please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

Booking:
EU / UK / ASIA : meri@futura-artists.com
AMERICA: rebecca@heavy-trip.com
Management: karey@westorg.com

City Of Clowns: mariedavidson.lnk.to/cityofclowns
Fun Times: mariedavidson.lnk.to/funtimes
Demolition: mariedavidson.lnk.to/demolition
Sexy Clown: mariedavidson.lnk.to/sexyclown
Contrarian: mariedavidson.lnk.to/contrarian

Y.A.A.M: mariedavidson.lnk.to/yaam
plus @soulwaxofficial version: mariedavidson.lnk.to/yaam-sw

Save Me Not - the new album out now: https://sebastianplano.ffm.to/savemenot

Cellist, composer and producer Sebastian Plano is best known for his unique approach to music creation: Uninterrupted nights playing and recording every single note by himself in his Berlin studio, layering each musical phrase at a time. Creating entire ensembles by oneself makes for a distinctive sound, the genre of which becomes difficult for anyone to categorize.
His recent album “VERVE” got Sebastian Plano a nomination at the 62nd Grammy Awards in 2019.

Plano began playing the cello at age 7, and writing music at 12. He later left his home city of Rosario, Argentina, driven by a strong cello-soloist career ambition. It is only after years of dedicated study in renown conservatories across the world, that he chose the path of composition instead, leaving conductors and black suits behind him.

After a well-received solo debut “Arrhythmical Part of Hearts”, which he promoted busking at San Francisco’s subway stations, he went to meet with Nils Frahm in Berlin to master his second title “Impetus”. He later released “Novel” in 2017, a 2-track EP featuring former Kronos Quartet’s cellist Jeffrey Zeigler as a guest artist. Then scoring, alongside Ben Lukas Boysen, the award-winning Playstation game ‘Everything’ and more recently, writing and performing string arrangements for British singer-songwriter Celeste. 
Sebastian Plano received a Grammy Awards nomination for his last album ‘Verve’ released on Mercury KX in 2019.

Yui Onodera is a Tokyo-based composer, sound artist, and architectural acoustics designer whose work bridges the boundaries between environmental sound, contemporary composition, and electroacoustic experimentation. Since his debut in the mid-2000s, Onodera has released numerous albums on international labels including Room40, KOMPAKT, and Anjunachill, earning critical acclaim for works such as Suisei (and/OAR, 2007), Ray (Serein, 2020), and 1982 (Room40, 2024), establishing him as one of the key voices bridging Japanese ambient traditions and contemporary sound art. His work has also appeared on compilations such as Tribute to Ryuichi Sakamoto: Micro Ambient Music. He has produced collaborative works with artists across a wide range of genres, including sound artists Francisco Lopez and Stephen Vitiello, musician/visual artist Robert Lippok, composer Scanner, and Takashi Kokubo. Since 2017, alongside his musical career, he has worked as a sound art lecturer at Rikkyo University and Musashino Art University. In addition to his studio work, Onodera’s practice extends to sound installations and site-specific performances presented in museums, galleries, and public spaces worldwide. His work traverses the fields of art, design, and science, often serving as an inquiry into how listening can be a tool for reimagining place and history. In recent years, he has presented works at international festivals and museums such as Media Ambition Tokyo, MUTEK.JP, and the NTT InterCommunication Center [ICC].

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