Etude 1 in Csound. Restrictions: Fixed waveforms only! (additive synthesis) 2min. (enjoy the aliasing at the end ;)

Csound Etude 1

https://www.nts.live/shows/fractalmeat/episodes/fractalmeat-19th-april-2022

Fractal Meat On A Spongy Bone 180422

UserGuidePDF is a track composed of really singular sound, in fact it is entirely made of audio created by the translation of a PDF file in to sound.
The PDF has 919 pages, it contains text, images and web links. The translation of the PDF in to audio, generated a relatively long and rich sound file, this file has then been cut and layered creating the piece.
The track has been entirely created in three days (14-15 February).
PDF to audio conversion made in Audacity, sound processing and composition made in Logic.


UserGuidePDF

Debris[1] //dialectics is the second of a series of pieces focused on micro-sonic transformations of purely synthetic sources. States of intense motion alternate with states of ease.

This piece was originally composed for 4 channels. Premiered at the Next_Generation_Festival 6.0 at ZKM, Karlsruhe, Germany - 2015

Debris[1] //dialectics (stereo version)

Audio installation composed by granulated voices of old women in Abruzzo.

Untitled_HaYYoT

An Interpolation between an amplified fridge and 4 sine waves

DeLiqUesCencE

Inner Symphony: Processed Voice / Voce elaborata
by Maurizio Carrettin e Vanessa Tagliabue Yorke.... © all rights reserved.
Track 10 from: "Italian experimental underground 016 survey"  by "Unexplained Sounds Group"... great thanks to Raffaele Pezzella.  http://unexplainedsoundsgroup.bandcamp.com/album/italian-experimental-underground-016-survey
--Experimental Electronic and Aesthetic, Granular Synthesis and Voice. The inspiration starts from the Gregorian melisma, then Flemish Polyphony, then Madrigals by Monteverdi, then with a leap I get to experiments on magnetic tape by Luciano Berio and Cathy Berberian (1958 omaggio a Joyce), and then Luigi Nono. Here are my sources. I elaborated the voice and interpretation of Vanessa Tagliabue Yorke, her phrases, her singing, I reconstructed the material in aesthetic form. The result is beyond my expectations. The aesthetic beauty is absolute. The transcendent reality often arrive to us. We must accept it and act as intermediary.
--Elettronica Sperimentale ed Estetica, Syntesi Granulare e Voce. L'ispirazione comincia dai melismi del Gregoriano, poi la Polifonia Fiamminga, poi i Madrigali di Monteverdi, poi con un balzo arrivo alle sperimentazioni su nastro magnetico di Luciano Berio e Cathy Berberian (1958, omaggio a Joyce), e poi Luigi Nono. Queste le fonti. Ho elaborato la voce e l'interpretazione di Vanessa Tagliabue Yorke, le sue frasi, il suo canto, ho ricomposto la tavolozza. Il risultato è oltre le mie aspettative. La bellezza estetica è assoluta. La realtà trascendente spesso arriva a noi. Dobbiamo accettarla e fare da tramite.
http://unexplainedsoundsgroup.bandcamp.com/

Download

. Inner Symphony .  Electronic & Voice (on Unexplained Sounds Group)

Lol Trap is High Art Pt.2

An Interpolation between the Sound of a Fridge , Max/Msp and Processing

Untitled_TReyF

Coleoptera is a sound-design/glitchcore track inspired by sounds of insects & shooter game music. 

for a mastered version go to:

http://entity.be/entity/

Coleoptera (unmastered)

“It's a beautiful thing, the destruction of words.” 
― George Orwell, 1984

for a mastered version go to:

http://entity.be/entity/

Dystopia I - Lethargic (unmastered)

I was born in Trieste (Italy) in the late 80s and grew up swimming in salty water, playing in metal bands and drinking local wine at the Slovenian border.

Since more than a decade I work as media artist and director, performer, music composer and educator. 

My works are audio-visual compositions, interactive performances media installations and are regularly shown in international festivals. I hold workshops and teach in various European universities. (Univ. f. Angewandte Kunst Vienna, IUAV Univ. of Venice, Kunst Uni. Linz, Hyper Island Stockholm)

My research addresses internet induced societal issues and explores the multiple influences that the web and its derivates have on the human behaviour and body.

My practice focusses on communicative human-machine interaction. I develop interactive audio / visual instruments that are expressive for the performer but also understandable and meaningful for the viewer. My pieces incorporate the body as active entity in close interaction with technology, where sound, light, visuals and human physicality become performing partners. 

I completed a BA degree in Visual and Performing Arts at the IUAV Univ. of Venice and a magister degree in Transmedia Art with Brigitte Kowanz at the Univ. of Applied Arts Vienna. In 2021 the Austrian Federal Ministry of Art and Culture awarded him with the Startstipendium for media arts. 

I physically exist and create in Vienna (AT).

UserGuidePDF

Stefano D'Alessio

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