MANAGEMENT:
Alex Ravizza: alex@idramgmt.com

BOOKINGS:
ROW - Michael Weicker:
michael.weicker@metropole-talent.com
NA/SA - Daisy Hoffman: dhoffman@teamwass.com

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

For Bookings:
Worldwide: bergsounds@gmail.com


Israel-based artist Berg—a.k.a. Shlomi Berg—has entertained hundreds of thousands of followers around the world. His performances encompass a half-dozen of the world’s most acclaimed—and massive—dance parties, including A State Of Trance (ASOT), Dreamstate (EDC), Tribe and XXXperience.

At the age of 29, Berg has already become one of the globe’s leading acts—over the course of eight years, when the sonic mixologist first launched his name brand. His ability to bring a crowd to its feet with hands waving in unison, as well as his mad beats, have fans from nearly every nation in the world pleading for him to make an appearance.

Across the time Berg has been consolidating his own style based on the desire to mix different sounds that brought inspiration, being able to take it to a new level which gave him the opportunity to collaborate with different artists such like Neelix, Infected Mushroom, Skazi, Bryan Kearney just to name few of them, releasing amazing tunes into well known labels like Armada, Spin Twist Records, and so Blue Tunes Records, in which he is currently signed up.

Berg has released four EPs and 2 album projects where we can find some of his worldwide hits like Bayaka and Randa.

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin

Bookings: 

✦ Season Bookings ✦
https://seasonbookings.com.br/

E-Mail: 
vitor@seasonbookings.com.br 
seasonbookings@gmail.com

Mobile: 
+55 31 98425-9105 (Vitor Falabella )

Paulo Vilela, known as Vegas, has established himself as one of the leading names in Brazilian electronic music, bringing his identity marked by a distinct national groove to 24 countries across five continents. With a 15-year career, he has performed at iconic festivals such as Universo Paralello, Tomorrowland Belgium, Ultra Music Brasil, Indian Spirit, XXXPerience, Airbeat One, Dreamstate, and Rock in Rio.

With three albums released and a career driven by emotion and dedication, Vegas also invests in the future of the scene through his label Synk87, founded alongside Waio and Vitor Falabella, where he releases his own work and provides a platform for new talents.

"Good Things come if you never stop..."

Melodic House & Techno DJ since 2004

Booking: bastixs@gmail.com

Kevin aka Phaxe has gone from a no-name to an international player of the Progressive Trance elite within no time. Dropping his artist name Phaxe in 2007 provokes few, if any, reactions. Only 4 years later he has become a synonym for upper-league party music. Highly acclaimed live sets all around the world, applauded releases, and remixes for some of the scene’s biggest names tell an impressing success story. A story that makes the man from Copenhagen repeatedly being described as a “Progressive Prodigy”.

Looking back, the evolution of Phaxe`s sound is the history of a perfect storm brewing. It starts with excessive party weekends in the late 90s, awakening his interest in electronic music production. First creative steps are taken in front of a Nintendo gaming console. Eventually this new passion leads to a professional audio engineer training in 2006. These 3 stages of Phaxe’s career are still very noticeable today: His music is to-the-floor, playful, and high-quality in terms of sound.

This irresistible mixture is first to be heard in 2007 when a Phaxe track is released on IONO Music. One year later things take off: The title “Swing King” gains euphoric feedback from both party freaks and DJs worldwide. Within no time Phaxe is producing together with artists like Audiomatic, Morten Granau, Vice, Zyce, Flegma and many others. Great compliments are given to him when the still young producer is asked to remix some of his early Progressive Trance idols like Haldolium, Atmos and Symphonix. His long awaited debut album is signed on the prestigious label Iboga.

In addition to his solo activities, Phaxe keeps up a creative dialogue with some other producers - resulting in a great variety of sound and styles. Together with Morten Granau he is known as High & Mighty, delivering deep Progressive House. The name Sinister Silence stands for a mutual project with Dan Hessner and uplifting Progressive Trance. Last but not least there is O.T.B., a collaboration with Martin Daltoft of Vice.

Despite his impressive success story Phaxe always keeps a humorous and friendly attitude which is very noticeable when seeing him on stage. In this very situation his unbroken passion for Progressive Trance rubs off on the audience through vibrant sound waves.

Booking Worldwide: spintwistrecords@me.com

If you like Good Emotions  you are in the right place !!! enjoy !

''Art is how we decorate space, music is how we decorate time.''
connect with Jeep Nikki on Instagram : Jeep_Nikki

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