what a write-up, man! loving this metaphorical deep insight as well as the uplifting way to view it just from that kind of perspective - reflects in your awesome mile-stone track - a rich nurtured arrangement full of musical goodness per ecxcellance. big 90s prog /soft rock swells deep into a listener willing to take it the only way to go with things - deep in until its due

This is great! Total Peter Gabriel vibes. Great tune!!

Fine song. Bit of a prog vibe. Nice little breakdowns too x

terrific song, beautiful orchestral sound here with the horns. (<;

Daily Mix 1 - 19 N0v.2023

NOTES
Conceptually the song works on two levels. 

The literal meaning involves two descriptions, one of escaping a bad place by boat only to be returned by bad weather, and then on returning, witnessing the imprisonment of friends. These descriptions signify the difficulty of escape.

The second level is metaphorical. The existentialist philosopher Albert Camus famously explained the absurdity of life’s existence by comparing it with the situation depicted in the Greek tragedy, The myth of Sisyphus. Sisyphus is condemned to the meaningless task – like that of repetitive work – of pushing a boulder up a hill only for it to roll down to the bottom, and for the process to start over again, ad infinitum. Sisyphus always ends up back where he was before. Camus speculates that even though, like all of human life, the predicament is crazy and horrifying, Sisyphus defies his situation and presses on. “One must imagine Sisyphus happy” says Camus.

I like Camus’s approach to absurdity: to confront it with sanguine, upbeat, defiance.

LYRICS
Suddenly life changes
Suddenly we’re gone
Lining up with strangers
To travel far away
We are uncertain (all of our lives)
Of what in hell we might find
Oh!
Suddenly life's dangers
Suddenly are here
Say goodbye to all of our friends
We sail.
We sail.
~
The wind, it blows
It was howling
The moon so full
It was rising, pointing
Towards a place of hope
~
There’s only so much we can take
Then suddenly the storm clouds break
Riding the waves to shore
Seems we’ve been here before
Back where we were before
~
Suddenly life changes
Suddenly we’re home
Lining up with neighbors
To do it all again
We’re very certain
Of what in hell we will find
Oh!
Suddenly life’s dangers
Suddenly so clear
Say hello to all of our friends
In jail
In jail
~
The walls
So high
They were
Scraping scraping
The sky
So grey
It was 
Falling, warning
‘gainst a taste of hope
There’s only so much we can take
Before we crash these walls and break
Out of the blue once more
Seems we’ve been here before
Back where we were before.

Sisyphus

Ask The Weather For Rain

We should all be able to say our last goodbye's .. some don't get the chance.
For the fallen of Ukraine  ...

Music, Arrangement, composition, mix and Production .. Pablo
© Retro-Tone

The Final Goodbye

Introduction in English:

Last year, my wife and me bought a cottage on the Baltic Sea. It was to be something like our retirement home for the next thirty years. 
Unfortunately, this vision has so far been thwarted by our increasingly resentful neighbours. Consideration is a foreign word for them. They let their children play loud basketball as long as they want; they grill foul-smelling meat as long as they want and they party as long as they want. 
If you ask them nicely to be quiet, you will be dismissed with slogans like "We don't give a shit", "Move away if you don't like it" or "We'll do what we like".
In my helplessness and speechlessness over this dissocial stubbornness, I came across an old Beatles song called "Not a Second Time". Of course, it was composed by John Lennon in 1963 in a completely different context.
But its lyrics fit just as well with my desperate and so far largely unheard plea for more neighbourly consideration. - In particular, the lines: "You're giving me the same old line/ I'm wondering why/You hurt me then/ you're back again/No, no, no, not a second time“ sum up our current plight with these self-centred neighbours.
And as always with covers, my aim is not to get as close as possible to the original, but to transform it into a Karlit-O-Kay sound design.
The picture cover for the song is by German artist Markus Schuke.

Einleitung auf Deutsch:

Letztes Jahr kauften meine Frau und ich an der Ostsee ein Häuschen. Es sollte so etwas wie unser Alters- und Ruhesitz für die nächsten dreißig Jahre werden. 
Leider wurde diese Vision bisher von unseren zunehmend renitenten Nachbarn durchkreuzt. Rücksichtnahme ist für sie ein Fremdwort. Sie lassen ihre Kinder lautstark Basketball spielen, solange die wollen; sie grillen übelriechendes Fleisch, so lange sie wollen und sie machen Party, so lange sie wollen. 
Bittet man sie freundlich um Ruhe, wird man mit Sprüchen wie "Ist uns doch scheißegal", "Ziehen Sie doch weg, wenn es Ihnen nicht paßt" oder "Wir machen, was uns passt" abgefertigt.
In meiner Ohnmacht und Sprachlosigkeit ob dieser dissozialen Dickfelligkeit stieß ich auf einen alten Song der Beatles namens "Not a Second time". Der ist natürlich damals 1963 von John Lennon in einem ganz anderen Zusammenhang komponiert worden.
Seine Textzeilen passen aber ebenso gut zu meinem verzweifelten und bisher weitgehend unerhört gebliebenen Bitten um mehr nachbarschaftliche Rücksichtnahme. – Insbesondere die Zeilen „You're giving me the same old line/ I'm wondering why/You hurt me then/ you're back again/No, no, no, not a second time“ bringen unsere derzeitige Not mit diesen egozentrischen Nachbarn auf den Punkt, 
Und wie stets bei Covern geht es mir nicht darum, dem Original möglichst nahe zu kommen, sondern dieses in ein Karlit-O-Kay- Sounddesign zu transformieren.
Das Bild-Cover zu dem Song stammt von dem deutschen Künstler Markus Schuke.

Not a Second Time

Not A Second Time (Lennon/Mccartney)

Vocal and lyrics : Sogué

Instru and guitar : Zucco

Sogué & S.I.B - Shrooms (BARROU demo)

Music & Lyrics: Jan Schonander

More synthrock, but this time with a somewhat dirtier sound. All instruments except the drums are created on the Nord Stage 3. Played a little with feedback, as well as changed the attack on the main rhythmic synth live as I was playing. The lyrics are once again a mix of science and emotion using a black hole as a metaphor for a toxic relationship - seems to be a style that works for me.

INFINITE ATTRACTION

I can’t, I can’t break free
Oh no
I can’t, I can’t break free

A fine line pulling on my soul
As close as I could ever get
An unseen stronger than steel
At the point of no return

Light up all of your rockets
Switch on the burners, oh yeah
Let go of all of your emotions
You can spiral to the infinite
The infinite attraction

I can’t, I can't, I can't, I can't break free
I can’t, I can't, I can't, I can't break free

Bounce off a satellite to Houston
Switch on the radio, oh yeah
There’s no time for thinking
You could spiral to the infinite
The infinite attraction

I can’t, I can’t break free
Oh no
I can’t, I can’t break free

The cosmos is dragging me down
Once in there’s no getting out

It’s an infinite attraction
It’s an infinite attraction

Infinite Attraction

Spotify

Another collaboration with my awesome friend:  ⭐ Roberto Klavi ⭐

Arrangament ...synthesizer...mix...- Roberto Klavi
Ukulele and vocals - Just 

Enjoy 😃🌺

U2 - ONE ( cover with uke)

Storm

Hopeless feat. ODARKA / Paploviante Music
Vocals and Lyrics ODARKA:
https://www.looperman.com/acapellas/detail/21943/hopeless-150bpm-dance-acapella
https://soundcloud.com/odarkamusic
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

HOPELESS feat. ODARKA

Experience the eclectic blend of jazz genres in the latest track. From smooth jazz to bebop and fusion, immerse yourself in a captivating fusion of styles.

Floomara Swaylix Quattuor

GREATEST HITS

I’m blowin’ notes streetside in a horn section   
Blown garbage and coppered boots all gone tangling. 
You’re Bixby’s Bridge above Kerouac’s canyon.  
Way above the ruts in your trending fashion      

You’ve been playin’ me your greatest hits.    
But I need from you something ordinary (Like)           
Falling vacant down a slip               
What capture’s me is the fragmentary - humanity

You’re all coiff n pressed jeans uber-reaching
Gripping on to a scene and about it beseeching
You’re jetting over Miller’s Big Sur resident shack
History is nothing but a scratch on your back

You’ve been playin’ me your greatest hits. . .  
But I need from you something ordinary (Like)           
A eureka moment guilt trip               
What capture’s me is the fragmentary – humanity

What was I just a birthright the right side of the tracks
But egalitarian ideas caught you in a trap
Trying to show a social conscience don’t come naturally
Such a handbrake on life’s beckoning verdant tapestry

You’ve been playin’ me your greatest hits. . .  
You’ve been playin’ me your greatest hits. . .

Greatest Hits

Audio for One Glorious Chorus Blog Post, Written in reflection of our Carnegie Hall concert experience on June 9, 2024 in New York City — by Stacie Eirich. Read by the author. DCINY Production/Dan Wright Photography/June 9, 2024.

https://www.stacieeirich.com/post/one-glorious-chorus

One Glorious Chorus Blogpost by Stacie Eirich

The Strange World Of Planet X

NOXPOX&Geomant - Jamming Toe

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by YT Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out YT Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: YT Jam Tracks
YouTube site: https://www.youtube.com/channel/UCdMqonsla0BK21Fnf9Qx5Wg
Backing Track Title: Sweet Melodic Rock Backing Track in G Major
YouTube Track channel: https://www.youtube.com/watch?v=2sZtool2-BE
Bandcamp website: https://ytjamtracks.bandcamp.com/track/sweet-melodic-rock-backing-track-in-g-major-3

Date: 2/14/25
Song Title: I Do For You V10
The lead, improvising over the track was done with the following;
Picture with Track: Is the Gear I used to play through
Guitar Used: Ibanez Premium RG921QMF with HH configuration
Color:  Blue Quilt
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: JST ToneForge Jeff Lomis
Preset: Loomy Song_Low Gain Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.


I Do For You V10

Overdub instrument at Home Recording - 8/18/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Are you somebody who loves me  -  Vocal n Drums.wav

I like Soundcloud because it's a friendly community for sharing our music. When I like your music, I say how it affected me, maybe something about how you wrote, performed or produced it. I have musically diverse interests: pop/rock songs, jazz-rock fusion/prog instrumentals; acoustic guitar. Main instrument is guitar, I'm not a keyboard player or singer, but hopefully I can do enough there to make my work sound ok.

Sisyphus

Steve Matthews

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