Tírvia is my place in the world, the town I love, where I grew up, and where I feel at home. In this song, I wanted to reflect my feelings toward this wonderful place in the Catalan Pyrenees.

Tírvia

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Answer me

Sept. 1st, 2025
Having some fun with our '80s Cover Songs :)
Music by Thomas Mierkiewicz @user-297959700
Vocals by Kate Stanton, Written by Neil Moss & Michael James Hucknall
Did you know Mick Hucknall of English soul/pop band Simply Red wrote this heavy lyric when he was just 17? One can hear & feel his painful experience through his emotive vocal delivery.

Thank you for listening to our cover version!!

… Holdin' back the years
Thinkin' of the fear I've had so long
When somebody hears
Listen to the fear that's gone
… Strangled by the wishes of pater
Hopin' for the arms of mater
Get to me the sooner or later
Oh-oh
… Holdin' back the years
Chance for me to escape from all I've known
Holdin' back the tears
'Cause nothing here has grown
… I've wasted all my tears
Wasted all those years
Nothing had the chance to be good
Nothing ever could, yeah
Oh-oh, well
… I'll keep holdin' on
I'll keep holdin' on
I'll keep holdin' on
I'll keep holdin' on
So tight
… Alright
Oh, now
… Well, I've wasted all my tears
Wasted all of those years
And nothing had the chance to be good
'Cause nothing ever could, oh yeah
Oh
… I'll keep holdin' on
I'll keep holdin' on
I'll keep holdin' on
I'll keep holdin' on
… Holdin', holdin, holdin' on
La-la-la-la-la-la
I said, "Ooh, yeah"
That's all I have today
It's all I have to say

Songwriters: Neil Moss / Michael James Hucknall

Holding Back The Years

Sunshine. The Sun. Our God and creator!

In this song I'm pretending Earth is asking me to make soldiers of all Humans to clean the air we all have to breathe especially for those in cities that have to breathe horribly fume filled air all the time. We have the tech and if we spread our wealth properly and had the will, we could all breathe clean air. Let's make it happen! Step number one to get on the right side of climate change. Burning more oil like some ignorant assholes want us to certainly ain't the answer. Yes we need to burn oil as our society relies on it but to deny climate change, purposefully try and confuse people's mindsets about it and feed the oil industry with a stay for a few years is very fucking dangerous for all of us... Stop listening to people not qualified to teach you about subjects they don't know..Read James Locklock if you want to actually find out where this is all going. He is one of many incredibly informed sources of good information and one of the greatest thinkers EVER.
Rest in Peace James 🔆
The oil industry spent decades crushing his ideas with narrow-minded propaganda and now all of his ideas are widely excepted by science and they are unbelievably fascinating and I would say some of the most spiritual theories ever created by a person. He found the one system that I will sing for until I'm dead 🫡💪🏽 Gaia will go on with or without us so time to synchronise with mother Earth. The Sun will take no prisoners!
We have an oulipo style lyric spelled by the first letter of each sentence of the first seven stanzas

♾ Smog Please Lift Let The Sun Shine ♾

I wrote and released this song in November 2024 and just redelivering today to give the vocal the improved voice. Let's go Earth 🌍  I still struggle on the Please Hear line so might drop it to 432Hz to nail that comfortably. Interestingly it's down to what I sing before those words and the part of my throat I'm at with those that makes the change hard, it's not a range thing it's a change thing. Doing the same tuning drop with God and the Universe was the only way my body could express what was in my head. It works wonders when you actually tune to your body! This song will be a completely different beast when I get around to a full 432 build

Listen to Singing Tip - Make your own frame of reference by The Beautiful Dark on #SoundCloud
https://on.soundcloud.com/9m2EDADpJzh8EooRg3
This my thinking in relation to this if you are interested in learning my approach.

My advise is actually tune everything to your chosen reference tone. I tune everything to perfect pitch 432 as this is more realistic to replicate on stage where as although a DAW can pitch shift you there if you are staying at 440 and pitch shifting artificially, which a modern DAW does amazingly well, that will put pressure on you when recreating your songs in a live environment. So I'd suggest go all in or stay at 440 if you have goals of hitting the stage with your music

Thanks Aileen for helping me appreciate this world more deeply ♾️
https://on.soundcloud.com/efwXGhXZD1oQCanPW5
A true human Light

Lyrics

Soiled air
Mist from humans
Oratory good beast, care
Give us stare through clean air, No fumes

Planet of one
Long lost founded son
Earth
Ask me for help
Send billions to repent
Earths soldiers are sent ~ Our ascent is meant

Light us a way
Insert air love today
Fear drafts away
Total clear air for alls' haze in gaze 

Love is here
Everything is clear
To the filter my dearest...

This sanction of fear?
Hire restriction to here.
Evolve the help we give, Please hear...

Sunshine
Universal
Nurture

Sunshine
Highest form
Indigo clone
New life not alone
EVOLUTION

Soiled air
Mist from humans
Oratory good beast, care
Give us stare through clean air, No fumes

Sunshine
Jniveral
Nurture
Come on from our highest form
Let's lift that dome

Sunshine
Univeral
Nurture
Sunshine
Highest form
Indigo clone
New life not alone
Never alone
This is evolution
Never alone
We're lifting that dome


Sunshine

WASTELAND by Nova J

[VERSE 1]
I’m not quite here, I’m not quite there
I can’t stop scrolling in my underwear
I’m not talking, you’re not talking, just an empty stare
Searching for another body somewhere close to here

[PRE-CHORUS]
If I’m being honest, I knew there was no connection
But I was high, supplies ran dry, and I don’t need perfection

[CHORUS]
Is that a quake? Or do I have the shakes?
I keep taking, you keep taking, how much more can we take?
I am empty in my space, too afraid to see my face

[HOOK]
In this Wasteland, I am
Frozen, ahhh 
Frozen, ahhh
Frozen, ahhh 
Frozen, ahhh

[VERSE 2]
The sun has risen, the sheets are red
Your body like a dead fish, lifeless on the bed
My arms resemble spider webs, this pounding in my head
I really need to sleep, but I prefer to tweak instead

[PRE-CHORUS]
But now I’ve got a problem, the fact is you’re still near
I tell a lie and say goodbye and get you out of here

[BRIDGE]
I hope that you don’t hate me, I hope you’ll understand
It’s not my row, I blame the snow, I’m not that kind of man

[CHORUS]
Is that a quake? Or do I have the shakes?
I keep taking, you keep taking, how much more can we take?
I am empty in my space, too afraid to see my face

[HOOK]
In this Wasteland, I am
Frozen, ahhh 
Frozen, ahhh 
Frozen, ahhh 
Frozen, ahhh 

[VOCAL BREAK]
Ah-ah, ah-ah
Ah-ah, ah-ah

[VERSE 3]
Oh, I swear things will be better this way
There’s a needle hiding somewhere in this burning pile of hay
I did not find it last week or last night and not today
But I know if I keep hunting, I will find true love someday

[VERSE 4]
I refuse to settle, I refuse to compromise
I refuse to tell the truth, and now I’m lost in all the lies
My leather tongue no longer tastes my mother’s rhubarb pie
I’m hiding from the sun, and drinking blood like a vampire

[FINAL CHORUS]
Is that a quake? Or do I have the shakes?
I keep taking, you keep taking, how much more can we take?
I am empty in my space, too afraid to see my face

[OUTRO]
In this Wasteland, I am
Frozen, ahhh 
Frozen, ahhh
Frozen, ahhh
Frozen, ahhh
Frozen, ahhh
Frozen, ahhh
Frozen, ahhh 
Frozen, ahhh

WASTELAND

“ASHVARA” resonates as a meeting point between East and West — a seamless blend of lo-fi warmth, cinematic expanse, and subtle Eastern motifs. Flowing at ~70 BPM in C, the track breathes across a generous 34 dB dynamic range, where textures rise and fall like shifting light through mist. Its balanced stereo field lets every detail drift naturally, while the –18 LUFS loudness enhances intimacy without losing depth.

Perfect for night reflections, meditative focus, or creative sessions, “ASHVARA” unfolds like an ancient mantra translated into modern sound. Lo-fi grooves provide grounding, while ambient textures and soulful undertones expand the atmosphere into something timeless. This is not just a song, but an East–West electronic fusion carried by truth in sound.

Technical Details

Primary Genre / Style: Lo-Fi Chill / Downtempo
Secondary Genre / Style: Eastern Ambient / Cinematic Chill
BPM: ~70
Key / Tonality: C
Loudness (LUFS): –18.6
Peak Level: –4.6 dBFS
Crest Factor: 14.0 dB
Stereo Image: Balanced stereo field
Fusion Breakdown (%): 40 Lo-Fi Chill / 25 Ambient / 15 Eastern Motifs / 10 Soul / 10 Experimental

ASHVARA

J’ai écrit I Feel Changed en août 2023, avec l’idée que, malgré nos 13 années ensemble, je n’avais encore jamais dédié de chanson à ma compagne. C’était une période paisible, où tout semblait enfin aligné, comme une accalmie dans le tourbillon de la vie. Un moment parfait pour regarder en arrière, faire une petite introspection, et simplement lui dire merci d’être à mes côtés.

I wrote I Feel Changed in August 2023, realizing that after 13 years together, I had never actually written a song for my partner. It was a peaceful time in my life, when everything seemed aligned, a calm in the usual whirlwind of everyday life. The perfect moment to look inward, reflect, and simply say thank you to the woman I love for being by my side.

(Verse 1)
I gotta be dreaming
It’s more than a feeling
With every heartbit, you are my sweet addiction
I gotta be dreaming
When our love is revealing
You changed my world, surrender with no condition

You gotta be dreaming
Watching our love growing
You let all your feelings flow-ow
You gotta be dreaming
How the magic is playing
When I touch your skin
My soul is burning till that

(Chorus)
I feel changed, I’m not the same
Since you steppedinto my life, I rearranged
I feel changed, I’m not the same
In this vintage new wave love we will remain

(Verse 2)
I gotta be dreaming
Cause my heart is healing
It’s beyond my control, you are my sweet perfection
I gotta be dreaming
How I’m redefining
Better man I want to stand with no contradiction
You gotta be dreaming
Love, you are game changing
You don’t know how much you can show-ow
You gotta be dreaming
But the best is forthcoming 
I just need my love to grow, and believe till that…

(Chorus)
I feel changed, I’m not the same
Since you steppedinto my life, I rearranged
I feel changed, I’m not the same
In this vintage new wave love we will remain

I Feel Changed

Akureme - LEGACY

The Dream

Ether Heart v1

👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

Le vinyle est prêt, pressé à la demande.
Une descente en groove dans les coulisses de la French Touch.
Boîtes à rythmes poussiéreuses, synthés analogiques et fantômes du Rex Club.
💿 Pour ceux qui ont dansé tard, et écoutent encore.
🎧 Commande ici :
👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

🇬🇧
The vinyl is ready — pressed on demand.
A groove-soaked dive into the backrooms of French Touch.
Dusty drum machines, analog synths, and the ghosts of Parisian nights.
💿 For those who danced late, and still listen.
🎧 Order here:
👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

Answer me

Stephan B

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