Metallica - The End Of The Line

Mötley Crüe - Knock 'Em Dead Kid

Lyrics: 
Well, in the heat of the night
You went and blackened my eye
Oh, I'm back, I'm back, I'm back
And I'm coming your way
Well, now I'm supercharged
Might just explode in your face
Oh, I'm black, I'm black, I'm black
And I'm primed for hate
Knock 'em dead, kid
(Knock 'em dead)
Well, knock 'em dead, kid
(Knock 'em dead)
Oh, it's a TKO
The blade is red, kid
(Knock 'em dead)
Knock 'em dead, kid
(Knock 'em dead)
On a star-spangled fight
I heard a steel-belted scream
Oh, I'm black, I'm black, I'm black
Another sidewalk's bloody dream
I heard sirens whine
My blood turned to freeze
You'll see the red in my eyes
You're gonna take my disease
Knock 'em dead, kid
(Knock 'em dead)
Knock 'em dead, kid
(Knock 'em dead)
Oh, it's a TKO
The blade is red, kid
(Knock 'em dead)
Well, knock 'em dead, kid
(Knock 'em dead)
Na na na na na
Knock 'em dead, kid
(Knock 'em dead)
Well, knock 'em dead, kid
(Knock 'em dead)
Now it's a one man fight
His blood is red, kid
(Knock 'em dead)
Knock 'em dead, kid
(Knock 'em dead)
Knock 'em
Knock 'em
Knock 'em
Knock
Dead, kid

Mötley Crüe - Knock 'Em Dead Kid

On April 30th 2011, a day after the royal wedding, The Shacklewell Arms will be hosting the What's My Age Again? Live Special. A pop-punk extravaganza featuring a LIVE BAND PLAYING POP-PUNK COVERS.

We've also got Skill Wizard on the decks. And no, they won't be playing songs by The Wombats or Scouting For Girls, just straight up old school metal joints to get whiplash to. They've also made us a sweet mixtape to get you psyched!

Savatage - Hall of the Mountain King

Recorded and Mixed by Giovanni Villar AQP-PERU 2011

SENTINEL - I Wanna be Somebody(W.A.S.P.)

Recorded live at CBS Canterbury Arena, Christchurch, New Zealand on September 21, 2010.

That Was Just Your Life (Live - September 21, 2010 - Christchurch, New Zealand)

Recorded live at Bergenhus Fortress, Bergen, Norway on August 20, 2015

Whiskey In The Jar (Live - August 20, 2015 - Bergen, Norway)

Ohhh
Hey hey alright,
we got that groovy second sight.
If you wanna know how,
listen up!

We have many herbs
to help us see beyond our eyes.
We have many shrooms
that let us pierce the veil of lies.
It is our duty to ourselves
and to the race,
to open up the portals 
into time and space….
Keep pace, ace.

We see all the layers of creation,
distant realms of imagination.
Yes, my friends, we see far.
Alright, now!

We are braver than the rest
and we shall risk our minds.
Some of us will feel the stress 
that leads into decline.
Reaping the rewards
of our mental might,
secret revelations
hidden in light.
Shining brightly…

We see all the layers of creation,
distant realms of imagination.
It’s outta sight, it’s alright…
Wow!

Be not afraid
of the perils of the deep,
your mind will shield you
while your mortal body sleeps.
Fly over shadows
and burning pits of flame, 
soar over kingdoms
that never had been named.
Blast off…

We see all the layers of creation,
distant realms of imagination.
Oh yeah

Oh baby, open up that third eye!
Fly into the starry sky,
completely outside of your brain!
Grooving in the astral plane…
Get down!

We See Far

The gates have opened. The cross has turned.
“Diabolic” marks the darkest, heaviest, and most blasphemous moment in The Black Cross’ history — a twelve-track descent into fire, rebellion, and divine ruin.

Across its molten landscape, Diabolic fuses the crushing weight of doom, the precision of groove metal, and the fury of thrash into one infernal mass of sound.
Michael leads as the voice of destruction and defiance — the fallen preacher who burns the scripture itself — while Lilith rises as the serpent queen, her haunting presence spreading through the ashes like temptation incarnate.

From the apocalyptic grandeur of “Inverted Faith” and the slow-burning menace of “Diabolic,” to the southern steel of “Turn the Cross Upside Down” and the tragic beauty of “Evil Spirits,” every song is a sermon of damnation.
“Demonic Possessions” sees Lilith take full control, a demonic force of nature channeling chaos and power, before the album culminates in the seven-minute requiem “Amen Infernum” — where the fallen king and serpent queen unite in eternal fire.

This is not an album — it’s an inverted gospel.
A book of desecration written in distortion and blood.
A war hymn for those who never prayed, and a crown for those who burned their faith.

Diabolic isn’t where The Black Cross ends —
it’s where hell finally begins.

Old Testament

WASP I WANNA BE SOMEBODY

Cover de ESTA ESPECTACULAR BANDA de los 80-90 y en la actualidad tambien.. este tema me gustó tanto como me costó sacarlo jajaja asique lo disfrute en cada detalle!
Interfase: Alesis IO 2
Software: Cubase 5, Audition 3, Guitar Rig 4
Guitarra: Hondo II Les Paul 
Pickups: Hambuckers

ROCK!

WASP I WANNA BE SOMEBODY

Stephen Fowles 1