Alberto Novello a.k.a. JesterN’s practice uses found or decontextualized analogue devices to investigate the connections between light and sound in the form of contemplative installations and performances. He repurposes and modifies tools from our analogue past: oscilloscopes, early game consoles, analogue video mixers, and lasers. He is attracted to their intrinsic limitations and strong ‘personalities’: fluid beam movement, vivid colors, infinite resolution, absence of frame rate, and line aesthetics. By using these forgotten devices, he exposes the public to the aesthetic differences between the ubiquitous digital projections and the natural vibrance of analogue beams, engaging them to reflect on the sociopolitical impact of technology in a retrospective on technologisation: what ‘old’ means, and what value the ‘new’ really adds.

His works have been presented at Centre Pompidou in Paris, Museo Reina Sofia Madrid, Amsterdam Dance Event, Venice Biennale, New York Computer Music Festival, Bozar Bruxelles, BOA Biennale Porto, Rewire Festival Den Haag, Glasgow Contemporary Art Center, Dom Moskow, Seoul International Music Festival, Rome University of Fine Arts, to mention a few. He has released records for Staalplat, Bowindo, Elli Records, Dobialabel, Setoladimaiale, Ante-Rasa and Creative Sources.

Tenderness and melancholia
Darkness and light
Body and spirit
Flesh and electricity

(photo - Nicko Straniero)

I’m a Dutch self-taught musician. Einzelganger is my solo project. Follow the links below to find out more about my musical projects and field recordings.

I’m also curator of the Kernel Panic concert series, Den Haag and a radiomaker at Concertzender. There are links below for that as well.

Eleni Ikoniadou is a Reader in Digital Culture and Sonic Arts at the Royal College of Art. Her research sits at the intersection of media art, theory-fiction, and technoculture, with specific attention to sound and voice. Her latest art project, Future Chorus, funded by the EPSRC Human-Data Interaction Network Plus, is a record made from remixes of AI and human lamenters. She runs Fugitive Voices for the MA Visual Communication and is a resident host on Movement radio (https://movement.radio/podcasts/fugitive-voices). As member of the art group AUDINT (http://www.audint.net/www/), with Steve Goodman (kode9) and Toby Heys, she co-edited the anthology Unsound: Undead (Urbanomic 2019) and is author of the monograph The Rhythmic Event: Art, Media and the Sonic (MIT, 2014). She is founder of MAENADS, a platform for collective research-led art projects, and founder and co-editor of the Media Philosophy Series (Rowman & Littlefield).

Πολλά μέρη αυτού του κόσμου τα αποφεύγω. Κάποια άλλα τα δημιουργώ. 

"Bleeps, microsound and infrabass. A taste of paradise in binary language. Like rush hour traffic inside electric wires. ..."

Electronic Music 🎶 + Expanded Media 👾| Mediterranean 🌊 | Based in Amsterdam ❤️🖤

Pandelis Diamantides is a new media artist, electronic music composer and researcher who splits his time between Nicosia, Athens, and Amsterdam. His art installations, sound compositions and audiovisual performances are carefully crafted, highly immersive experiences. He has taken part in various collaborative projects, creating sound, visuals and software for contemporary dance, theatre and interactive audiovisual installations and performances. His work has been presented in international festivals, concert halls, clubs, theatres, galleries and museums in Europe, the Middle East, Asia, South America, and the United States. These include MoMA PS1 (New York), the 55th Venice Biennale, Bozar Centre for Fine Arts (Brussels), Museo Nacional Centro de Arte Reina Sofía (Madrid), the Madrid Planetarium, the Benaki Museum (Athens), Athens Digital Arts Festival, TodaysArt Festival (The Hague), the FOAM Museum (Amsterdam) and Amsterdam Dance Event. His works include Green (2011), False Awakenings (2015), Go Back to Hiding in the Shadows (2019), Quickly Photographed and Released Unharmed (2020), and Παλμός (2023).

ABOUT ME
I am a Dutch illustrator and animator. I always strive for a simple image, with a clear message, without noise. I'm also an avid field recordist.

ABOUT THIS PAGE
This SoundCloud page contains my field recordings. An old hobby that grew big over the last years and gives me great pleasure. A lot of these recordings end up being used in my music and live performances one way or another. Follow the Einzelganger-link below to go to my musical project.

BINAURAL
Some of the recordings are 'binaural', meaning that the method of capture recreates an accurate stereo image of the environment when listened to using headphones. To enjoy this effect, listen to those marked 'Binaural fieldrecording' using headphones!

<a href="http://en.wikipedia.org/wiki/Binaural_recording">Here's more on binaural recording</a>.

<b>GEAR</b>
I use a Zoom H2, Zoom H2n and Zoom 4Hn recorder. Sometimes with additional Sound Professionals SP-TFB-2 binaural microphones.

<b>MUSIC</b>
Some recordings end up being used in my music. You can hear examples of that on the pages of http://soundcloud.com/einzelganger and http://soundcloud.com/mouchesvolantes

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