Remake of the haunting Rob Hubbard hi score theme to Delta on the C64.
Taken from the album ReFourmation.
Get via the link below the track.

ReFourmation

Delta High Score Theme Remake

Buy Now

Delta Hi Score Theme Remake - Matt Gray

The 2024 remix of my 1997 XM module, originally made for Mekka/Symposium multichannel competition.

WaterBeat 2024

A heartfelt homage to the demoscene legends Purple Motion and Lizardking, this track blends nostalgic melodies and rhythms to evoke the spirit of the 90s demoscene era. It's a tribute to the golden age of digital creativity, where pioneering artists left an indelible mark on the scene. Their timeless influence continues to inspire and captivate audiences to this day.

Purpurra Dreams

You Tak

Alternate Identity - You Tak (Bassmaster Edit)

Alternate Identity - You Tak

The unholy lovechild of procrastination and music theory, conceived by two sonic tinkerers locked in an arms race of bad decisions and surplus leisure during a contest to see who could waste time the loudest.

Malfunction

The Relativity of Time

Autonomous Code is the official preview from my new album “Into the Pattern Zone”, coming October 1st, 2025 on SoundCloud.

Eight tracks of pure electronic energy from the boot sector to the final shutdown. This is just the beginning.

Stay tuned for the full release.

INTO THE PATTERN ZONE
🗓 01/10/2025

AUTONOMOUS CODE

Riesenschritte for Alto Saxophone, Pianoforte, Contrabass, Jazz Drum Set and Tape, no. 402g (2008, Rev. 2014)
Composed by Andrián Pertout

Recorded on 18 January, 2015 by Bob Dawson at Bias Studios, Washington, DC, USA
Mastered on 9 April, 2015 by Michael Costa, Melbourne, Australia
Noah Getz – alto saxophone; Jeffrey Chappell – pianoforte;
Richard Barber – bass; Lee Hinkle – drums

‘Riesenschritte’ for Alto Saxophone and Pianoforte was commissioned by American Saxophonist Noah Getz and represents a contemporary interpretation of John Coltrane’s seminal work Giant Steps – the title track of the album ‘Giant Steps’, and a benchmark for most saxophonists.  Giant Steps was recorded at Atlantic Studios, New York, USA on May 5, 1959, and released on Atlantic Records in January, 1960.  This particular recording features John Coltrane (tenor saxophone), Tommy Flanagan (pianoforte) and Paul Chambers (contrabass).  Coltrane was the “most influential and controversial tenor saxophonist in modern jazz”, and the ‘Coltrane changes’– a strategy of chord substitution utilized in the composition based on the ‘augmented cycle’ (CMaj7 [Bbm7, Eb7], Ab [F#m7, B7], and E [Dm7, G7]) – “created a harmonic revolution”, and became a ‘substitute pattern’ applicable to any standard jazz chord progression.  In The Jazz Theory Book Mark Levine points out that “although Giant Steps is a very challenging tune, its 26 chords (10 key changes equal to 11 tonal centres) are just V-I and II-V-I progressions in only three keys: B, G, and Eb.”

www.pertout.com

Andrián Pertout - Riesenschritte For Alto Saxophone, Pianoforte, Contrabass, Jazz Drum Set And Tape

Original Amiga MOD by Captain/Image (Markus Kaarlonen) in 1991.
Brought to SID by Flex/Artline Designs (Antti Hannula). Done with Goattracker v2.72. Doublespeed tune.

Captain - Space Debris (Flex's C64 version)

Extended version of the main tune from demo "Neon" by Triad. http://csdb.dk/release/?id=153521

This demo won the demo competition at Datastorm 2017.

Neon (Original Extended Version)

I was born in Ferrara on September 7, 1973. I’ve always been instinctively drawn to electronic music, but in the ‘80s, musical instruments and keyboards weren’t easily accessible to me due to my humble origins. However, with significant sacrifices, my parents gifted me a Commodore 64 as a reward for moving up to middle school. At that time, I didn’t yet realize it housed what was likely the most advanced lowcost sound chip of the era. But I discovered it soon enough through three unforgettable moments in my childhood.

The first was the music from the game Penetrator, created by Andrian Pertout. For various reasons, that music has stuck with me for 40 years; in fact, you can find a modern version of it on my SoundCloud. The second was the music of International Karate by Rob Hubbard; saying it impressed me doesn’t fully capture a moment that has stayed with me ever since. The third was an interview in Zzap! magazine in September 1986, featuring Ben Daglish (RIP), Rob Hubbard, David Whittaker, and Anthony Crowther. That interview gave me the drive and inspiration to start programming music on the C64. It took about three years before I could produce something listenable, and that demo became a sample I sent to Simulmondo, a software house in Bologna, which contacted me to start a collaboration. This was the beginning of my dream to create music for video games on the Commodore 64.

Over the years, I also collaborated with Ubisoft and Playstos Entertainment. I was known in the PC demo scene by the nickname DustBin, especially as part of the independent, non profit label Charlie Brown Records. With simple searches, you can find almost all my music from that period on Modarchive and similar sites. The demo scene allowed me to form connections and friendships that last to this day, over 20 years later.

From 2009 to 2014, I was the lead singer of one of the most representative bands of the Italian metal scene, Crying Steel, and from 2015 to 2017, I was the frontman of Blindrage, a Power Metal band with a self-titled album that was very well received by critics and fans.

Recently, I’ve decided to revive my SoundCloud page, which had been inactive for several years. I’ll aim to publish everything I’ve composed but never released over the past five years, along with remastered versions from my archive of .XM modules—a popular music format in the demoscene of the ’90s and 2000s.
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AUTONOMOUS CODE

Stefano Palmonari a.k.a. DustBin

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