@arcadetrauma 
https://soundcloud.com/arcadetrauma
made absolutely insanity on this ^

crows fly on endless (w/ Arcade Trauma)

meant not be with her alone forever i am destined
another war lost another scar bared

In Another Life

rave at the nuclear reactor ft. nedaj

one nix edit 3    22 03 2025

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past decisions

a little idea i had last night

i dont know what to trust in my head

memories where they never existed

heart exploding from my chest
drifting off the mountain

☆༻·˚hearts racing at night♡

💿 Lost Dubs 010 – ex per i mental (2008)

This track has been sitting on the shelf for years because it never really fit in anywhere. It has no melody, just rhythm and space. At the time I was deeply inspired by the drum programming of Sixteenarmed Jack and Krinjah — producers I respected not just for their skills, but as colleagues and friends. This was my nod to them.

Originally, this wasn’t even going to be part of my Lost Dubs series. LD010 was supposed to be a remix of Leonard Cohen’s Hallelujah, but unlicensed vocals meant it couldn’t be released. That sent me back to the vaults, and one night after a long session out, I sat with this track again. I heard something in it that I had never noticed before — something I can’t quite explain. Talking about music is like singing about architecture, but it was there.

So here it is. ex per i mental. No melody, no polish, just an exploration of drums, patterns, and negative space.

I’m mostly sharing this here because I think people in this sub will dig it. Would love to hear what you think.

LD010 - ex per i mental (2008)

breakfast club

"Singularity Ceremony" - Dreamy pads create a trance-like state.

#Electro #Dreamy #Deep #Lucid
#NeonShepherds #Album
#AIMusic #luefh

While utilizing AI generation for initial concepts (pictures, album art, lyrics, musical foundation), this music is the result of extensive and documented human creative direction, editing, and production. Manual and complex AI-prompting shaped the raw material. Lyrics underwent significant manual editing for narrative, flow, and emotional impact. The core musical composition was refined through human arrangement choices. The production involved intensive manual mixing and mastering: multi-stem editing, stem correction, octaving, precise cuts, gain staging, dynamic balancing, low-frequency mono processing, pocketing and boosting energy points, bass excitation, sculpting bass harmonics, detailed sound design, effect application, side-chaining, compression, multiband dynamics, tempo fine-tuning, equalization for clarity and reduction of muddiness, loudness optimization, panoramic placement, frequency analysis, targeted high/low-frequency cuts, and LUFSi correction.

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SHINI