Marking the 25th anniversary of the fall of the Berlin Wall.
The Berlin Wall of Sound is an acoustic reconstruction of the Berlin Wall. Its duration of 7:32 minutes reflects the time sound needs to travel the 155 kilometres length of the Berlin Wall. Its sound wave’s shape mirrors the wall of concrete and its watchtowers. There are no comments – the tags depict the victims and mark where they were killed.
 
The Wall of Sound is not easy to bear. But 27 years locked behind the concrete Berlin Wall were unbearable.
 
Back in 1989, SoundCloud’s headquarters would have been part of the Death Zone next to the Berlin Wall. We dedicate the Wall of Sound to the 120 women, men and children, who lost their lives in their attempt to live in freedom. We will not forget.

My new album ‘Roulette’ is out on 3rd October, pre-order or listen at roulette.alfamist.co.uk

https://www.instagram.com/sekito_records
Contact: ian@theblackacre.co.uk
https://alfamist.bandcamp.com 
https://alfamist.databeats.com/store

Original purveyors of Cosmic Techno

https://kraftekmusic.com
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#cosmictechno

Music is art.
Quality is key.
Love is timeless.

What's your Manifesto?

Your guide to the latest music trends.

Contact: info@thevibeguide.net

MGMT / Booking: mgmt@serranoskitchen.com
mastering engineer Moon Harbour, Viva Music, Stereo Productions, Canibales, Redolent , Dj Chus, Francisco Allendes, Matthias Tanzmann, Steve Lawler, Yousef, La Santa and more..Mix and Mastering: info@serranoskitchen.com

Enrique Vela nació en Quito el 7 de mayo de 1987. Inicia estudiando guitarra clásica en el conservatorio Mozarte de la ciudad de Quito. En 2005 comienza un proyecto solista orientado al rock y al pop electrónico. En el mismo año empieza sus estudios de Producción Musical en la Escuela de Música de Buenos Aires (EMBA), Argentina. Es aquí donde inicia su verdadero vínculo con la música electrónica. Gracias a influencias como Tricky, Massive Attack y Portishead, nace otro proyecto paralelo llamado Moon, con una sonoridad cercana al Trip Hop, pero con una clara influencia del rock. Posteriormente enfoca su interés en ritmos como el Techno y el House, lo que le lleva a orientar sus estudios de producción más específicamente hacia estos géneros. Su estilo es claramente contemporáneo, fusionando elementos rítmicos orgánicos, percusión latina, keys clásicos y vocales. En ocasiones más cercano al Techno que al género house, pero siempre comprometido con el sonido más groovero y contagioso. En la actualidad reside en Ecuador, donde produce música para sellos como Aftersoul Records (EC), Vostok Stereo (UA), Anabatic Records (EU), Deepness Records (EC), Starten Music (CO), Unlock Recordings (AR), Low Pressings (AR) y Unfaced Music (EC). Ha compartido la cabina con Loco Dice, Tini, Marco Carola, Worthy, Seth Troxler y actualmente toca en vivo con su compañero de producción y uno de los pioneros del movimiento en el Ecuador, Frank Johnson, con quien lanza en octubre del 2011 su primer álbum "Away". En el 2011 también inicia una propuesta de sets híbridos con Gabriel Drade, juntos bajo el seudónimo The Loopist.


Enrique Vela was born in Quito, Ecuador on May 7, 1987. Begins his musical career studying classical guitar in Mozarte Conservatory of Music in Quito. In 2005 he starts a solo project oriented to electronic rock and pop, while he starts his Music Production studies in EMBA, (Escuela de Música de Buenos Aires) Argentina. It is here where his true passion for electronic music was born. Influenced by the music of Tricky, Massive Attack and Portishead he starts another parallel project called Moon, resembling Trip Hop and the Bristol sound but clearly touched by his rock background. Later, he focuses his interest in Techno and House music, which leads him to specialize his production studies more specifically to this genres. His style is clearly contemporary and usually closer to the Techno sound, but always committed to achieve groovy and contagious music. Currently residing in Ecuador, produces music for labels such as Aftersoul Records (EC), Vostok Stereo (UA), Anabatic Records (US), Deepness Records (EC), Starten Music (CO), Unlock Recordings (AR), Low Pressings (AR) y Unfaced Music (EC). He has been on stage with big names of the electronic music industry, such as Loco Dice, Tini, Marco Carola, Worthy, Seth Troxler and currently plays live with his studio partner and Ecuador ́s electronic music pioneer, Frank Johnson. In october 2011, Enrique Vela & Frank Johnson release their debut album "Away". In the same year, Enrique Vela starts playing hybrid sets with Ecuadorian artist Gabriel Drade, together under the alias The Loopist.


I am an ex member of 'This Dying Wish', which at the time included myself and J.Forrest (In playlists). I am self taught everything, guitar, singing, vague 'Reaper' user. I sometimes like to 'mash stuff up'. 'Sketches In Windows' is me on youtube with multiple windows open trying to figure out mashups in real time until i get Soundforge. Abit like tape to tape, stopping and starting to fit, big up 90's LOL. I record with my phone off a keychain speaker atm using a voice recorder app in real time, no edits, not even soundclouds hahahahahah.

Anatomy Of An Angel - Damien Hirst 
https://www.designisthis.com/blog/en/post/anatomy-of-an-angel-damien-hirst
http://www.damienhirst.com/anatomy-of-an-angel
https://ekebergparken.com/en/kunst/anatomy-angel

Header: John William Waterhouse - Hylas and the(water)Nymphs - 
https://images.app.goo.gl/vETXdkNu7CEeGEJq9
The Guardian get it wrong here. There should be no real fashion in art history, it is history as accurate as we can paint it. It is censorship to remove art in favor of a more fashionable one. Art as with most things, should never have been about money. Art galleries are just show casings of the 'now' more fashionable version of art, and THAT IS re-writing art. So this article is abit biased. The art world is really what killed Basquiat and many others. 
https://www.theguardian.com/commentisfree/2018/feb/07/the-guardian-view-on-hylas-and-the-nymphs-not-censorship

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