FALLING NEXT TO YOU

Memoirs

piano: michael I
bass: michael II
drums: michael III

Molto Piano: Quiet please! (comp. & perf. michael spielmann)

it came like snow
we had no warning

didn’t know what it was
they told us to go inside.

Don’t stand in the snow

we thought we were safe
don’t sneeze
don’t hang out on your balcony
stop cheering
stop reading the news
don’t be frightened
and wake up slowly


we had no warning

I thought we should stop shaking
hands but they said that didn’t 
matter anymore

this sickness will come and go
like a storm
it would come and it would go
like a storm.

very quickly
very devastating
but we must put this quickly behind
us

it didn’t go like a storm

we woke up us
i could feel something hard on my cheek
i broke out in scales

my lover 
he had feathers on his tongue
and we knew
this sickness was not a storm

it was here for us.
it was here within us
it would stay within us
and change us forever.

my one eye grew larger
and i began to feel it leave my body
it was leaving me like a child leaving 
its parent
coming back, nervous, it would tell me what it saw
and it told me the world had changed
nothing was recognizable
the cities were emptied
 people were disfigured
and some of them could fly like angels
 
I couldn’t.
I was just locked in my home
afraid of more change
more things leaving me
until i was nothing more than a cage of bones.

I wanted to live now. 
I wanted to be the last person standing
even if I was not quite human anymore.

i wanted to be the historian
to see the beginning to see the end 
and what came after

to do this I had to live 
and to live i had to change
so I gave in I infected myself further
to quicken changes

but each change comes upon you differently
it is unique to the person

not everyone has wings inside them
you understand
some of us were meant to fly
some of us were meant to dig
and some of us were meant to 
eat ourselves
from inside.
many died like this:
oysters in an oyster shell.

And so it happened
in an way I never expected.

I grew long and hollowed
I became a very large worm
amphibious
and I couldn’t bear the sun
so I dug down
and I rested

I waited
like a lungfish
for everything to pass
for it to finish
to slow down
for the world to heal again
so that I might come up again
and write a history of everything
 that has come to pass

so I am waiting for the  end to end 
so that we can begin again

i wish I wish I had wings

We Had No Warning by Enceladus ReX  ft. lemonade

Gullmarsfjord

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Poison Mushroom

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incomplete square

Orderly living in small houses with beautiful lawns is, of course, only an illusion! Behind this facade are real human dramas, but fortunately everything ends well...

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Phantom Edit V2

CJ. & Gene Jumper, Feelings # 7, ( cover song)

Feelings # 7, CJ. &  Gene Jumper, ( Cover Song)

exoray

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Falling into colorful day-dreams with a “Strange Lullaby”. 

Anna from Moving Classics TV plays for you on the piano a „Strange Lullaby“ by a young composer Santiago Vega from Uruguay. 


Born in Montevideo, Uruguay, in 1993. Since he was a child he expressed interest in the arts, particularly literature, painting and music.

He started playing the piano at the age of eleven, self-taught, at the same time he began to compose small pieces and short melodies.

At the age of fifteen he began to receive formal musical instruction from professor Miguel Llovet, while still composing. In 2012 he began to publish his compositions on Musescore.com (https://musescore.com/vega), a platform through which he was contacted by Carlos Marquez, a brilliant Spanish pianist (https://soundcloud.com/cmdigital), with whom he released two albums of his compositions (with Carlos as interpreter) the first in 2016, and the second, recently, in March 2020.

Since 2018 he is studying at the University School of Music (Escuela Universitaria de Música), the Bachelor of Musical Interpretation on Piano, under the tutelage of teachers like Fabiana Galante, Mayra Hernández, Pablo Rilla and Javier Toledo, with a perspective to complete the Bachelor of Composition also.

His favorite composers, and those who have influenced him the most, are: Chopin, Scriabin, Rachmaninoff, Debussy and Ravel.
The colorful imagination of the music with the wave-like rhythm and soothing but yet exciting melody invites you to slide into your dream.


If you want to play it yourself, here is the music score: https://musescore.com/vega/op-67-lullaby-extra-o#comment-5706683

Read more about Santiago in his interview here: http://movingclassics.tv/classicpeople/santiago-vega/

Calm Piano - Santiago Vega - Strange Lullaby

Hobby producer of relaxed electronic music

Gullmarsfjord

Labeo