Some great songs from some Fantastic Artist's/Bands and a few of my own.

AB Playlist 075 Part 1

Bold Explorations of Uncharted Space, Vol. 7

This is soundcloud algorithm at it's best..go on u artificially crafted belter!!!🌔🌞⚡️🔥💥

Dishing Out The Appreciation: Thanks for all your awesome playlists and comments on You Listen!

The Latest songs from some fantastic Artist's/Bands and a few of my own,

Playlist 060

Tracks Enjoyed vol. 3

Thanks for all your support on Bandcamp with "Twenty Twelve" Fullyard, we appreciate you!!!

Fullyard - 10 great tracks ~!!

Well. Kinda decided to give this three pieces their own playlist! Will never forget the hard work and mind-blowing experience attending this course and learning all those deep insights! It is pretty much every single day inside of me and reflects on all my newer tracks and work!

Fullyard - Andrew Huang Course

Fun Pieces

Undignified Exit Ending Up In A Place Worse Than The One You Wanted To escape from

Thank You. I Love You /  Dedicated To Angelight,Sean,Traci,7cats & Cool bro A ! Classical Flavor.

Africana III

Going West

Keitonie and I came into contact with each other a few months back and discussion between us inevitably turned towards collaboration.   Keit is a blues guitarist of considerable ability, so I put down a track based on a jazz/blues riff and sent it to him.   The guitar track he sent back was remarkable.
	The lyrics of an acoustic/folk-type song, which I had been doing for some years, called “The Second Revelation of Palimsest Doglycouth” perfectly matched the track we had set down … and it sounded (to me) completely new and adventurous.   I hope you find this recording as much fun to listen to as it was to record.

	The guitar is Keitonie, I am responsible (for good or bad) for all the rest.
	Keitonie's SC site is:  https://soundcloud.com/keitonie

Lyrics:
	you know I live in a well where evolution swells and a great Melchizedek rules
	and a Thought Adjuster dwells and my mind is compelled to treat it as a spiritual tool
	well there are Sentinels, Cherubim, Angelic souls and Seraphim and Midwayers working here too
	and there are red men green men yellow guys and orange eyes and other people coloured blue
	and the name of my earth is a name that gave birth to my spirit and I spell it this way
	with a ‘U’ and a ‘R’ and a ‘A’ and a ‘N’ and a ‘T’ and a ‘I’ and a ‘A’

	well I live in a local system governed by administration great and good and spiritually wise
	and the local system’s part of a greater constellation that is minded by ten types of Most Highs
	and that’s within a universe where Satan’s last and Michael’s first and disembodied Will Creatures 	thrive
	and over all’s the superverse where all small pretensions burst and Adam and Eve are alive
	and the name of my place, for the sake of my race, is a secret but I spell it this way
	aith a ‘U’ and a ‘R’ and a ‘A’ and a ‘N’ and a ‘T’ and a ‘I’ and a ‘A’

	there are Trinities, Infinities, Realities, Divinities, Beauty and Truth and Play
	there are Eternals, Ancients, Perfections and Recents, Unions and Faithful of Days
	we got Tertiaphim, Omniaphim, Class Three Seconaphim and all the Material Sons
	it’s a complicated nation, just one huge congregation, and I’ll tell it to anyone
	and the name of my home, if you’ve listened to my poem, is myself, though I spell it this way
	with a ‘U’ and a ‘R’ and a ‘A’ and a ‘N’ and a ‘T’ and a ‘I’ and a ‘A’

	and the name of my earth is a name that gave birth to my spirit and I spell it this way
	with a ‘U’ and a ‘R’ and a ‘A’ and a ‘N’ and a ‘T’ and a ‘I’ and a ‘A’

The Second Revelation

free download

The Second Revelation W Keitonie

Grabamos los sonidos y hacemos música!
(Sabemos que en realidad se escribe Café, we don’t care)

Pueden ver el video completo en nuestro canal:
https://www.youtube.com/channel/UCYjgKNg_kfqs5Ig0bp9PY3A

Cáfe sin filtro

Having survived an encounter with the notorious squirrels of Carduchia and escaped the dangerous Valley of Falling Pianos, our heroes now find themselves lost and friendless in the fearsome Mountains of Carduchia.   They spontaneously take up their instruments, to play, in these dark and strange circumstances, an odd and morose waltz.

Anabasis

Waltz in Asia Minor

This must be from the 70s. Copy of a song written by Shane Love Appling.

Album

LaterTonight

The steamy Sauna with all its Hotties inside - but not for you!! Inspired by a uncomfy situation in a Hotel-Sauna....

(get out of) The Sauna

Those bones in the forest got a story to tell....

All sounds except the percussive work werde done in a creativity blast with the Novation Mininova in the Bandlab Browser DAW.

Wailing Bones

Il Mondo Puo' Esplodere

Hes all alone up there..... waiting for her to follow his call and stay with him and experience the ultimate Sensuality

Sensual Uplift

Album 1981 - in the right order:
https://soundcloud.com/steve-fullyard/sets/1981a


This is the story of a man, which is probably in his prime, or on his way there, being totally drawn towards electronic music and synthesizers. 

In a state where he is highly working on his physical and mental skills and trying to pretty much live at fullest in the present day, there is still this longing back for and into the 80s, influencing his actions ...

One fateful day, there is this one paper ad, this one thing, which changes ... everything!

Enjoy this audio-visual journey into another world, and time.
HQ Version can be bought directly on Bandcamp.

1981

Bandcamp

Conspiracy (04)

As experimental as it can get.... the synth is calling you!

Frequency Call

Vocals: Fullyard
Composer: Fullyard
Performer: Fullyard
Loving his hobby: Fullyard

Vision....

....well this one turned out to become a real vision.. hahha. Starting as a few simple piano chords, i was seeing more and more what i wanted to do with it and then suddenly, things were so clear to me! Time to dust off the mic and drink some raw eggs and get this singing started!

The vision is as simple as the lyrics and the idea behind that. Whatever you see.... you might encounter that people might not see the same thing and it really doesn't matter. You cannot "force" others into your own mindset and have to accept that. Instead of going for a conflict or becoming real emotional, rather live with the fact that we are different and others might not see and accept the "Vision" of yours. Will help you alot in staying sane. haha!

So..... stay safe... stay relaxed and the best thing to have other people see what you want them to see -> better start working on yourself and the way how to behave and transport that vision with others. Its all about peace and love. Life is short and simple, if you wanna "see" it that way ;)

From the musical perspective it really goes a similar path. Once you hear your stuff, create something you like, people might start telling you what you have to change to "sound" in a specific way. Well, the whole experience is about you creating something that is up there in your mind and it is your vision and your way and style how to put it together (not talking about a technical perspective here, more of creativity and how you wanna sound with your sound). Just hope it doesn't sound too ackward. Hehe

Much love to the SC Community and all those marvelous artists out there!
<3

Fullyard

Vision

The cameraman
“The Camera Man” by Three Photons is an indie-blues rock track with strong 60s/70s experimental vibes and gritty, analog production. It blends crunchy rhythm guitars, ambient leads, and emotionally raw lyrics that explore themes of isolation, media distortion, and urban disillusionment.

I imagine a cameraman sees a lot of things he doesn't want to see or believe ;-)
Written by Tim Griffis July 2020
mix 1: July 21, 2020, lead vocal panned left (experimental 60s/70s) 

Technical Details
Recorded at Princeton Studio
Tim's Guitars
Rhythm: Gibson Les Paul Standard
Lead1: Gibson Les Paul Standard
Bass: Fender Squire

Mics: Neumann TLM 67
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. 


Lyrics

Verse 1
It's a camera eye
I look away
or I go blind
it ain't pretty
livin alone in this dirty city

Chorus 1
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin in the camera eye
when you're staring at me

Verse 2
Hey girl
it ain't pretty
going on down on this empty life
you sure are witty
I can't stand one more lie....

Chorus 2
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

Outro
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

The cameraman

Vincent van Gogh passed away July 29th, 1890,
“Vincent’s Letter” was released July 29th, 2020

I figured there’s no better time than 130 years later…

When I was very young, I had dreams about his paintings. 
 His paintings inspired a deep love in me for art at an early age, and I wanted to be a painter like him

 Music won me over, but I remember being about 10 or so - when I first started playing music a lot - and I promised this self-portrait painting of Van Gogh that I’d write a song (or several) for him that a lot of people would hear.  Yea I made a verbal promise to a painting.  
It wasn’t the first or last time...  I was a weird kid.

The funny thing is?  This isn't even Van Gogh, as I much later found out.  It's "Dr. Gatchet", who was a physician who was treating Van Gogh.  Vincent painted him, and they actually look a lot alike!  But I made the promise to this painting, so here it is
   I hope you enjoy it
_____________________________

Vincent’s Letter
____________________
home, it’s a little loud
a love breaks me down every day
a little more, she comes & slips away
my love hurts me now
a little more every day
love simply breaks me down, 
a little more every day
I’m hearing you crying inside,
 why don’t you look outside and find yourself?
I’m trying every day, a little more in every way

my heart, my hands are sleepy
my foot is stomping on the paint
a little love, colors break my heart
a little more every day, 
a little love, comes in breaks my heart
a little more every day
a little love, cousin, breaks my heart
a little more every day

my home, will you break me down?
a little more every day
our love, cousin, breaks me too
a little more every day…
a little home, my!…
crazies out of the sky!
it’s a yellow one!
I’m wondering why?
I got my heart beating still
mixed together with the colors that spill
I got my heart cousin
a little more every day
heavens harps, cousin, come to break me down
a little more every day

Vincent's Letter

Thanks to one of my valued SC friends @naturesautonomus , i encouraged myself and took all what it takes and signed the online producing course with Andrew Huang on this learnmonthly.com site.

Very tight deadlines to meet and alot of new stuff to learn. I really recommend it! Its exhausting but sooo worth it.

This is the first out of three tracks which i have to produce while doing this course. I hope you enjoy it as much as i "enjoyed" going for a very crazy alien invasion listening experience.

You can think of it in many different ways, but the main idea behind that, which kinda evolved during this brand new production and arranging and mixing and mastering process, is, that the aliens kinda funk their way from one capital to the next and just erase us. 

The peak in the song where the crazy additional synth joins the fun - you kinda want to imagine all those little nasty aliens up in the ship celebrating their desctructive hovering "march" to erase all humankind. Ain't that fun?! Haha!

Much love to all of you and thank you for being there and your support.

Fullyard
<3

H0m3W@rK

Invasion

Guitar by Admiral Krank. Drums by Mo Sheen. 

The Idol Speaks

Once Upon A Time

The bare bones solo section from Natt Brus' Chemtrail Heaven....though it's a bit repetitive and boring without the stellar guitars of Admiral Krank and Vice Commandant Dubois. Inspired by Nic's original song parts that bookend this in the NB track. This is unmastered in every sense of the word.  https://soundcloud.com/natt_brus/chemtrail-heaven

Chemtrail Middlin

Watch the video and listen to You Listen while soaking in the vibes of Mexican agriculture circa 1950s here: https://fb.watch/2tXYb4EpAr/

I deeply recognize the disparity in ways natural and human disasters affect different groups of people and the need for greater equality of care. I also recognize that I live with many privileges that others do not have. And with these recognitions, I still believe there is space for us all to have a gratitude practice while passionately endeavoring for positive change.  

I am grateful for all the accumulated creativity and work of our ancestors that lead to the eventual creation of the internet and SoundCloud which has enabled us to remain artistically connected during this period of increased physical isolation. 

May everyone’s seeds be fruitful and multiply.

Jonathan Beckenstein: Rhythm Guitar, Fake Steel Guitar
https://soundcloud.com/jonathan_beckenstein
Calebass: Guitars and Song Art
https://soundcloud.com/calebass
Jon Lock: Bass
https://soundcloud.com/jon-lock-5 
Janine Levinson: Vocals
https://soundcloud.com/janinelevinson
 the Couch King: Lyrics, Vocals, and Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix, Master, and Campfire Leader
https://soundcloud.com/russell-sinfield
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics:

We thank this seed with its potency
To bring forth fruits so copiously
With opened hearts and festivity  
4 20 days of ceremony 
 
You listen
Oh, you listen
We’re thankful that 
You listen

You listen
Yea, you listen
In the morning dew
You glisten

We honor you with crimsoned desire
Following Nanahuatl who jumped in the fire
May your sacrifices continue to inspire
And bring forth gratitude until we expire 

The days are long and the weather is hot
We call on the rains to weather our crops
Bless the labor of men and divined thought 
Honored to sacrifice for all that we got 

We thank this seed with it’s potency
To bring forth fruits so copiously
With opened hearts and festivity  
4 20 days of ceremony 
 
We be handing out the alms for the love of Xipe Totec
Got the gods in the house garlands all around their necks
Sitting on sheaves, leaves of tzapote 
Honoring renewal of life and all that is holy 
Flayed in the way maize loses layers 
With hope of vegetation we given up the prayers
Flayed in the way maize loses layers 
With hope of vegetation we given up the prayers

Jonathan Beckenstein, Janine Levinson, Jon Lock, Russ, Calebass & CK - You Listen

Andrew Huangs learnmonthly Song #2. This thing pushed me to a place where i never thought i might end up. Recording dozens of samples, slicing, eqing, manipulating stuff in various directions, going full crazy with delay reverb, building out of the scratch a synth patch for base and chords and tweaked up to a point where the stereo field does not longer exist , where there were just sonic waves everywhere in my head......

I really hope you enjoy this piece more than the moments where i felt so dead and exhausted and empty inside.

As this being some kind of private work - i called it homework, as i took this baby from home, where i recorded the samples, on my fiances laptop in to my holidays. built like crazy while we were on vacation...... but again... i learned so much like mastering my daw more and more and tons of other stuff. im still thankful that i push myself so hard this month. for me, for you, just for the love of and for music <3

your humble sonic servant,
fullyard

################## project information#######################################
-recorded about 160 samples with my zoom h2n
-took me *10 hours to slice, eq and categorize
-mostly recorded kitchen stuff, about 80-90% 
-wasted 3 nights going too big with too many rythm variations , cried,                           dumped the old sh#t and started over (funny how pressured creativity works..)
-aged drastically during this #2 project
-big cred and thanks to the love of my life for supporting as well as serving gallons of tea to ease my exhausted mind and body
#######################################################################

H0m3w@rK

Moving Target

This is one of the most creative music of mine from first album 'High in the Cave.
I used some irons with unusual micing technique.
It's over dub.
I made one track and inspired from that track and next track was same.
If you listen to this when you are high, insanely good.
And you are going to understand my intension.
If you liked this track please listen to the album 'High in the Cave' on Bandcamp.
Everything can be music.
Thanks for your time!

https://highinthecave.bandcamp.com/

image film
https://youtu.be/fwHCFGPxbXI

High in the Cave

Creative Mind

Amazon

Good Night and Sweet Dreams

Now on YouTube! thanks https://soundcloud.com/midnightwax   https://youtu.be/JrAvQMh6mcs 
Original Track - https://youtu.be/D5Or0pugnkY
MOSNAR DET - Remixing, Drum Programming

Loop Diggers Speed Challenge 54 - B I R D S _ O N _ L I N E S

itwasthewires : modular synthesizers
Marco Lucchi : found sounds, Mellotron, synthesizer and mix down

26 agosto 2020

itwasthewires & Marco Lucchi - Charlotte [first encounter]

Wind!!  how strong , how powerful, and can be devastating
Once again Josef Umo and I have teamed up for another piece the Idea came from Witnessing the wind During Hurricane Laura. 
So I said  J wanna play?? 
Always awesome to work with my Friend Josef!!  for Amazing Music
Please visit Josef @user-351690291

WIND..... Gina & Josef

Composed and performed by Admiral Krank. Drums by Mo Sheen.

The ambush and ensuing all-out battle to defeat the Blob That Ate East Texas.


In lieu of the usual art, I've decided to include this lovely wedding photo of myself and Mrs. Krank. 

To The Last Man (Battle the Blob)

MIDNIGHT HOUR
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 1988/2015/2020 AB Music

MIDNIGHT HOUR, YOU SAY THERE'S NO LAW
IN THIS HOUR, YOU GO ALONE

CHANGING YOUR NAME, IT'S NOT REALY YOU
AND IN THIS HOUR, YOU'LL MAKE, YOU'LL PAY
(chorus)
WATCH ME THERE NOW
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO CLOSE
AND NOW YOU ARE TORN

THE KIDS ARE ALL SHOUTING, PLAYGROUNDS A SONG
CATCHING THE COLDNESS, I'M ALL ALONE

MIDNIGHT HOUR, YOU'RE UNDER THE LAW
IT'S IN THIS HOUR, YOU ARE ALONE
(chorus)
WATCH ME THERE NOW
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO CLOSE
AND NOW YOU ARE TORN
(break)
(chorus)
WATCH ME THERE NOW
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE

Another  World

MIDNIGHT HOUR

Vocals and lyrics by Shark Teeth 
https://soundcloud.com/shark_teeth93
Instrumental & mix by Moon Dust

Lyrics:
You're a constellation
In the galaxy
Sparking and angular
Transcendent reality

You're what is meant to be
You're what always was
You are symbology
A vague familiarity

A vapor in time and space
A world inside your heart
A semblance of meaning
When the fibers rip apart

Your femininity
Your gentle gracious curve
Your eternal fertility
A scourge upon the earth

One day I will die
And you will never know
I was part of you
I am made of you

I'm your cosmic child
And you will never know
I was part of you
I am made of you

When I'm forgotten
As though I never left
I'll be back with you
I am made of you

Made Of You - Shark Teeth  & Moon Dust

So.... finally.... this is it. Andrew Huang's #3. I never thought that i will be able to finish it...... The process for this one is really best to be described as "from HATE to epic FATE".

Number three even destroyed once more the way of how i "usually" and "naturally" proceed with things and do them, when it comes to creating and assembling musical structures. Especially, when there is a "vision" in adding vocals, or even go for a vocal track. I realized, that i did it not exactly, as shown and to be the applied method for this one, as presented in the course. Classic songwriting process from A - Z. Damn you!!!

As the timeline came closer and closer..... i found myself struggling so hard, but still was able , they kinda encouraged us to deliver whatever is ready at that point, to drop a final structure with all the basic core elements as raw as any "diamond" could be, mined deep under the surface in dark caverns....

Then the real struggle began. Course was over, but not this unfinished piece and my natural extremism, which did not allow me to leave it just as it is. At a certain progress you decide - trash it or do it for the sake of learning and finish that damn project! Then i recalled (hehe), and remembered a quote Andrew dropped at a certain stage in the course, which says like "to do something you like, you have to do alot of stuff you dont like".

Keeping this in mind, i took a short break to relax myself and get rid of the pressure -> course over, deadline ended anyway , so why go mad bro? Then the thing developed. I found myself being able to go more and more in the direction i imagined and went down to the rabbit-hole-like tunnel, dug up some more diamonds, back onto the surface, and then processing and grinding and shaping, until they meet the quality you want to have in your jewelry. 

No detailed numbers this time but again, big cred to my fiance for being so supportive and sustaining my sanity, while i still went full psycho mode on this one - but i had to, like for me, personally, this finished song number three is the overall end of this course and the way i shape msyself into music making and trying to make it as entertaining as possible. 

Money is not what I'm after, as this is my hobby, my other love in life, and even if you just don't like stuff sometimes , yet you love it deeply and it deserves that you seriously take care of it....... so here it is... i hope it is a good listen to you - enjoy this little space drama! ;o

Thank you all for tuning in and valuing what i do - again, this community is just so awesome. You all are! <3

####################################################
Intro:
I, didn't see it coming....
I, didn't see you running....

Verse:
You sneaked out of mission control
smoke and fire everywhere
no hesitation, to abandon us all
smell of searing flesh and hair

verse:
believed we will survive this together
dreamed our kingdom will last forever
now hunting you across the galaxy
with the last broken pieces left of me

chorus:
unpredicted, came this downfall
i recall
heavy wounded, but still i crawl
i recall, i recall
your betrayal, i don't want to recall
recall, recall
was to blind to see it all
i recall

verse:
memories now, coming and fading
my screams, they're all in vain
bombs are flying, troops invading
what's left is only pain

verse:
far across, your ships air-frame
gonna end now your last run
fooled me with your vicious game
aiming, and pull the trigger of my gun

Solo

Chorus:
unforeseen, it is now our end
i recall, i recall
closer and closer, ready to ascend
i recall, i recall
visions of our younger selves appear
i recall i recall
a final thought, a bittersweet tear
my last recall
####################################################

Recall

Ice Cold / Paploviante 2020 open collab
Music: Paploviante
BPM 140
Free Download

Ice Cold - Paploviante / open collab

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

A Secret Door

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Random Space-Ape Synth-Nerd somewhere out there!