Psychedelic world corps presents a planet dust remix of the jim manser track reflections 

remixed and remastered by Jim manser

REFLECTIONS planet dust remix

Video : https://www.youtube.com/watch?v=484U5K-mi24

This piece represents a sonic journey of introspection and renewal, inspired by moments of burnout and the desperate need for respite.

Close your eyes and let the music carry you away. 

Experience the gentle sway of the tide, the warmth of the sun on your skin, and the whispers of the sea breeze. Dive into a world where reality blurs with hallucinations, where the boundary between dreams and waking life dissolves

"Oceanic Fever" is a reminder to pause, to breathe, and to find beauty in moments of stillness.

Oceanic Fever

Cast of characters:
Well-- @user-370942421-686440500 – Hakan – synth, beat, and seed idea
Surfers Like Us– @user-411502040 –Artur– guitar
Llanpsych– @llanpsych –Tez– guitar, mix, and production 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, synth

This song began with Artur inviting Josh onto a project that he and Hakan had just started that consisted of the beat and a synth line—the one that opens the song—supplied by Hakan. Josh added his five string fretless bass to it first, coming up with an idea of how it could sound. Then, Josh asked Tez to get in on it, too, because Tez not only has an affinity for the genre, but an aptitude for it, as well. After Tez laid down his hot guitar, Josh went back and played his idea, but accounted for Tez's jamming, too, this time. After the basic tracks were done, Artur brought his vibrato/delay guitar magic to the jam, too. Then, Josh added the various synth voices that you hear throughout. ​
  Every great song needs a great producer, and Tez was the man for this job. He brought it all together and used our various parts like a conductor uses different parts of a symphony. This is the fist song that Tez and Josh have done with Hakan. Artur and he are musical partners, so if you dig this song, you would probably like what's on their pages, too. We hope you enjoy listening to this as much as we enjoyed making it.

Ghost Train   ( with Entheogenic Psychonaught, Llanpsych and Surfers Like Us )

island of nowhere

Jazz practice with my fretless playing the theme and solo over a backing play along track  including drums, guitar and upright bass.

How Insensitive  Jazz Standard Fretless Theme And Solo

Coconut Martini (for Piano)

Ian Greaves

Playthings 140 BPM

Alcune note esplicative:
-English version below-

Questa danza trae ispirazione da un manoscritto databile abbastanza precisamente in un periodo compreso tra il tardo Neolitico e il Luglio 1750. 
La pergamena sulla quale è stato vergato era incorporata nella rilegatura di un volume di epoca successiva che raccoglie diverse ricette di cucina a base di cinghiale. 
La provenienza del volume sembra essere legata a un monaco cuciniere dell'ormai estinto ordine dei Frati Trigliceridi di San Circonflesso, una congregazione di cui si conoscono poche evidenze storiche.

Da un’attenta analisi del metro musicale e dei pochi appunti coreutici — che purtroppo risultano in gran parte indecifrabili, eccetto per alcuni passaggi scritti con quella che sembra essere salsa di pomodoro — si evince che i danzatori di questa singolare danza dovessero possedere un numero dispari di arti, una caratteristica che, sebbene non del tutto chiara, sembra fosse una condizione fondamentale per la corretta esecuzione della coreografia.

____________________________________________________________________________

Some background notes:

This dance is inspired by a manuscript that can be dated quite precisely to a period somewhere between the late Neolithic and July 1750.
The parchment on which it was written was incorporated into the binding of a later volume, which collects various recipes for cooking wild boar.
The origin of the volume seems to be linked to a monk-cook from the now-extinct order of the Triglycerides Friars of Saint Circumflex, a congregation about which few historical records exist.

From a careful analysis of the musical meter and the few choreographic notes — which unfortunately remain mostly undecipherable, except for some sections written in what appears to be tomato sauce — it can be deduced that the dancers performing this peculiar dance were required to possess an odd number of limbs, a characteristic which, while not entirely clear, seems to have been a fundamental condition for the correct execution of the choreography.

Giga

I See Time

❤️🎶The music unites us all❤️🎶
I am a singer-songwriter, composer, entrepreneur, musician and sound designer. I have a home studio and have produced most of my songs and instrumentals there.
I love the exciting diversity of the Soundcloud universe. Here I always discover new, creative music creations and meet many nice people from all over the world.
Thanks for listening. I appreciate every feedback and every new follower.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2016 DestKorn | © 2016 DestKorn. All rights reserved.
℗ 2016 DestKorn | © 2016 DestKorn. Alle Rechte vorbehalten.
Artist & Publisher: DestKorn
SenneRecord 2012

SicK

DestKorn - SicK [Free Download]

Inspired by a track taped from Bruce Conover's morning relaxation in his deck... First I made a synth out of the sounds in "PreSonus Studio One 5"..., and the rest is history.
Here's the link to the original track: https://soundcloud.com/conover/my-back-yard-nature-sounds-at-5am/comment-1089809905
Stop by and check out Bruce's page here:
https://soundcloud.com/conover
This track is also open for download or collab!!!
Enjoy Fam!!!

For The Birds

I've been playing many years ago as a professionnel bass player and took a break for 10 years but kept listening to music. I was back practicing slowly in 2002 and never stop. I went back to school and  the 4 year I've studied an AEC  in recording and sound engineer. I'm happy to be back and play and record for fun, and listen and enjoy other talented musician sharing their composition

How Insensitive Jazz Standard Fretless Theme And Solo

Steve Roy