STEINBRINK

slow

PROFUNDO

Fiz muito tempo de clássico, e esses estudos são dos meus favoritos.

Fiz a base do violão e fiquei brincando com as batidas!

Salve Villa-Lobos, herói da música e do índio brasileiro

Preludio número 4 para Violão

I attended a singing bowl journey from Jeremy Sills this past winter and it really moved me. I purchased this album him and his partner collaborated on and did a little personal edit of this lovely song. 

Please support the beautiful original music here: https://raventhelighttree.bandcamp.com/

Download

Raven & The Light Tree - The Crystal Drum (Nathan Hall's interpretation)

This song was created by a woman named Rosa Giove during a powerful ceremony in South America and she gifted it to the world after that. When Malek aka @lokalaffair send us his edit we immediately fell in love with it and started digging a bit deeper. We managed to find the lyrics in original spanish and english and we are happy to share them with you below. 

We hope the song resonates in the same way with you as it did with us and we want to thank Malek for opening our hearts to this beauty and donating 100% of the profits of this edit to our water project with www.love-foundation.org/about 

You can download the track for a donation here:
https://hugrecords1.bandcamp.com/track/rosa-giove-aberete-corazon-lokal-affair-edit

Lyrics
Abrete corazón, abrete sentimiento, abrete entendimiento
deja a un lado la razón y deja brillar el sol escondido en tu interior.
Abrete la memoria antigua escondida en la tierra, en las plantas, bajo el agua, bajo el fuego, en tu cuerpo.
Es tiempo ya— ya es la hora.
Abrete corazón y recuerda como el espíritu cura, cómo el amor sana, cómo el arbol florece y la vida perdura.

English Translation
Open your heart, open to feeling, open to understanding
leave reason aside and let the hidden sun inside you shine
Open yourself to the ancient memory hidden in the earth, in the plants, under the water, under the fire, in your body.
It’s time— now is the time. 
Open your heart and remember how Spirit cures, how love heals, how the tree grows and life endures.
* * *

Support

Rosa Giove - Aberete Corazon - (Lokal Affair Edit)

Das 6. Kapitel meiner Musikgeschichte ist an der Reihe.
Ich hoffe, trotz langem Wartens, euch mit diesem Set wieder ein Lächeln ins Gesicht zaubern zu können! 
Also lasst mir ruhig etwas Feedback da. :)

Please click the [ ↻ Repost ] & ♡ Button, if you like the Set and
LIKE ME ON FACEBOOK www.facebook.com/NickGrooveOfficial

☞ | TRACKLIST | ☜
https://www.instagram.com/p/Bw3sFshhWoK/

⇩DOWNLOAD⇩

Nick Groove - Musikgeschichten #6

BONJOUR BEN on:
- Facebook: www.facebook.com/bonjourben
- SoundCloud: www.soundcloud.com/bonjourben

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to BONJOUR BEN

Q: Talking about your mix. Your roots are full of atmospheres, pads, not the usual 4/4 beat. What made this music so interesting for you?

A: Thank you. HOW I MET THE BASS was the reason to try something new from the technical side of mixing. It was a lot of fun because it was the first time ever I recorded a mix with 3 different medias. I checked my first electronic tracks in my iTunes playlist, which vinyl records I ordered on decks.de or discogs.com and which fitting CD may be around too. Then I was surprised that most of my music collection was really melancholic and calm. No Techno, no Minimal, no Tech-House - even more Ambient, Electronica and Deep House.

Q: You´re from the northern part of Germany. How did you get in touch with the club scene once and how does it still feel for you?

A: My first experiences in clubbing in my hometown Rostock have been at MS Stubnitz, the good old JAZ and the "Machbar" events. My first gig ever was in Rostock (Club Zwischenbau) and the first events I was involved in as promoter was with the Meerblick Kollektiv. A huge experience that I won´t miss and makes me smile when I remember the good old times. On the other hand I´m living and working here for 11 years now, that has a big impact on my daily doings. And there is a lot of good things going on here. On the other hand I´m really critical with the area around here. Our world is big, colored and nice, we should never forget about that, doesnt matter where you live.

Q: Which future projects and releases are coming soon?

A: Besides having upcoming gigs in Tenerifa, Hamburg, Berlin and recording podcasts for different blogs I´m going to focus on becoming a more professional artist. That means becoming part of a label and an agency as all my recent things have been done on my own. On one side that will give you a lot of freedom and you´re always in direct touch with the promoters but on the other hand that becomes more and more stressful from time to time, especially when its about playing gigs outside of Germany or by having problems in handling Facebook, WhatsApp etc. I´m on the point now that I really need a helping hand and I hope that will take me further.

Bonjour Ben - HOW I MET THE BASS #139

KITTIN on:

- Facebook: www.facebook.com/misskittin
- SoundCloud: @misskittin

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Instagram: www.instagram.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

QUESTIONS to KITTIN:

Q: Let´s talk about your mix for HOW I MET THE BASS. How did these tracks have an impact on your career? So: how did you meet the "bass" once?

A: I met the bass in our local New Wave club in Grenoble who hosted the first Electronic Music party in 1989. It was very bad music, spanish Bacalao by a group of DJs on tour. But how I really „met the bass“ was shortly after at our first rave party in a small town near by, first time we had a flyer in our hands too, Rave Virus. We all went with The Hacker in the same car, same group of friends today. That night had a huge impact on my life. We went to an after hour, and when I came back home, I packed my things and left. I remember saying to myself: how are you going to cope with so called „normal life“ after that? I knew I had to work very hard to write my own path, I knew I would have to make choices that would hurt my family, but I was determined to be free. The same freedom I felt dancing non stop that night on such music. My mix is based on these early rave years memories. The excitement and freedom of each rave, each trip, each DJ, each record. It’s impossible to summit it in a one hour mix, but for example, the track from The Hypnotist (“Pioneers Of The Universe“) in the middle of the mix, the longest too, really brings me back to a special party, the Docks in Marseille in 1993. CJ Bolland played live, among Robert Liner (The Source Experience) and huge Belgian DJs like The Fly or Yves de Ruyter. I also included tracks I listened to before and after a party, at home with friends, like LFO, Aphex Twin, Lhasa or B12. I was massively influenced by the early Warp stuff, and the Artificial Intelligence compilations I still listen to today. When I started DJing, I was playing very hard, Acid Core, but I always tried to bring a left field tune in the middle such as Autechre, Boards of Canada, or The Prodigy. A challenge I kept all along. One hour is really too short, I wanted to play early House tracks too but I am definitely a rave kid. I could have include Gat Decor too, always in my bag, but as a lot of DJs play it back, I focused on more forgotten ones. To meet the bass in my case means „I understood music“ for the first time. I analyzed sounds, closed my eyes and saw shapes, colors, stimulating my intellect. I LIVED the sound. I was not a passive listener anymore, for the first time. What struck me, talking about it, is: many people don’t have that relationship to music. They just play commercial stuff from the radio but don’t feel deep inside this incredible sensation. So I feel very fortunate. Nevertheless I never wanted to be a musician or DJ, but it did change my life. Big time.

Q: In now 25 years of DJing you´ve been playing all over the planet. Which places and experiences were outstanding for you?

A: It’s an impossible question. Too many to say. It happened that I cried out of emotion, in Barcelona, in the big Razzmatazz years, people chanting so hard I had to stop the music and hear them sing. Or lately playing B2B for 6h with Marcel Dettmann at Panorama Bar. Never thought I could live that again in my career. I also had my best experiences out of rage, live with The Hacker, at Benicassim when I nearly missed the show trapped in traffic, had to run on the side road in the heat with biker boots, arrived on stage nearly fainting, threw my boots in the audience as my feet hurt so bad and did the whole show barefoot, full house. Love Parade 2001, at the Siegessäule, one million people, they say your name on the microphone „Miss Kittin, Grenoble, France“ and my dad saw me playing for the first time, this was quite life changing for him, acknowledging I did pretty well for a raver.

Kittin - HOW I MET THE BASS #150

Hey Leute, wir sind zurück mit einem Mixtape aus dem Herzen von Sachsen-Anhalt!

NICK GROOVE aus Bernburg hat für uns ein frisches Deutschouse-Set aufgenommen, 
natürlich handmade!

Musik von Nick Groove, das ist Musik mit ganz viel Liebe und Leidenschaft!

///////////////////////////////////////////////////////////////////////////

► Facebook:
www.facebook.com/NickGrooveOfficial
► Soundcloud:
@nickgroove
► Instagram:
www.instagram.com/nickgroove/

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☞ | TRACKLIST | ☜
after 10k Plays

Aux Germany Podcast #3 Mixed By Nick Groove

Frohes Neues wünschen wir mit unserem #29 Podcast. Die Hamburger Faultiere von der @Slowpunch Crew lassen Grüßen mit einem Mix, der von dem Sein zwischen den Momenten und zwischen den Welten erzählt. Auch das Innehalten und die Reflexion..die nötig sind , damit Mensch optimistisch und mutig nach vorne schauen kann. 

Let the journey begin!!! <3 <3 <3

Fautlierdisko # 029 @ex-mono @eva_freilufttanz_hamburg

Slow Punch

Faultierdisko # 029 - Ex-Mono & EVA (Slow Punch)

Luiz Enrique - mas que nada (Jorge Ben Jor) (diederdas rework)

S L O W I N G D O W N

Welcome back to the Magician On Duty Journey Series!

On this edition we welcome @12imhaus

They are part of the Kollektiv Fuchsbau & Journey to Tarab , and have played major festivals in Germany & Austria and more. They shared decks with the likes of Acid Pauli, Stephan Bodzin and many more. 

I hope you enjoy this episode as much as i did!

Follow Käpt'n 12 & Düsentrieb here:
https://soundcloud.com/12imhaus
https://www.facebook.com/Kaeptn12Duesentrieb
https://www.facebook.com/kollektivfuchsbau
soundcloud.com/journeytotarab
https://soundcloud.com/kollektivfuchsbau

Magical Download

Käpt'n 12 & Düsentrieb [Journey Series]

Heimlich per Anhalter in Garbicz (Poland) 2020

♬ Click for more ☞ https://trndmusik.de/2021/01/trndmsk-future-stars-56-gazel-fear-of-missing-lagos-live/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2  

The 56th edition of our Future Stars series is a liveset titled "Fear of Missing Lagos" and comes from @gazel_musik. Enjoy the live set in video: https://bit.ly/38Sz9zq

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

trndmsk Future Stars #56: gázel - Fear of Missing Lagos (live)

KlausUweHeimlich
Downtempo&DarkDisco 🖤
18.09.20 SUICIDE Zero Stress Garden with KlausUweHeimlich
12.09.2020 Private Veranstaltung Lichtlabor Berlin

S L O W I N G D O W N

H:LDA