For the Crowd

Beatport Best New House

Beatport Best New Hype House

Acidic

Demuja Redlight (Erik Christiansen ACIDO Rework)

OUT NOW

Hannah Laing - The Records

Bouncer

Daring Horse

FALLA - Feevaa (Original Mix) [deeperdub]

Stunt Man

Gotta Keep Movin On

Gotta Keep Movin On (Original Mix)

Download or Stream - lnk.to/IIT109Remix

Mirko & Meex take this one in a different direction but still maintaining the core elements of the original.

A straight up house groover and an essential weapon for your collections!

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Everything

Everything (Mirko & Meex Extended Remix)

Download or Stream

Almighty Album

OVER THE OBSESSIONS

East-London's Riva Starr joins Defected's illustrious list of House Masters as he continues to establish himself as one of the world's top DJs and producers. Growing up surrounded by the rich musical culture of Southern Italy, Starr's influences come from all over; the sounds of Africa, Greece, Spain and the Balkans are ever-present within his revered house releases. Genre-wise his approach is similarly expansive, first falling for breakbeat after years of experimentation in Naples, before exploding onto the UK fidget and deep house scene in the noughties. Years later, the Snatch! owner's epic catalogue is brimming with the very best club music this side of the millennium, unrestricted by genre convention and bursting with eclectic samples and unpredictable references. This compilation features club belters alongside deeper cuts that seamlessly mix addictive vocal samples with hard-hitting house rhythms, as well as expert remixes and collaborations with fellow industry titans. Todd Terry, Mike Dunn, Groove Armada, Jocelyn Brown, Dennis Ferrer, Green Velvet, Harry Romero; the list of legendary artists that feature in Starr's eclectic discography is as endless as it is impressive, and throughout it all the Ibiza hitmaker maintains a signature sound that is distinctly Riva Starr.

Flying High

Riva Starr ‘Flying High’ (Extended Mix)

In the summer of 1988, so legendary folklore recalls, a new kind of music appeared in abandoned warehouses, industrial units and fields across the UK. A phenomenon that would come to be known as Acid House. With direct influences from the USA especially that of Detroit and Chicago, as well as later Germany and Ibiza, it marked the dawn of the infamous and very British ‘Rave’ movement. The Second Summer of Love, as the summers of '88-'89 became known, and with the help of a little newly synthesized compound MDMA redefined nightlife for generations to come in UK clubs such as Shoom and Spectrum.
 
One of the finest and most respected House music producer / DJs the UK has ever produced, Steve Mac was inspired by this, compelling him to release his new Acid and Classic House inspired album in collaboration with many of the scenes original and seminal greats entitled ‘Bless This Acid House'.
 
This is a collection of brand new, authentic and original sounding House tracks that transport you back to a time when House music was strictly underground and burgeoning. Featuring collaborations with some of Electronic music’s most influential names including Marshall Jefferson, Irvine Welsh, E Raze, the late Sleezy D and Robert Owens. 
 
To date there have been two single releases from the album, the first is ‘Jack Said What’ containing a sample — a nod to the foundational house pillar of the mid-1980s — ‘Jack Said What’. The track also inspired the name of his Brighton based record label. It is an authentic and well produced raw house cut and an acid-tinged dancefloor slayer, filled with 303 and fizzy electro basslines which dominate throughout the track.
 
Followed by One Day’ a deep cut that has all the hallmarks of a classic — think Frankie Knuckles ‘Tears’, or ‘I’ll Be Your Friend’, with its deep and memorable male vocal. Delivering the aesthetics of a Chicago house record recorded 30-something years ago, but with some modern production techniques. The vocal comes courtesy of Robert Owens, probably the greatest house music male vocalist of them all and a man whose golden voice has set the standard on many classics. 
 
Steve Mac himself has impeccable credentials, a UK house music heavy hitter he has been a pillar of the international house community from the start. He is a DJ, Producer and Record Label Boss of 'Jack Said What' Records in partnership with the infamous Trainspotting author Irvine Welsh. With over 25 years experience, he is respected and revered for his analogue production style. Mac has released tracks for many labels including Nervous, MoS, Cr2, Tool Room, Saved, Underwaterand Ovum. His remix credentials just as strong  having worked with Jamiroquai, Simply Red and Michael Jackson’s releases over the years. More recently he has been releasing under the name These Machines — a tribute to the amount of vintage analogue hardware he has in his studio in order to produce and expertly mix down his tracks.

Spirit

Steve Mac Feat Marshall Jefferson - Spirit

Work It EP

Work It (Loz Seka Remix)

For The Crowd (Huxley Remix)

Dance With Me Remixes (Pt. 1)

Dance With Me (Demarkus Lewis Remix)

Nicolas Taboada, a native of Buenos Aires, and a rising star in the global dance scene, has brought his unique style and energy to Bryan Kearney's debut solo track 'More To Life' with his reimagined interpretation bringing this mid 00's track right up to date. 

Label : Kearnage Recordings
Release date : 20/05/24

Bryan Kearney - More To Life (Nicolas Taboada Remix)

'Clay Clemens - Wanna Feel It' Out now on Bass Box Recordings

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Clay Clemens
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Wanna Feel It

Clay Clemens - Wanna Feel It

Bolivian-born Morpei streamlines yet another rolling release with his debut Percomaniacs EP. 

On ‘Make Your Transition’, the young talent showcases his prolific sound as he weaves between an electrifying 303 line and psychedelic clap rolls that are as disorienting as they are tantalizing. On the B-side, ‘Don’t Look Back’, Morpei tags newcomer Master None for a much housier tune, toting a vocal of the title along ring modulating leads and bouncing low end. 

Morpei has steadily made a name for himself with his South American-based party Buriloop and well-deserved looks from labels like Get Physical, Lapsus, Audiophile Deep, and many more.

Make Your Transition

PERCO009 - Morpei - Make Your Transition (Original Mix)

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Left In Detroit - Match Point

In a basement music-making studio in the south of England sit a bunch of machines. A Moog System 15, a Juno 106, classic Roland TR-808, TB-303 and TR-909s, an Emu SP1200, a Sequential Circuits Prophet 5, Akai MPC, a Mini-Moog… these machines have been some of the foundation hardware for electronic music over the years.

But these machines can’t make music by themselves. Despite all the hype about artificial intelligence (AI) and robots, these machines need somebody to collaborate with — a human — to draw out their soul and funk.

We’ve been fascinated by machine music since the second half of the 20th century, and electronic music has been powered by the ever-developing automation of new technology. “I’ve collected these machines for a long time now, and each one has a story,” says uber-producer Steve Mac, owner of all these machines. “Every time I buy a new one, the rule is that I have to make a track with it.”

The variety of people who drop by to play on these machines are what make the music coming out of this studio so diverse. Whether it’s house music legends like Marshall Jefferson or Danny Rampling swinging by, or cult Trainspotting author Irvine Welsh laying down some vocals on a German/Scottish kosmische disco ditty; a session with dubwise breakbeat rave act Genaside II to making a track with unknown guitar n’ bass whizkid Scott Booth; from working with young house hotshots Cousn from Bristol to some songs with a Brazilian band Steve met in the pub — these machines need humans to collaborate with. They can’t do it themselves.

The above-mentioned Brazilian band member Rafael Berrio provided the impetus for ‘Martina’, a Balearic Brazilian love story that’s the first single from Steve’s new project. It’s backed by a melodic breakbeat piece that also utilises those Brazilian vibes. “I want to make music from the heart,” says Steve. “It’s the interaction of people and machines that I’m really fascinated with.”

Each of these machines is a feat of engineering. Machines like these have created countless classic electronic music cuts, and lately Steve has been adding to that cannon — with a slew of tracks ready to go. The electricity is on. The motor is running. Are you ready for the sound of These Machines?