Home recording by Michael Hugh Dixon playing both parts.

Melancholia for 2 horns in just intonation by Donald Bousted

Wo bleibt die Zeit, mein Cembalo Solowerk (2007) komponierte ich für den Cembalisten und Komponisten Brice Pauset, der es am 15.6.2014 in Genf uraufführte.

Wo Bleibt Die Zeit (15.6.Genf B.Pauset)

Dialoghi

Dialoghi: No. 1, Toccata

Under; elsewhere (2020)
for quarter-tone trumpet in C
The ‘After Times’ –– a new reality. Time passes weirdly here. Distances are strange. Gravity is different. Prepositions no longer make sense. Up is down is left is right, inside is outside, and is under and over. The after times – an Escher-esque existence.
Otiose: producing no result or effect
Outraged: angered at something unjust or wrong Overcritical: inclined to judge too severely Overwrought: deeply agitated especially from emotion Outmoded: old-fashioned
Offcious: intrusive in a meddling or offensive manner Overmodest: shy especially in a playful or provocative way Odious: unequivocally detestable

Emily Koh (b.1986) is a Singaporean composer based in Atlanta, Georgia whose music reimagines everyday experiences by sonically expounding tiny oft-forgotten details, and is characterized by inventive explorations of the intricacies of sound. Her work also explores binary states such as extremes/ boundaries, distinguished/ ignored, and activity/ stagnation, through her unique Teochew and Peranakan Singaporean lens. An amateur multi-disciplinary artist herself, she enjoys collaborating with creatives of other specializations, especially when sound plays a central role in the project. Emily is currently Assistant Professor of Music Composition at the University of Georgia, USA.

Live recording of the premier, at:
'Das Stimmt!! with strings attached' (EUROMicroFest 2024)
8 March, 2024, 8pm
Elisabeth Schneider Stiftung, Weinschlösschen Freiburg.

Under; elsewhere (2020) WP

for Urška Rihtaršič

Inštitut .abeceda
Festival sodobne glasbe .abeceda / .abeceda Contemporary Music Festival
Ensemble (.abeceda [ansambel za novo glasbo] / .abeceda [new music ensemble])

for microtonal harp duo or harp and pre-recorded tape

Urška Rihtaršič, harfa / harp

A harp tuned in 12 EDO and another in 7 EDO allow, through the pedal system, access to various microtonal combinations (1/20, 1/10, 1/6, 1/5, 2/7, 1/4, etc.) in relation to 12 EDO, establishing tonal centers and temperaments. The first and third sections of the piece are tautological, transposed by a distance of one tone.

GLASSSCHERBEN (2024) for Microtonal Harp

Live recording of the premier, St. Pauls Hall, University of Huddersfield, 18th April, 1996. Concert by YON Ensemble.

Floating Poles begins by setting up a regular movement from sparse music to a more compressed equivalent. This flow occurs around ‘poles’, defined harmonically. Later the poles float away from their fixed positions, dragging the associated material with them, leading to an overlap between blocks. The holes that result are filled by low echoes of the original material. Floating Poles was written for Stephen Altoft and first performed by him in Huddersfield on 18th April 1996.

James Saunders is a composer with an interest in group behaviours and decision making. He performs in the duo Parkinson Saunders. He runs the Open Scores Lab at Bath Spa University. See www.james-saunders.com for more information.

Floating Poles by James Saunders

I recorded this in the early 1990's (James Saunders used his equipment), and it was on Chris Villar's website for a long time. I also got to perform it in London at a related book launch some years later.

A Very Short Trumpet Piece    

A Very Short Trumpet Piece by Morton Feldman

On 12th December of 2002, duo Contour, in collaboration with SUONO MOBILE put on the first and only complete performance of Bryn Harrison's 'Listenings' Cycle at The Warehouse in London.  'Mantra' (Listenings V) the fifth and final movement is for solo trumpet and drone, which Bryn wrote for me in Autumn 1997. I gave the premier in 1998 at the Hebden Bridge Arts Festival, and have played about 20 times in total, internationally.

Listenings III is here https://soundcloud.com/duocontour/listenings-iii-by-bryn-harrison

For details about Bryn Harrison, please see his website: brynharrison.com

Mantra (1997) by Bryn Harrison for trumpet and drone

5 Pieces for String Quartet was first Performed at the British Music Information Centre, London in 1986 by the Goldsmith's String Quartet. In 1994-5 they were toured in the UK by the Almira String Quartet.  It is written using quarter-tones, although unlike some of my other music I would not describe it as a quarter-tone structured work. The movements are Inflow; Flux; Fall; Chords; Elegy. This is a realisation using Kontakt: there are obviously limitations to this but, in particular, the high melody in Elegy is played on 'cello harmonics and the equivalence is very approximate.

5 Pieces For String Quartet (Realisation)

The UK premiere of Calvin's Flux II given by Stephen Altoft (solo trumpet) at UK MicroFest 2 (2006) at riverhomes barn, Walton on Thames.

Flux II by Jean Philippe Calvin (Stephen Altoft, trumpet)

Never Liked Water was commissioned by the Host Artists Group for their project Sounds Recorded For An Empty Night Club and was premiered - guess where, in an empty night club, in Sheffield UK in 2003 and released as part of the double CD of the same name.

Further Details:
https://www.discogs.com/Various-Sounds-Recorded-For-An-Empty-Night-Club/release/1409875

Never Liked Water (2003)

Trumpeter specialising in contemporary music, and especially microtonal music.

Floating Poles by James Saunders

Stephen C. Altoft

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