Ambiance & Co

2025 Instrumental

2025, September

Featuring Steve Matthews

TO BE AT THE DOOR OF A QUANTUM NIGHT

Copy of Gabriele C. Kunz

The Pyrocode

Already Home

Il y a deux Donald... et ce n'est pas le canard...

There are two Donald... and it’s not the duck...

Terre sous tension

Le Donald

The world is a circus... le monde est un cirque.

Circo

Things of Beauty Burn

Our first single of 2022, Wash of Light.

Fran Hall - Vocals
Jonny Freeman - Guitar, synths, programming, backing vocals
Jack Moxley - Keyboard, synths, programming

Words by Jonny Freeman, music by Jonny Freeman and Jack Moxley. Cover art by Jonny Freeman. Recorded, produced, and mixed by Spiders Eat Vinyl.

Wash of Light

Not So Lonely

Serious

Describing the feeling of war and being on the road to new destinations

https://open.spotify.com/track/2HKICtb3tWu8uNszAFChmr?si=9nDvKoCHQlaWH-IsKui7uw

Broken Silence

Blue Joey

@polynation - Hyfen
Label - @atomnation

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Instagram: https://www.instagram.com/sinchicollective
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

♫ Info + Buy ♫

PREMIERE – Polynation – Hyfen (Atomnation)

More organic prog-rock with sound files allowing marine mammals to sing along.

Dawn

Scattered

Haven’t been on the cloud much lately. Been travelling across the southern Australian coastline, to the beautiful and remote Kangaroo Island. Its beauty seemed strangely juxtaposed to the horrors going on elsewhere.

Haunting Moods of Change

Port Charm

A song depicting the ups & downs of a person with memory loss. Paper rainbows have memories of loved ones written on them to help remember forgotten experiences. Dedicated with love to my Mother Linda.

Memories on Paper Rainbows

Smoke & Mirrors

The Lovely Blue Waves

Quantum steams

Slow Motion [ Clip Vidéo YOUTUBE ] [123 BPM]

I'm very honored by Stefan Kraft's  lovely orchestration of my piano piece. Thank you so much, Stefan!   Listen to more of his musical gems @stefankraft_music.

Waiting At My Window / Stefan Kraft & Debra Buesking

Like many others, my family tree has countless branches. One of the largest branches stretches across the Atlantic to the Parry family in Wales. I had the privilege of knowing my great-grandfather, William Parry, who studied law, worked in  Washington D.C., and made many trips to Wales throughout his life.

William’s father, Edward Parry, was born in 1842 in a small stone house in Mold, near Flint, North Wales. According to my grandmother's notes, Edward worked in a coal mine and a chemical plant before taking a job on a small freighter that sailed between Liverpool and Dublin. His time on that freighter must have sparked a desire to travel, because at 26, he arrived in North America on St. Patrick's Day, 1868. He was the only one in his immediate family to do so and quickly established a new life and new home.

Of course, I never met Edward Parry, but I've come to know him through my grandmother's notes, along with a few photos and a couple of books he purchased as a young man.  From the items he left behind, I know that he loved music and poetry, was a hard worker, and raised three kind children who made the world a better place. This composition is inspired by his life and the family I have yet to meet who still live in Wales.

From Wales

The dilemma lies in this: if sustainable modes of thinking and living can ultimately be overrun by destructive ones, can they truly be called sustainable? Perhaps they were merely appealing notions—unrealized promises, fragile dreams, and hopeful ideals—that endured only until the everloving fuck of greed and the thirst for power turned their gaze upon them. (This is not a quote, I just wrote this to be the description of this track.)

Music for bananas - Overrun

the title is a sentence of a poem of Hermann Hesse

verliebt in die verrückte Welt

Recorded in 2021. remastered.  I have to have a new way to play the piano. My sister and my son are doing that. They are working out a way to bring the piano to my hospital bed. I can no longer sit up, even in my powerchair. It's too uncomfortable and hard to breathe. I don't have functioning back or abdominal muscles, and I can't lift my head off my chest unless In laying back. Only my arms and hands are semi-functioning. My thumbs are going bad. I can't pull a zipper. I won't be able to play as well and I don't know how I'll work the sustain pedal - but I'll do my best! 😊🎶🎹🎶

Light at The End of The Darkness

A New wild ride with my talented friend https://soundcloud.com/billy-korg
Lyrics :-
I wonder what
I was doing
Not a lot
Before all this
I wonder what
Was my calling
Stuck in a rut
Before all this

And day by day
And year by year
It fades away
Becomes unclear

Is this the path I should be on
Now that I'm here

A midnight chancer
A moonlight dancer
A real champagner
An entertainer

Billy Korg / winkandwoo 2025

Before All This

EDM / Dark Electronic 
Eyes on Me is a hypnotic slow-groove dark EDM track from Zemandan. Pulsating basslines, falsetto-driven toxic vocals in bed with hypnotic club energy.

Eyes On Me | Remastered

Cette chanson parle des nuits blanches que les accidents de la vie nous font passer . Quand notre lit devient trop petit pour ces sombres pensées et que l'on va dehors pour essayer d'oublier...
This song is about the sleepless nights that life's accidents cause us to endure. When our bed becomes too small for these dark thoughts and we go outside to try to forget...

Composer/Keyboard : Régis GAUBERT https://soundcloud.com/rob-spirit/tracks musicoman@wanadoo.fr
Arrangements/Guitars : Philippe SEGUINARD
Lyrics/Singer : Guillaume DULER

Quand on marche la nuit
On change le décor
De ces choses que l'on fuit
Mais elles s'accrochent fort
Le jour est endormi
Les heureux rêvent encore
Quand on marche à l'ennui
On se traîne du corps
Quand on marche la nuit
Sous des lumières fanées , blessées
Faux soleils prisonniers
Notre ombre est une amie
Un peu désorientée
Et comme un chien elle nous suit
Fidèle et obligée
Si elle avait une vie
Elle resterait couchée
Quand on marche la nuit
On voit mieux les silences
On contemple les bruits
On regarde leur danse
Un instant on oublie
Notre désespérance
Que le jour que l'on fuit
Réveille nos souffrances
Quand on marche la nuit
On entend nos pensées (bis )
Elles sont comme des cris
Qu'on retient prisonniers
Et la Lune en amie
Paraît nous écouter
Peut être qu'elle luit
Pour mieux nous consoler
Quand on marche la nuit
On croise le hasard
Il nous parle de lui
Mais c'est bien notre histoire
On se voit dans sa vie
Comme dans un miroir
On connaît tout de lui
Il a notre mémoire
Quand on marche la nuit
Au rythme des pourquoi ( bis) 
Que nos pas ont suivi
Des traces d'autrefois
On laisse démuni (bis )
Quelqu'un qui pleurera
Qui marchera la nuit
Les jours où ça va pas

When we walk at night
We change the scenery
Of those things we flee from
But they cling on tightly
The day is asleep
The happy ones still dream
When we walk in boredom
We drag our bodies along
When we walk at night
Under faded, wounded lights
False suns held captive
Our shadow is a friend
A little disoriented
And like a dog, it follows us
Faithful and obliged
If it had a life
It would stay lying down
When we walk at night
We see the silences better
We contemplate the noises
We watch their dance
For a moment, we forget
Our despair
That the day we flee from
Awakens our suffering
When we walk at night
We hear our thoughts (repeat)
They are like cries
That we hold captive
And the Moon, our friend
Seems to listen to us
Perhaps it shines
To better console us
When we walk at night
We encounter chance
It tells us about itself
But it is really our story
We see ourselves in its life
As in a mirror
We know everything about it
It has our memory
When we walk at night
To the rhythm of the whys (repeat) 
That our steps have followed
Traces of the past
We leave helpless (repeat)
Someone who will cry
Who will walk at night
On days when things aren't going well

© Régis GAUBERT/Philippe SEGUINARD/Guillaume DULER  Septembre 2025

Quand on marche la nuit ( Regis GAUBERT & JIM ) TRANSLATED

Freefall is an electrifying future-house demo 
adventure from Artemis & the Nymphs (Isle of Myth).
Expect soaring vocals, euphoric drops, and a neon-lit atmosphere that captures the freedom of letting go.
Turn it up and feel the descent.

Freefall.wav

A simple, little weird Original track
Music made in GarageBand
Lyrics & vocals by me 

😊

Lyrics:

In your house you want to feel like home
If you can't feel it
You don't want to be there!
On your sofa you want to feel relaxed
If you can't feel it
You don't want to be there!

Mmm...Mmm...Mmm...Mmm

In your kitchen you want to make food
If you can't do it
You don't want to be there!
On a plate you want to serve something good
If it's not good
You don't want to serve it!

Mmm...Mmm...Mmm...Mmm...

In your bedroom you want to get some sleep
If you can't sleep
You don't want to be there!
In your bed you want to feel good
If you can't feel it
You don't want to be there!

Mmm...Mmm...Mmm...Mmm...

You Dont Want To Be There (Original)

Remix and re-invention of an earlier track from many years ago. Messier 83 (see the image), also known as the Southern Pinwheel Galaxy, contains structures within structures. The images are stunning. This track has interlocking aspects, hence the title.

The Ferns of M83

For my friend from Shrewsbury – and for everyone who is there for others with love and strength.

The Way You Stay is a very personal song I originally wrote just for a close friend. After hearing it, he told me I should definitely release it – and so I did.

It tells about the importance of being there for each other – especially when life gets heavy.

It’s about the quiet strength of caring and the love that lies within those moments. About two people who carry each other and the closeness that grows from it.

But this song is not only for him – it’s for everyone who cares for others, quietly, steadily, and wholeheartedly.

A song about trust, friendship, and the strength that comes from staying.

Behind the music:
From the beginning I knew I wanted a choir in this song. I thought about it for a long time, wondering how it could work. In the end, I recorded more than 24 vocal tracks – all with my own voice – and processed them in such a way that the choir is made up of many little Axels.

I truly hope you enjoy listening to it.

The video for the song is available on YouTube:

https://youtu.be/V3eWGTdakr8?si=Z14qJjSR7inY0-BH

____________________________________

The Way You Stay

He clears the table when the day is done,
he hides his worries from everyone. 
She takes his hand, and with her touch,
he feels he´s more than strong enough.

That’s the way you stay,
when the days get heavy.
That’s the way you love,
quiet but steady.
Two hearts leaning, all the way –
that’s the way you stay.

He keeps the light on late into the night,
she gives him reason, keeps his heart upright.
He hears her laughter, and it pulls him through,
that’s the reason she gives to do.

That’s the way you stay,
when the days get heavy.
That’s the way you love,
quiet but steady.
Two hearts leaning, all the way –
that’s the way you stay.

From far away I see you two,
the care, the trust, the gentle view.
It moves me more than words can say –
I hold you close, though far away.

That’s the way you stay,
when the nights turn colder.
That’s the way you love,
growing older.
Two hearts leaning, all the way –
that’s the way you stay.


The Way You Stay

Track 5 from Wigmore Allen Gibbons 2025 release called FRINGE - available at www.terrywigmore.com/wigmore-allen-gibbons

*Keith makes observations everywhere he goes, and in this instance, his tours of local castles led to this idea - those great, huge, thickly-hewn doors are actually hung on very small hinges. Of course, Terry sees the image as a metaphor -great change often begins with small starts. Literal or metaphorical? We 'll leave that up to the listener.

Great Doors Open

    I walked along a beach…soft sand at my feet
    I travelled past a man…his chin down on his chest
    This man is not asleep…He’s too long past all that I guess
    It may sound pretty stupid, yet…there it is
    Great doors open on small hinges
    I don’t care no more…I don’t care
    I don’t care no more…I don’t care… 
    Great doors open on small hinges
    On this unmitigated nightmare
    No one walks the lonely path I trod
    More disasters left by the wayside
    At the time, didn’t look so bad

    1.47 (Instrumental Break)
    
    He joined in halfway through the movie
    He ain’t gunna chew this cabbage twice
    That dozy man out on the causeway
    Awoke upon his own advice
    Great doors open on small hinges 
    He don’t care no more…he just don’t care
    He don’t care no more…he just don’t care
    Great doors open on small hinges

Wigmore: Music, Production
Allen: Vocals, Lyrics, Guitars, Bass

Great Doors

“ALiEN Manicure” is a Hypnotic and Dark high-energy progressive psytrance track from Zemandan. Perfect for night drives, club nights, and festival stages. Layered metallic FM leads, fatt ass basslines  and cinematic atmospheres create a relentless groove composed for maximum immersion.

BPM: 142 | Key: F# minor | Style: Progressive Psytrance / Dark EDM 

Follow Zemandan for more futuristic, hypnotic electronic releases.

Alien Manicure

“There are known knowns, things we know that we know; there are known unknowns, things that we know we don't know; there are unknown knowns, things we don't know that we know; and there are unknown unknowns, things we do not know we don't know.”

Unknown Knowns

Youtube Video live now - https://youtu.be/Ox3ORYZEeF0
Lyrics
He got bottles of dreams to keep hiding himself away from life
he said he’s gotta be the best or there’s no point in trying tonight
it takes too much time to get up and not enough time to fall down
he was always getting somewhere didn’t think he’d ever get tied to this town (no not to this town)

Can you hold on
Tell me Can you hold on

She got two more lives to go now then she’ll finally stick around and she’s been around
the bag she’s trying to drown in sponsored by online love she never found no she never found
she got excuses ready and waiting every one’s got its own special place it’s her special place
with too many hang-ups and over’s you can’t rewrite the lines in your face no not on your face

Can you hold on
Tell me Can you hold on
Hold on for another day
Hold on don’t be afraid
Hold on we’ll find another way
Hold on just hold on
Hold on please hold on

And if you had your chance again 
would you fall down the same paths
cos The world inside is empty 
if you can’t see past the past
and if you had your time again 
would you walk in another’s shoes
cos the choices are so empty 
if you’re too much a fool to lose
yeah your world inside is empty 
if you’re too afraid to choose
you’re too afraid to lose 
can you see past your past

And hold on for another day hold on now
Hold on don’t be afraid hold on now
Hold on we’ll find another way so hold on now
Hold on just hold on
Hold on please hold on


Bottled Dreams (Hold on)

NOW ON SPOTIFY!!!
Odin’s Eye" by Zemandan is a hypnotic and euphoric Progressive House track, blending Nordic and Viking cinematic elements with festival-ready energy. This instrumental EDM anthem combines samba groove percussion, orchestral layers, and trance-influenced melodies to create an epic and immersive experience. Perfect for summer festival sets, cinematic soundscapes, and dark fantasy vibes, "Odin’s Eye" delivers a captivating journey through hypnotic rhythms, electronic textures, and uplifting drops.

Experience the unique fusion of electronic music and Nordic folklore with hypnotic, euphoric, and orchestral instrumentation. This track is ideal for fans of progressive house, EDM, trance, festival anthems, and epic cinematic instrumentals. Zemandan’s “Odin’s Eye” is a must-listen for anyone seeking a powerful, summer-ready, festival-ready electronic adventure.

Odin's Eye

remembering

ZEMANDAN, The Pyrocode, cinematic electronic, dark techno, 
A fusion of fire and flesh.
“The Pyrocode” ignites a six-minute cinematic journey through molten basslines, glitching embers, and electronic soul.
🔥A dark and beautiful collision 🔥

Already Home – dark, hypnotic, and intense. Deep vocals, pulsing bass, glitchy percussion, and cinematic energy.

Blessed with fire inside
I take all the light she offers, never settle, never hide
I see skies beneath my feet, stars above my head
Guess you wish you were already gone, more left undone than said

Met a dude who claimed to know
But he couldn’t tell me where my soul will go
I spoke my mind, let my bad thoughts flow
You see I’m already home

I will ascend
Bud in my hand
Bass at my side
I’ve tried — still no release
More than a little misaligned
Falling fast, out of line

They say only fools can recognize
But I see all the signs
They say simple minds just echo fools
But I will ascend in proof

Bud in my hand
Bass at my side
I’ve tried — still no release
More than a little misaligned
Guess you’ll linger on if you ever tried

Met a dude who claimed to know
But he couldn’t tell me where my soul will go
I spoke my mind, let my bad thoughts flow
You see I’m already home

I will ascend - bud in my hand
Bass at my side - I’ve tried
Still no release — more than a little misaligned
Guess you’ll linger on if you ever tried

The fully mastered version of Breathe (with Anne Bakker) from the ep Save Some released on 23rd of July on Nijmeegs Electronic Music label Shipwrec.

Facebook event releaseparty: 
https://www.facebook.com/events/1045179465519029/

Get/check the EP here:
Itunes: https://itunes.apple.com/us/album/save-some-ep/id1130971278
Spotify: https://open.spotify.com/album/1sSuh2C17NTURDeJTfYnfr
Juno: http://www.junodownload.com/products/quibus-save-some/3152490-02/
Beatport: https://www.beatport.com/release/save-some/1809674
Boomkat: https://boomkat.com/products/save-some
Clone: https://clone.nl/digital/item3152490.html
Traxsource: https://www.traxsource.com/title/652315/save-some
Amazon: https://www.amazon.com/Save-Some-Quibus/dp/B01I2M0OSK
Emusic: http://www.emusic.com/album/quibus/save-some/16816814/

Composition, Lyrics and Production by Martijn Holtslag
Violin and Vocals by Anne Bakker
Trumpet by Mark Nieuwenhuis
Mixed by Martijn Holtslag
Mastered by Tonny Nobel

Breathe (with Anne Bakker)

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

After updating my profile pic (“time machine” shot!), I figured it was also time to refresh the bio. The amount of world-class talent on the Cloud never ceases to amaze me. I don’t say that lightly – I’ve learned so much from so many of you. There are artists here I genuinely consider among the best musical talents I’ve heard anywhere. And I have heard a ton of music.
I’m a lifelong music addict. For me, music can be transformative, cathartic, joyful, and intellectual – often all at once. My taste? Almost anything done well. Almost. My own music is eclectic: from acoustic guitar pieces to jazz fusion, to prog/alternative/psychedelic rock, to electronica.
What really keeps me here, though, is the community – the interaction, and the sense of connection that somehow forms even when we never meet in person. The goodwill and respect are something special, and I don’t take that for granted.
Finally, regarding recording – if you’re still reading! – my humble studio hasn’t changed in 15 years. I’m even still running Windows 7 to support my old Steinberg DAW. No AI tools – just me, I like to control the physical process at every step, from idea, to playing, editing, mixing, and final production.