Nice guitars

Spring 2025

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2025, May

May 2025 Picks

BEING A COLLECTIVE BEYOND LANDS AND LAKES

Nistam | I’m not 
My new track,you can listen in my sound cloud and telegram channel.
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Poem: afshin yadolahi
compose, vocal,mix & mastering : Kamyab Sadeghi

kamyab sadeghi's Album

Nistam | I’m not

Jonn Hart & LoveRance VS Still Fresh (Dramantic Remix)

Taurine

Gaspar Monterde: Acoustic Guitar.

Resilience is the process and outcome of successfully adapting to difficult or challenging life experiences, especially through mental, emotional, and behavioral flexibility and adjustment to external and internal demands. 

Stop Wars!

resilience, paseo por la esperanza

Thanks Albeniz, thanks Rodrigo. This song is for all my Spanish Soundcloud friend and of course for all people on the world.

Under The Spanish Sky (Guitar solo)

All Music written, produced, composed and recorded by Jeffrey Lasky 2022.  All Guitars recorded by Jeffrey Lasky

A Dance Beneath the Autumn Moon

Absolutely happy to be able to record with my daughter 

Mia Monterde: transverse flute.
Gaspar Monterde: guitars & keyboards.

impermanence

This track is dedicated to Noodle, our son's gorgeous little dog who recently left the world. He will be missed very much.

Noodle

Music & Lyrics: Jan Schonander

EYES WIDE OPEN

The leaves are changing
There’s a chill in the air
So many people
Walking the same path

I hope they know
I hope they see

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

I’m on another hill
I watch as they pass me by
They seem to know
They have their destination

I hope they know
I hope they see

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

Such a wondrous time
So many colors
So many lives

All joined together
Some left behind
There’ll be another day
Another day

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

Eyes Wide Open

It is the hardest kind of courage: being forced to close the chapter on the one you love. It feels less like turning a page and more like tearing a piece of your own story out.

But this is not an act of forgetting. It is the profound and painful act of acceptance. It is looking at the love you held and understanding, with a heart that feels both heavy and clear, that it can no longer be what it was.

This is the moment you finally wash my hands of the hope that was keeping me anchored to the shore of us. It is not a betrayal of what we had; it is a tribute to what it meant to let it go.

The new chapter does not begin with a grand gesture. It begins here, in the quiet aftermath. It begins the moment you stop clinging to the last page and finally, tenderly, set your story free.

All Rights Reserved. LifeStyle Media (C) 2024 - 2025

Wash My Hands

Momentary Flashes of Light

Tabula Rasa

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Invader

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

Mental Health Day$

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

#Storytelling #Epic #Trance #Classical #Deep #Love #Loyalty #ANGEL #KiiMA

Angel

Ray and I improvised this song together, only not at the same time and not on the same continent. Go figure.

You can visit Ray here: https://soundcloud.com/user-364196783-552705040

Steady

“Butterflies are nature's angels. They remind us what a gift it is to be alive.” 
- Robyn Nola

Chasing Butterflies

Number three of Roger Quilter's "Five Shakespeare Songs" Op. 23, first published in 1921.

Piano by Helen Roberts

It's springtime, be fruitful and multiply ;). We hope you'll enjoy!

Lyrics ( by William Shakespeare (1564 - 1616), in "As You Like It", Act V, Scene 3)

It was a lover and his lass,
  With a hey, and a ho, and a hey nonino
That o'er the green corn-field did pass.
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.

Between the acres of the rye,
  With a hey, and a ho, and a hey nonino,
These pretty country folks would lie,
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.

This carol they began that hour,
  With a hey, and a ho, and a hey nonino,
How that a life was but a flower
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.

And therefore take the present time
  With a hey, and a ho, and a hey nonino,
For love is crownéd with the prime
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.



It was a Lover and his Lass (Roger Quilter - with Helen Roberts)

The axolotl named Julio Cortázar watches Julio Cortázar observing the axolotls swimming in the aquarium.
The sister tracks here: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/this-is-us

Here the short background story:https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html
Picture is from Pietro Corrao.

------

Composed by Michele Ansani (2025)
Posted on SoundCloud: 2025, May 1

Is this you? *

URBAN SOULS. is a mix of genres,Jazz and ambient, a walk through the maze of streets where each one reveals its soul....

URBAN SOULS. 🎧

Nouvelle vidéo - Saturninan song ! Version live à la Barraque auprès du feu ^^ 
https://youtu.be/fP69ovvmteU

Saturnian Song - video live in description

Don't miss the MUSIC VIDEO: https://youtu.be/n_LKJ_0l83Q
with live footage of a Para Lia gig - and follow our Youtube channel! 
Thank you for your support!

Songwriting und Lyrics by René Methner / Recorded by Para Lia / Mix und Master by Lakesidestudio, Berlin

Para Lia:
René Methner - Gitarre, Vocal, Synth
Cindy Methner - Vocal
Michael Schlottke - Bass
Emanuel Mukow - Drums
Remo Ender - Gitarre
Dennis Grund - Mellotroneffekt-Gitarre

Cover art: RM, Foto by Heiko Portale

PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS

Follow Para Lia:
► Facebook: www.facebook.com/paraliamusic
► Instagram: www.instagram.com/paralia.music
► Tik Tok: www.tiktok.com/@paralia00
► YT-Kanal: www.youtube.com/c/paralia
► Website: para-lia.de/de/

with the cream of the jest
at the wheel we are blessed

with shrill and loud disputes
straight ahead the downwards route

in neverland

infantile speech for the dumb
for all the sheeps

we are underestimated rats
gold-givers for spoiled cats

in neverland

s.o.s. we lose contact with the cell
in the end we lose contact with ourselves
in neverland

Para Lia - Neverland

Additional vcls B.Browning

SOMEONE SAID
DON’T GO MISTAKING PARADISE WITH A HOME ACROSS THE ROAD AND I SAY
DON’T GO MISTAKING WICKED.COM WITH WICKEDMOVIE.COM OH NO
IT MIGHT LEAD YOU INTO A MATTEL GLITCH SOMETHING YOU DON’T REALLY WISH EVEN IF YOU’RE OVER 21
BREAK A LEG DON’T BREAK AN ARM SKIING IN THE TELLURIDE
ET CAETERA MAN AUX ARMES SOUVIENS-TOI, BONNIE AND CLYDE
BEING OVER SEVENTY ONE
I THOUGHT I MIGHT CLICK ON THE LINK COULD I BELIEVE I SAW ? OH NO
OVER 6000 WICKED SCENES
HOW CAN THEY ALL FIT IN ONE SCREEN? OBSCENE MAN OBSCENE
I’D RATHER HAVE THE LAND OF OZ A TALKING GOAT WITH A POINTED HAT A FEMALE CHILD GLINDA THE GOOD ELPHABA GALINDA TIT FOR TAT
SANS COMPTER MADAME MORRIBLE WHAT IS LIFE BUT A SILLY RIDDLE ENFIN BREF
AU FESTIVAL DE TELLURIDE
OU QUE TU SOIS OU MÊME AILLEURS MES MEILLEURS VŒUX DES INVALIDES DE MÉNILMUCHE, DU SACRÉ CŒUR
OUI CAR TOUT ÇA C’EST D’LA BROUTILLE L’IMPORTANT MAN, C’EST LA FAMILLE PAS VRAI ?
REMY MAGALI REBECCA REBECCA REMY MAGALI AND PHYLLIS OF COURSE
HERE’S TO THE SOCCER PLAYERS BON ANNIV BON ANNIV EMMANUEL

MATTEL GLITCH (Lyrics) Song for Emmanuel

This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons.

'78, The Woods, And The Lake

Cast of Characters:
Cgmaness – open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production
Mistermark-- @user-432503709 -- Mark – organ
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version.

We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a fierocious, but more riff oriented, and less chordy line throughout.

Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well.

This is an example of an Eclecitic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective - (Eclectic Collective) song by CGManess

Port Charm

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

After updating my new time travel profile pic, I figured it was also time to refresh the bio. The amount of world-class talent on the Cloud never ceases to amaze me. I don’t say that lightly – I’ve learned so much from so many of you. There are artists here I genuinely consider among the best musical talents I’ve heard anywhere. And I have heard a ton of music.
I’m a lifelong music addict. For me, music can be transformative, cathartic, joyful, and intellectual – often all at once. My taste? Almost anything done well. Almost. My own music is eclectic: from acoustic guitar pieces to jazz fusion, to prog/alternative/psychedelic rock, to electronica.
What really keeps me here, though, is the community – the interaction, and the sense of connection that somehow forms even when we never meet in person. The goodwill and respect are something special, and I don’t take that for granted.
Finally, regarding recording – if you’re still reading! – my humble studio hasn’t changed in 15 years. I’m even still running Windows 7 to support my old Steinberg DAW. No AI tools – just me, I like to control the physical process at every step, from idea, to playing, editing, mixing, and final production.

Port Charm

Steve Matthews