🎵 Was für eine außergewöhnliche orchestrale Transformation! Die Art wie du Anastasyias wunderbare Komposition orchestral erweitert hast ist einfach meisterhaft ✨ Die Orchestrierung verleiht dem Werk eine ganz neue emotionale Tiefe 🎼 Jedes Instrument fügt sich perfekt in dieses klassische Meisterwerk ein 💫 Eine brillante Zusammenarbeit zwischen zwei unserer geschätzten Freunde 🌟 Pures orchestrales Genie! ❤️

The challenges and pain of earth are over... it's as if i died and went to heaven while still here on earth. Wow... this piece is deeply moving.

it's living and breathing...  it's stunningly beautiful!

SNR selection 13-Jun-2025

Up-tempo, arpeggiating solo piano, with a strong feel of anticipation. Moody and stunning.

Momentum - Solo Piano

Relentless

This album is a departure from my usual style and invite you to participate:
You can have a look at the visuals that inspired these tracks and maybe even get inspired yourself? 
Visuals https://instagram.com/makanaturemusic
Submission form: https://tr.ee/G65tNDpHg-
This project came out of a creative communication assignment for my current MSc in climate science. It was inspired by "Unci Maka", which is a Lakota word meaning Grandmother Earth, the literal translation is "very ancient me". Many indigenous languages don't recognise a separation between us and nature as the English language does. Maybe this can point us to our role as nature, and deepen our connection, using our hands and hearts to heal together.

Maka Music - Maka - Very Ancient Me Music - 01 Celestial

It's a pleasure to see the sun again ! In this track I used classical guitar, electric piano & guitar, piano, percussions, drums & bass. Thank you for passing by and listening !
Composition: Julien Apelian
Recording studio: Audio Colors
May, 17th, 2025

Here comes the sun again

Thank you for providing me this composition for arranging and orchestration!  @anastasiya-ihnatovich

Over (Orchestral Version)

Freak

“Again” is a delicate, emotional piece for piano, orchestra and choir – a quiet reflection on what was and what might have been. Composed by Anastasiya Ihnatovich, arranged and orchestrated by Stefan Kraft.

🎹 Solo piano: Anastasiya Ihnatovich
🎼 Orchestration & production: Stefan Kraft
🎧 Best enjoyed with headphones

Again (Orchestral Version)

“Never underestimate the power you have to take your life in a new direction.” ― Germany Kent

A little piano improvisation dedicated to family, friends, and others who have had to start again and have shown great faith, courage and resolve in doing   so. A companion piece to "Crossroads."

Starting Again

Sugar

Like the hush before morning, or the weight of a dream you can’t quite hold.
“Barely Awake” drifts slowly through stillness — a soft breath of memory, wrapped in quiet light.
Let it carry you where words no longer reach.

Barely Awake

108 - Under a Bell Jar

A huge thank you to Stefan @stefankraft_music for his splendid orchestral reimaginings of my piano compositions, which resulted in creating an incredibly captivating sonic tapestry. It has been a great honour and joy for me to collaborate with this immensely talented composer and musician.

Thank you so much for listening, we genuinely hope you will enjoy this work. 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft

Over (Ft. Stefan Kraft)

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

TTVL

Somewhere, something incredible is waiting to be known

ballroom

Pezhman Mosleh – Whispers for Peace and Love
You can listen “Limitless”: 

"Limitless" is dedicated to Krzystof Kieslowski and attracted so many attentions from many countries including France and Poland, and the site of Kieslowski Art and Polish music information center in Poland broadcasted it and it is believed that the music of Mosleh is close to Priesner’s.
(It is suggested to listen to this piece in dim light like the end of sunset.)

According to 1inmusic.com: 
Pezhman Mosleh 
The cinematographic melancholy of Chopin has inspired many, not least your humble host. So it was a definite pleasure to hear it in the original pieces by international Iranian composer Pezman Mosley. Mosley is a Professor of cinema philosophy and aesthetic and a scholar in music history who has humanity and philosophical concerns. He is a pioneer in Iranian neo romanticism, his compositions also reminiscent of the works of another composer, Beethoven, in this beautiful and heartfelt piano piece, Snow. 
Nina Bahri has performed this piece by piano.

Pezhman Mosleh – Whispers for Peace and Love
This sound and many such beautiful ones are gathered in a beautiful and peaceful compilation entitled “Whispers for Peace and Love”, the fruit of the recent years he has spent in silence and solitude, studying and searching. The pieces in this album are portrayed and approach film music. Although many of the songs are instrumentals, there is also the occasional singing which is rendered by the very voice of the musician.
The album includes 8 pieces; “Snow”, “Limitless”, “Good remembrance”, “Loneliness at night”, “life”, “Martyr”, “Nameless”, “Dance of wind”.

Pezhman Mosleh – notable Mandela song
He is the first Iranian artist who has composed and sang a song for Mandela which was dedicated to the South African President and activist when he was alive. This notable song was conveyed to Mr. Mandela and Nelson Mandela Foundation who both expressed their appreciation of the work of an author who means to touch the heart of the world. The heartfelt composition is orchestrated in a way and also includes extracts of Mandela’s speech giving the full thing an anthemic strength with a mixture of authentism and emotion. The song has seen broadcast in South Africa on their South African Broadcasting Corporation (SABC), in the UK via the beautiful and humanity program of Wandsworth radio and on Amazing radio.

Pezhman Mosleh – Other works
Mosley was also mentioned in New York, NY (Top40 Charts) and Record Setter (World Records). These noted that: “the youngest soloist-vocalist of the world, Ava Sadeghipour is student of the International Iranian Musician, Professor Pezhman Mosleh who is a stylist music teacher and his method is teaching to the children of 2/5-6 years old and he is the only teacher who has a new method for teaching to 2 years old children, so these children are able to play and sing simultaneously in different concert halls at the age of 4 before so many audience.”
The artist’s relaxing musical works, including the album featured “Whispers for peace and love”, have attracted attention of artists, philosophy professors, psychologists, critics, Iran and abroad press and media such as USA, South Africa, Canada, Nigeria, Russia, Australia, UK, Italy, Switzerland, Sweden, Poland, Netherlands, Denmark, Japan, China, Turkey, Vietnam, India and further.
This lyric and sound embed encpasulate the spirit of the Mandela song and the aspirations of : “Mandela, My eternal man… The scent of your breath, The scent of freedom”
1inmusic.com/pezhman-mosleh

Limitless. Composer Pezhman Mosleh

Hi there,
my name is Stefan. Composer, sound sculptor, and professional “what happens if I add a bassoon here?” enthusiast.

I write music because I honestly can’t stop.
I’ve tried. Gardening. Taxes. Meditation. But within three minutes, a string chord sneaks into my head and boom – I’m back at the piano.

So what do I make?
Emotional instrumental music.
Or as my dog would say (if he could talk):
“Something between Hollywood, daydreams, and soft existential drama.”
Strings, piano, orchestra – sometimes epic, sometimes fragile – always aiming to say something that words can’t.

I could list the number of streams, followers, and playlists I’ve not yet been featured on… but let’s be honest: music isn’t a spreadsheet. It’s more like an internal volcano. With strings.

And why do I do this?
Because I believe music can reach places that logic can’t. And because someone has to soundtrack all the bittersweet fantasy worlds living rent-free in my head.

So if you’re in the mood for a musical journey somewhere between film score, poetry, and mild megalomania – grab some headphones and join me.

It won’t be normal. But it’ll be worth it.

Cheers,
– Stefan
(Writes more music than he sleeps. Thinks coffee should be its own genre.)

Soundtracks for the imaginary movies of my life. They're not necessarily meant to be beautiful, they're meant to tell a story, like an encrypted message, but better. Your likes and comments make me happy! sleepynoonradio@gmail.com

Over (Orchestral Version)

Stefan Kraft

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