am based in south africa.... proomote music dem

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Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Since 1995 Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise, 14 Canadian Juno Awards, 7 Grammy® Awards (with an additional 14 nominations), a Golden Globe nomination and sales of over 60 million albums worldwide. Morissette’s 1995 debut, “JAGGED LITTLE PILL,” was followed by such eclectic and acclaimed albums as “SUPPOSED FORMER INFATUATION JUNKIE” (1998), “MTV UNPLUGGED” (1999), “UNDER RUG SWEPT” (2002), “SO-CALLED CHAOS” (2004), “JAGGED LITTLE PILL ACOUSTIC” (2005), her greatest hits album, “THE COLLECTION” (2005), “FLAVORS OF ENTANGLEMENT”(2008), HAVOC AND BRIGHT LIGHTS (2012), and “JAGGED LITTLE PILL: COLLECTOR’S EDITION” (2015), released in honor of the 20th anniversary of the groundbreaking debut, as well as musical contributions to theatrical releases, some of which include “The Chronicles of Narnia,” “Prince of Persia,” and “City of Angels.” Alanis has acted on the big and small screen with roles in “Curb Your Enthusiasm,” “Dogma,” “Sex and the City,” “Weeds” and “Up All Night,” and has appeared as a celebrity guest mentor on the 2nd season of “The Voice.” In 2015, Alanis was inducted into the Canadian Music Hall of Fame. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. She has contributed her writing to a variety of outlets and forums, and participates in worships, special speaking engagements and keynote speaking worldwide. Alanis has also donated her time to a number of causes that help raise awareness and funding on a number of issues including Equality Now which benefits international human rights, Music for Relief, UN Global Tolerance for which she was honored for her contributions for promoting tolerance through the arts, “Every Mother Counts” CD for which she contributed her song “Magical Child” to help prevent needless maternal deaths, and P.S Arts which has worked tirelessly to provide access to the arts through in-school programs to thousands of children in some of the most under-served neighborhoods in California. Alanis has also been outspoken on the issue of home child birth, its benefits and challenges for mothers across the world. Currently she is working on new music as well as a book, which will be released in late 2016. For more information see www.alanis.com.

Stevie Barley Aisam is following