Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

The sonic brotherhood of Erol Alkan and Richard Norris. Strange things are still happening.

After releasing a critically acclaimed album and touring the world as a live act the Filthy Dukes then went underground. Disenchanted with the music scene they decided to go back to their roots as record collectors, thirsty to reignite their passion for house & techno. 
 
On a quest to discover the best dance floors, record shops and secret parties they have spent the last year creating a new sound. 

Taking inspiration from the music they discovered and having no regard for genre or labels a new chapter has began. Smarter, more honest and more exciting.

Here with a taster of what is to come is the dark brooding house track ‘Time To Let Go’ 
A new 4 track ep is set for release on 7th May. A glimpse of what's to come. 4 tracks which although different share a style and new sound. 

Filthy Dukes also released Beat The Break on the new 'Southern Fried and Tested' compilation with support from Annie Mac, Rob Da Bank, Brodinski, Boy 8 Bit to name a few. 

They have recently produced remixes for The 2 Bears, Justin Robertson and Daniel Avery new single on Gomma, James Welsh on the 'join Our Club' label and Native Tounge.

Filthy Dukes are first and foremost djs who know how to work any dancefloor, with huge knowledge and vast record collections, their left field house and techno sets have been igniting dancefloors in Europe's most discerning clubs for years.

Been around a bit... done loads of stuff.. played at some of the best shindigs in the world and collected a heap of great records along the way... enjoyed every minute...

<a href='http://gigs.gigatools.com/u/EwanPearson' target='_new'>Ewan Pearson's Upcoming Gigs </a>Saturday 05 July, 2014 <a href='http://gigs.gigatools.com/u/EwanPearson' target='_new'>Garden Festival, Tisno, Croatia</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Ewan Pearson has been making music for a living since 1998. In that time he has worked as a recording artist (Maas, World of Apples, Partial Arts), a remixer (Depeche Mode, Chemical Brothers, Goldfrapp, Cortney Tidwell, Junior Boys, Metronomy), a record producer (The Rapture, Tracey Thorn, M83, Delphic), a DJ (Space, Robert Johnson, The Loft), as well as being a published academic (‘Discographies’, Routledge: 1999, with Jeremy Gilbert) and music columnist (Groove Magazine, Germany 2007-present).

‘The Venus Williams of the DJ World’ The Guardian

‘One of the world’s most trusted authorities on electronic music’ iDJ

‘The ultimate poster-boy for dance music geeks.’ Eye Weekly

‘Dance music’s smartest cheerleader’ Time Out Chicago

‘You may never quite be sure what you'll get from Ewan Pearson, but you can always be sure it'll be worth getting.’ Resident Advisor

‘Someone with an up-to-the-minute knowledge of dance trends as well as an understanding of what makes trad songwriting tick... We’re lucky to have him.’ Pitchfork

Stephen Bryant is following