Stephen O'Connell | Portfolio of Complete Works

Original film score and sound design for Andrew Huang's Spacetime trailer. Available from his website or through The Cue Tube.

Spacetime Title Sequence for Andrew Huang's Mission (2021)

My entry to the #HeavyocitySDRescore. Thank you so much to everyone at Heavyocity who has contributed to the competition and to the genius minds behind the Symphonic Destruction sample library. A truely awesome library. 

Composer's Notes: 

An awesome excuse to demonstrate my love of Heavyocity instruments! The majority of what is heard is supplied by Heavyocity sample libraries. The amazing orchestral librarys, Novo, Forzo and Vento, provide the base of the whole composition, with Symphonic Destruction adding the gritty textures and Braams, and Damage offering the massive hits! There is even a little feature from Mosaic Keys in there (the Mosaic range is awesome too!). With a little bit of my guitar playing and a couple of other layers from other libraries, it produced a huge sound! I hope you enjoy.

Annihilation (2021)

Demoing my latest library for Pianobook, MelloSaw, this piece took me in quite a different direction than I intended, but I'm pleasantly surprised. While it isn't the retro 80s synth cinematic piece I wanted to demo for this library, it is a great example of how you can use it within your own musical style. It has a lot of flexibility built in. 

DOWNLOAD MELLOSAW FOR FREE: <Link coming soon, awaiting upload to Pianobook>

The MelloSaw Patches used in this demo track include: 

- Distorted pitch bending lead that enters halfway through. 
- Main arpeggiated line throughout the piece. 
- A string synth patch faded in and out in the first half of the piece. 
- A tape brass synth patch in the final stages of the piece. 
- A heavily distorted pitch bending riser and drop at the start and middle of the piece (layered with other elements). 
- A sparkly tape warped and delayed background texture in the first half of the piece, with automation on the tape delay's time and feedback controls. 

Other library uses include: 

- Evolution Sounds: Bowed Cello and Violin
- Strezov Samples: Freya Choir
- Heavyocity: Symphonic Destruction Braams
- Native Instruments: Rise and Hit, Battery, Action Strikes
- Waldorf Synth STVC (Hardware)

Photo Credit: Michael Olsen @mganeolsen via Unsplash

Enigmatic Waves (2022)

Apricity... Feeling the warmth of the sun in winter. How fitting for the feeling and mood of this track. 

The idea of this track was generated using Kaleidoskye, a new sample library I've developed, free on Pianobook. It is a sparkling, swarm library of delayed guitar textures, a great pad and atmospheric tool for media scoring. Check out the link below. 

KALEIDOSKYE: Link pending availability on Pianobook. Will be updated soon. 

Photo: Alain via Unsplash.

Apricity (2022)

The Legend of Vox Machina lives on in a new Amazon Prime series! This is my take on how I would approach writing a main theme to an animated action series like this.

Legends (2022)

Here you go guys a little exclusive mix for the holidays. It started out just being a little edit for social media to really showcase the strings, but the reaction from you all was insane so I decided to drop it. Now it's honestly my favourite version of the song so I really hope you all like it!

glued 2 deep in time (Aaron Hibell Edit)

This is the second half to a film score I have been working on for a short final year film project called 'Mum and Dad.' 

Film Score

A Level Music Film Score. Guess the storyline?

Original song link: https://www.youtube.com/watch?v=za8eYjQ7Nz8

Wolfborn By BrunuhVille

A really short piece of orchestral music which was to be set to spoken word (but was a bit too much, haha), concerning how something seemingly so innocent can be so evil, and how one can break oneself free out of it. 4/21/2011

Film-score

film score

You create the film in your mind while you listen.

Score Relief 2021, hosted by The Cue Tube, provided me with an open slate when scoring to the short animation from Blender Foundation, titled Spring. With such a focus on the dramatic journey this young woman has to go through to drag her land out of winter and into spring, it gave me a chance to explore a more textural score, with a slightly dark and mysterious edge. With all creative decisions entirely down to me, I chose to embody the wonder and mystical nature of the ritual and go down a different path than others may have travelled with their scores.

Annihilation (2021)

Stephen O'Connell | Composer

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