A “sonic mythology of confiscated acquaintances” from Bridgend musician and sound designer Elvin Brandhi.

More info and tracklist here: https://www.factmag.com/2021/03/08/elvin-brandhi-fact-mix/

Fact Mixes

Fact Mix 798: Elvin Brandhi (Mar '21)

After two stunning manifestations on 'Muy Duro' compilations the Austro-Turkish duo, Hanzo & Yaman, fall on Duro with their first full EP for the label and it's loaded with a powerful remix from DFA legend The Juan Maclean.

'Die Neue Welt' the main title is a reminder that no matter how hard you try to run away, the new world has arrived. A world where biology and technology are one and the same. A world created with synthetic and organic percussion, melting and waving synthesizers, and a robotic voice. The Juan Maclean put out a stripped club remix, where every element needed to make the dancefloor explode is kept and escalated to the next level.

'Atari Maedchen' is the second blazing original and has an obsessive and twisted synth lead that brings to feel locked inside an arcade room. Last but not least is 'Niemandsland' a mystical, astral melody synth carries us along with a tempestuous rolling slice of percussive hypnotica.

Die Neue Welt

PREMIERE : Hanzo & Yaman - Die Neue Welt

Gnarled Roots

In the Ground

We are thrilled to present for our podcast sessions Italian musician TITTA.  

TITTA starts his musical journey at the beginning of the nineties, hardcore and shoegaze being his first passions, soon after discovering electronic music, which brings him to perform in occupied houses and raves to end up in radios and clubs, becoming the co-founder of the label, radio show and cultural association General Elektric.  
At the end of the nineties he starts The Plug, first electro/techno nights in Turin, an event that is still taking place nowadays, where he has the opportunity to work with great artists of the time like Dj Hell , Adult, Anthony Rother, Superpitcher, Vitalic.
2000 he starts to explore different genres, creating one of the first italian netlabels, ToniMusic, which presents microhouse sounds, and founds COMADISCO, an electro/punk/wave band with a self-produced LP and an EP released on Irma Records.  
2008 he collaborates with Franco Cazzola, founder of Carnival Records, with whom he releases many vinyls on labels like Toys for boys, Upon you, Natural Rhythm, Material, Sleep is Commercial. 
2016 he starts to organise the events Techno Nights and MUSICAUTOMATICA in the infamous Bunker in Turin, inviting artists like djStingray, Donato Dozzy, Balance, Errorsmith, Marco Shuttle, Paula Temple.
 2018 he starts with mix engineer Maurizio Borgna the duo project DRANG, characterized by only modular synths and IDM sounds, which brings them to open for Helena Hauff at at Club to Club in Turin. 
Currently he is working on his solo project, doing live performances and with a ready EP soon out on the label TRST.

@user3490966

TITTA modular live set for Hart Lab

Flesh

Untold - Sing A Love Song

Out Now:
Surus - http://bit.ly/1euCXoQ
Itunes - http://bit.ly/1dm2OL9
Bleep - http://bit.ly/1kElVpO
Boomkat - http://bit.ly/1imH1It

Taken from the debut album 'Black Light Spiral'.
Released 24th February 2014 on Hemlock Recordings.

www.untold-official.com
www.facebook.com/Untoldhemlock
www.twitter.com/untoldhemlock

Sign up to the mailing list for more info: 
http://www.untold-official.com/mailing-list/

Pre Order Vinyl

Sing A Love Song

Starting our podcast series with a sprinting trance and baile-funk infused mix by @sensualtwerk.
For this mix he was concentrating on some rhythmic kicks, chopped baselines and genre fluid sounds in the realm of club music. He delivers you the euphoric energy you need to get back on track. :--)

Artwork: @duskblade2332

gibbageniest001 - sensual twerk

from KR107: SARA PERSICO - Boundary 
EP out on march 10th 2023 as lim. ed. tape / DL

SARA PERSICO - Boundary

http://mixmag.net/music/in-session/in-session-martyn

Martyn makes underground dance music for those in the know.



Download here

In Session: Martyn

So We Went Electric

This recording is available to download here: https://boilerroom.tv/recording/karenn/

Karenn Boiler Room London Live Set

====  TRACKLIST  ====

"It’s Xmas time innit, so I had the sled with me and had plenty more room in the back. So yeah, I dragged my Oberheim and Octatrack down to this festive Warehouse of Rob’s, popped down the chimney and plugged ‘em into my normal set up of two turntables and two CDJ-s [for the new stuff, like]. I’ve never attempted a mix like this before. Ever. Talk about an early Xmas present, eh Rob? 
It was recorded in one take. Which sort of says it all . . .
Xmas is great." - Powell [Diagonal / XL]

01.	Not Waving — Untitled [Diagonal 2015]
02.	Powell — RH [N/A]
03.	An-i — Gutz [Cititrax]
04.	Out of the Ordinary — The Dream ‘Acid Dub Mix’ [ZYX]
05.	Headman feat. Scott Fraser + Douglas McCarthy — Noise [Emotional Relish]
>> 	Russell Haswell — Conceptual Noise [Bocian]
06.	3 Times 6 — You Can Run [New Zone]
07.	Unit Black Fight — Shortwave Radio Antenna Down [Giallo Disco]
08.	Plastic Bertrand — Slave to the Beat [Epic]
09.	The Project — Move It Baby [Subway] 
10.	Black Kiss — The Orgasm [Subway]
11.	Unknown — Unknown [Light Sounds Dark]
12.	Powell — M [N/A]
13.	Powell — Untitled [Diagonal 2015]
14.	EVOL — Flapper That [Diagonal 2015]
15.	Russell Haswell — Hardwax Flashback [Diagonal 2015]
16.	20 — Acid To Body [ZYX]
17.	Traxx — ABC Acid Beat Complete [Anunnaki Cartel]
18.	Out of the Ordinary — Play It Again [The Lose Ninos Mix] [ZYX]
>> 	James Hoff — Blaster [PAN]
19.	Force Staccato — Ectomorph [Dank SM Club Mix] [Sonic Groove]
>> 	Pan Sonic — Telako [Blast First]
20.	Nautilus — To Live In Peace [New Zone]
21.	Autonervous — Anchors Aweigh [Cochon Records]
>> 	Russell Haswell — Harshing [Downwards]
22.	Mighty Force — Thrashing a Dead House [Vinyl Drip International]
23.	Powell — Sylvester Stallone [XL Recordings]
24.	Consumer Electronics — Murder the Masters [Diagonal 2015]
25.	Blood Music — Badgering [Diagonal 2015]
26.	NL — For Promotional Use Only [Diagonal 2015] 



Powell - EE354 - Electronic Explorations (Warehouse Sessions 015)

Mixboardcut II

READ > https://inverted-audio.com/premiere-uwalmassa-untitled-02

Uwalmassa 'Untitled 02' on @divisi62 brings together the trance-inducing percussive drive of Java's traditional music with digitally-processed FXs and alterations that make it a nice fit for all techno DJs desirous of shelling genuine jungle vibrations on the dancefloor.

Uwalmassa - Untitled 02 [DIVISI62 / Linear Perspective]

Gobby has been working away since the New Hat EP.  With his latest Giveitaway installment Above Ground, Gobby's burrowed into a longer format before his next UNO 12".
The upward direction focuses on a brighter side of noise and hip hop inspirations, while keeping equally twisted and cartoony. The melodies are different, particularly Theme For Money Go Deli (a near four minute digital orchestra), but remain based in the rhythms and drums he's been playing in the daylight. 

Download here for a limited time: http://www.unonyc.com/giveitaway/

DOWNLOAD FREE

Gobby - Who Said It!?

Im aktuellen Kunsthalle Wien Podcast hören Sie ein ausführliches Interview mit Constanze Ruhm zu ihrer Video Installation "CRASH SITE / My_Never_Ending_Burial_Plot“ aus dem Jahr 2010, die momentan in der Ausstellung "Cybernetics of the Poor" in der Kunsthalle Wien zu sehen ist. Constanze Ruhm’s Ausstellungsbeitrag ist Teil ihrer 2002 begonnen Serie „X Characters“, in der sich sie sich aus einem einem Queer-Feministischen Blickwinkel mit weiblichen Figuren der Filmgeschichte auseinandersetzt. 

Written by Michael Simku, Martin Walkner
Narrated by Michael Simku
Interview by Michael Simku
Sound Mixing by Konrad Politanski
Sound Editing by Michael Simku
Music by Konrad Politanski
Additional Sounds by kwahmah_02 from freesound.org (tinyurl.com/y9ahmwbj)
With sound-excerpts from the video installation CRASH SITE / My_Never_Ending_Burial_Plot by Contanze Ruhm

Der Kunsthalle Wien Podcast bietet Ihnen unabhängig von Raum und Öffnungszeiten noch mehr Hintergrundwissen zu unseren laufenden Ausstellungen. Im Gespräch mit Künstler*innen, Kurator*innen und Besucher*innen bereiten wir für Sie interessante Informationen zu den Ausstellungen auf und dokumentieren diese in Form des Podcasts.

Kunsthalle Wien Podcast: Constanze Ruhm im Gespräch

In "The Acquisition of Language & The Language of Acquisition", artist-poet Luzie Meyer traces the property of language to both confine and liberate, and the verbal means of expression available to us in times of digital media and algorithms. With the faculty of being able to express oneself through these forms (templates) comes the problem of false equivalence or commensurability: Unlike the spider that mechanically reproduces the same pattern again and again, The Acquisition of Language & The Language of Acquisition explores the gaps and interstices in which such tools and formats might possibly be used for different and poetic ends.

The long poem reads as a succession of “exercises” (chapters) and addresses the intricate entanglement between the individual and the universal, or the authentic and the socially constructed. Blending sound (among which are zither pieces of her friend Magda Barthofer, or composition techniques borrowed from musique concrète) with writing techniques such as cut-up, Meyer investigates the psychology of language forms and formats. As the narrator of the poem finds themself looking for a different and individualized alphabet, the use of an all-too-familiar language of therapy and self-enhancement reveals it as yet again firmly merging with the logic of neoliberal value and exchange.

The spoken word is accompanied and interrupted by musical interludes. The musique concrète compositions are created with a drum rack of original percussion sounds recorded at home, as well as with a ready-made set of sounds from Ableton. Additionally, the piece includes sounds of a lapharp (zither), played by Magdalena Barthofer, which were recorded with Ableton with an effects pedal.

Postproduction: Nadel Eins Studio Berlin

21_

Steve Nest