Today we are mostly musing on hocus pocus and adding a little cereal box religion to taste.

In the never ending universe
Nothing there at all
Unaware yet dreaming
You'll hear me call

Though you don't remember
You've been here before
Time without a number
Rooms without a door

Take this gift and treasure it
A blend of pleasure and pain
You'll have no way to measure it
Before you're coming round again

Crying as you enter
I whisper in your ear
Live long and prosper
On this new frontier

As your light is fading
Life is on the wane
Have no fear of darkness
You'll be coming round again

Take this gift and treasure it
A blend of pleasure and pain
You'll have no way to measure it
Before you're coming round again

The Doorman

At The End Of The Dream- bE AnOthEr

Crossroads

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

A Big Thank You to https://soundcloud.com/mike-krath for the music. It’s been great fun to write and sing along. Please take a listen to his version of the song: https://soundcloud.com/mike-krath/document-boo-hoo?si=1345da94ece64aa2bd256edb8905eb88&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
The picture shows a wild donkey in Death Valley, taken by an old friend of mine.


Leitmotif


Every time 					(3)
I got you on my mind
Got you on my mind
I have to smile				


All symbolism i drew
All the songs i sang
All the symbolism i drew					
I sang them only for you
I drew them only for you
Only you					
I swear it’s all true			


All the words i threw
All the letters i choose
All the words i threw
I threw them only for you
Only to you
I swear it’s all true
I have to smile
I have to…

„break“
Every word, every note	
They come back				
Every word, every note
They come back
Every word, every note,
They reflect


Also right now, this time
It’s the same clue
It’s the same clue:
This song is for you
Hope that you like it a bit, too…

Leitmotif (wt Mike Krath, raw edit)

Original composition by Neno J.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

New Flamenco Improvisation III (For two guitar)

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

Time For A Revolution -with AnandaTuk

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

Soundcloud exclusive. This is my track from Roge Corp's Compilation of the Isles Vol. 1. Lots of great tracks from a whole bunch of underground artists. Grab it here: https://rogecorp.bandcamp.com/album/compilation-of-the-isles-vol-1

South Beach Rains

I like Soundcloud because it's a friendly community for sharing our music. When I like your music, I say how it affected me, maybe something about how you wrote, performed or produced it. I have musically diverse interests: pop/rock songs, jazz-rock fusion/prog instrumentals; acoustic guitar. Main instrument is guitar, I'm not a keyboard player or singer, but hopefully I can do enough there to make my work sound ok.

Crossroads

Steve Matthews