phillip glass!

Piano Music

classical + piano

Every Song Ever

Instrumental

francia  - part 2

minim

Is It Okay If I Call You Mine - Paul McCrane Cover

The Twins (Prague)

Colours Of Piano

Richter: Vladimir's Blues

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

Richter: Horizon Variations

Philip Glass - Opening

The Studio Album Collection 1977-1992

Everybody Dance

I Dig The Duke, I Dig The Count

Reminiscing In Tempo

Rocky III: Music From The Motion Picture

Mickey

Valentina Lisitsa Plays Philip Glass

The Truman Show: Truman Sleeps (Short Version)

Yellow Lounge

Handel: Water Music Suite No. 3 in G Major, HWV 350: IXX. Menuet - XX. Without Indication

The Truman Show (Original Motion Picture Soundtrack)

Truman Sleeps

Dreaming of Fiji

Gershwin Plays Gershwin: The Piano Rolls

When You Want 'Em, You Can't Get 'Em, When You've Got 'Em, You Don't Want 'Em

Glassworks

Glassworks: IV. Rubric

Floe

Glassworks: I. Opening

Facades

Chopin: Nocturnes [Complete]

Nocturne No. 21 in C Minor, Op. Posth.

Ain't It Funky

Ain't It Funky Now (Parts 1 and 2)

24 Postcards In Full Colour

The Tartu Piano

Urlaub ganz entspannt - Klassik für unterwegs

Richter: Written on the Sky

Who Do You Love?

Who Do You Love? (Jam City Remix)

SEA-J ALBUM

Dogs in the yard (Paul McCrane cover)

This piece is transcribed and performed by Kyle Landry. If you like it, I urge you to visit his channel on youtube.

For The Damaged Coda - Piano Solo By Kyle Landry (Evil Morty's Theme)

Buy Now:
https://store.cdbaby.com/cd/bradgroblerfeatdesireesurie
https://www.amazon.com/Cant-Have-feat-Desiree-Surie/dp/B07CWHT4GT
https://itunes.apple.com/us/album/if-i-cant-have-you-feat-desiree-surie-single/1381249984

Stream Now:
spotify:album:5eagr05JqWNaWvTxIHFzZJ
https://open.spotify.com/album/5eagr05JqWNaWvTxIHFzZJ?si=6C6Jd0riSHmuAmiQLsViRQ
https://www.deezer.com/us/artist/13820895

Vocals By Desiree Surie:
https://www.facebook.com/desiree.surie


Released by Labrecords:
http://www.labrecords.nl/
https://www.facebook.com/contactlabrecords/?ref=br_rs

Big Productions:
http://www.big-productions.nl/
https://www.facebook.com/BigProductionss/

Brad Grobler:
https://www.discogs.com/artist/474678-Brad-Grobler?sort=year%2Casc&limit=500&filter_anv=0&type=Credits&page=1
https://www.facebook.com/thisisbradgrobler/
https://twitter.com/bradgrobler?lang=en
https://soundbetter.com/profiles/4965-brad-grobler-(big-productions)
https://www.numberonemusic.com/bradgrobler

"If I Can't Have You" is a disco song written by Barry, Robin and Maurice Gibb in 1977. The song initially appeared on the Saturday Night Fever soundtrack in a version by Yvonne Elliman, released in November 1977. The Bee Gees' version appeared a month later as the B-side of "Stayin' Alive".

The song later appeared on the Bee Gees' compilation Their Greatest Hits: The Record. The remixed version was released and remastered in the compilation Bee Gees Greatest in 2007 and marked the return of the Bee Gees to the US Hot Dance Tracks charts after 28 years. According to Maurice, this track was the first song they did while they were recording the other songs for the film. The recording was started at Château d'Hérouville as a basic track only and completed later at Cherokee Studios in Los Angeles. Kim Wilde also made a great version!!

Now in 2018 a new future house version from Brad Grobler & Desiree Surie released on LabRecords.nl. We hope you will like our version to honor the original writers and history of this amazing song!

Many Thanks to Brad Grobler and the people who made my video possible!

Desiree Surie- If I Cant Have You

Philip Glass - String Quartet No. 3 "Mishima", VI "Mishima/Closing"
Performed by Penaliggon's String Quartet, featuring Orla Papadakis, Leni Sewart, Hannah Gardiner and Conor Carleton.

Recorded by Ollie McLoughlin and Joey Penaliggon.
Mixed, produced and mastered by Ollie McLoughlin for the Sound Recording and Production Masters programme, SOAS, December 2017.

Philip Glass - String Quartet No. 3 "Mishima", VI "Mishima/Closing"

Sing, Sing, Sing

Digital New Release Sampler (Quarter 2, 2007)

Danse espagnole No. 1

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

06 - I Sing the Body Electric

Four Organs: Phase Patterns

Four Organs (feat. Jon Gibson & Philip Glass)

Four Organs (feat. Jon Gibson & Philip Glass)

Steve Reich