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Connecting club culture to the wider world, on screen and irl through parties, film and video.


In 2016, Heidi has announced the relaunch of her Jackathon Jams label. After a short hiatus, the first release is a 3-track collaborative EP from DJ T. Vs Emanuel Satie featuring two new productions ‘Break Loose’ and ‘Feeling You’ featuring Joe le Groove, and a remix of ‘Break Loose’ by Kill Frenzy. The EP will be released on 1 April and will be the first Jackathon Jams release distributed via a new deal with !K7. Further releases will be revealed in the spring.

Heidi has worked hard over the past decade to make her mark on the new house and techno music generation. You only have to visit her worldwide brand of Jackathon parties and or listen to her BBC Radio 1 show to experience her passion for music and fiery nature. 

“It’s the way you bring it. If I stood there staring into a laptop and not looking at the crowd once, I could play all the hits and it would sound like shit because I wasn’t interested in it,” Heidi explained to the Independent newspaper in 2011, “I came from the dancefloor, I love dancing, it’s disappointing when you leave without a strong memory from the night, I want to finish it with an explosion.”
 
Her Jackathon parties were inspired by her youthful endeavors into house and techno music. Heidi heard its calls across the water growing up in Windsor, Ontario Canada, just across the border from Detroit. Relocating to London in 2000, she picked up her craft and deep expertise behind the counter first at Koobla Records, and in 2003 Heidi was part of the team that opened up London’s foremost record shop, Phonica.

“I started in 2004, then it kicked off during the summer of 2006. That’s when Get Physical were at their peak and the M.A.N.D.Y guys and DJ.T took me under their wing.“ After a brief stint in Berlin, Heidi was invited in 2008 to do her own BBC Radio ‘In New DJs We Trust’ show on a six month contract. She remains there to this day, now hosting her own ‘Radio 1's Residency’ on Thursday nights. 

“I’m very persistant. When I heard ‘In New DJs We Trust’ was finishing I made a conscious decision to move back to London because I was like “I need to be involved, I need to be as in-their-face as possible and say ‘Look I’m here and I’m dedicated, I want do something’”

In 2009 she started the Jackathon events at various nightspots across the globe. Both platforms allow her to invite her peers and compadres such as Richie Hawtin, Soul Clap, Solomun, Maceo Plex, Nicolas Jaar and Derrick Carter to share stories and special musical moments with her. In 2011 a compilation album of the same name was released on her original home label, Get Physical, and a sublabel called Heidi presents Jackathon Jams was born from its success. The first EP features an all female cast including Maya Jane Coles, Miss Kitten and Tini, but the Jackathon is about energy and unleashing some of that magic created on the dancefloor.

Heidi spends her life immersed in music. She lives and breathes the touring lifestyle, whether its 25,000 person crowds in Latin America or festivals such as Exit ,Global Gathering, Detroit's Movement fest and the infamous cave of fabric in London or Japan’s Womb or holding her own at Jackathon residency strongholds in Ibiza, London, Berlin’s Watergate and Manchester she fits within any destination around the world. Never afraid to fight for what she wants, for Heidi it’s not about right place, right time. She has won through sheer determination and sharing the magic with those she loves at every step. 


“I made the leap of faith into choosing this as a career and putting every last ounce of energy I have into it. I could have flopped on my face but I stuck it out and proved myself to my peers. Every achievement was because I gave 110% of myself, treated everyone with genuine kindness, and sacrificed things in my life that people take for granted.”


Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Stephen F Graham is following