" (a joke). And when I tried to play something else he wouldn't hear of it.

Yoko Ono, 24 March 2014.


Recorded 2 March 1969, at Lady Mitchell Hall, Cambridge University, Cambridge
Yoko Ono: Vocals
John Lennon: Guitar
Saxophone: John Tchicai 
Percussion: John Stevens

From the album <a href="http://amzn.to/1mqxGDF">Unfinished Music Vol. 2 - Life With The Lions</a>

Cambridge News Article: <a href="http://www.cambridge-news.co.uk/Home/How-John-Lennon-turned-to-Cambridge-for-life-after-The-Beatles.htm">How John Lennon turned to Cambridge for life after The Beatles</a>.

Ethnomorning-was created due I couldn't fall asleep at 2 o clock till 6

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