Dancefloor Adict.

Tracklist

1 - Benji303 - When You Hit This Point - Retribution 001

2 - Benji303 - Killer Shot - 303 Alliance 010

3 - Benji303 - The Beating Soul - Stay Up Forever Super Limited 014

4 - David Oblivion - Pull Up The Poor (Benji303 Remix) - Filth Infatuated 075

5 - Benji303 - No Stopping - 303 Alliance 011

6 - Benji303 - Made For The Underground - 303 Alliance 011

7 - Benji303 - Kill The Bill - 303 Alliance 011

8 - Benji303 - Relentless - 303 Alliance 011

9 - Bad Boy Pete & Jah Scoop - Skylarking - Anarko Dub Tekno 001

10 - DDR - Supply & Demand (Benji303 Remix) - 303 Alliance Limited 004

11 - Benji303 - Rock Ya Soul - 303 Alliance 010

Benji303 - Another Day In Paradise Live Set (December 2021)

BIG UPS THE UKTEK CREWS!!! WHAT A TEKNIVAL TO REMEMBER <3

LIVE LOOP ABLETON SET / CONTROLLER DESK - FREE DOWNLOAD

Sample loops from: Tribaan, Guigoo, MWB & Dr.Looney

Tribaan - Big Local  (Live Ableton) *Free*

Sufsuperltd020b1

Vinyl Release Now Available On FTSK 02



Steve Mills - Can You Dig This (Vinyl Available Now Available On FTSK)

Download-Link: https://soundcloud.com/createdsystemcult/sets/66jahre-menschenrechte


The Declaration

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NSK1 b2b JUANMA GAN 396 DISTORTION SET EXTRAC

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.34.51 am

HPT 034 - Track 04

A1 - Tiago Santos & The Geezer - Hellraiser Rocking Da Flavor (Original Mix)
A2 - Case & Tars - Massive Wave (Original Mix)
B1 - Acid Chochi - London Style (Original Mix)
B2 - Marcio M. Hobosynth (Original Mix)

Southside Records #004 - Tiago Santos, The Geezer, Case & Tars, Acid Chochi,  Marcio M.

**STEVE MILLS**
(Braingravy Records/Stay Up Forever/Project 303/WahWah/Scythe Squadron/CDJ303/Extreme Forces/Flatlife/Avinit/Interstate One)

Steve started DJ’ing back in 1996 and was soon banging out tunes on infamous, though sadly now defunct, UK pirate radio station Force FM. After being spotted playing by a local sound system, Steve then became part of the crew R.P.M, and after many years on the squat party scene, earning his stripes, he became a resident for the HUB Sound System. Steve still rocks it for HUB whenever possible.
Steve Mills was the only DJ to play Acid Techno on the FM dial for over a decade, and has been lucky enough to represent Stay Up Forever Records on air (Stay Up Forever Broadcast Party) as well as in the clubs. He has played alongside Chris Aaron, and Julian Liberator, D.A.V.E The Drummer, Sterling Moss, Ant, Geezer, D.D.R, Rackitt, K.N, amongst many other well respected DJs. Recently, Steve has had great success with his own productions and record labels, working with London legends D.A.V.E The Drummer, Chris Liberator, Sterling Moss, Geezer & Darc Marc as well as his many solo releases which appear on Labels like Wah Wah, Scythe Squadron, Extreme Forces, Soitiz, Flatlife Records, Stay Up Forever Projects, Stay Up Forever, Braingravy Records, Project 303 & Interstate One. Steve Mills is also part of the Monster trio “303 Pirates” with partners Chris Liberator & D.A.V.E The Drummer He has had Great international success in countries like Brazil ,Poland Germany, Netherlands, Ireland & Prague playing at events like Acid Techno Pioneers, Hardrace Underground 5 & the Amazing SoundFeer music Festival in Czech, plus more to come in the UK & Abroad.




Steve Mills - Can You Dig This (Vinyl Available Now Available On FTSK)

Steve Mills 303