Toronto based Producer with fire in his eyes and curator at Spiral Recordings and Burner Records.

For Paul David, being born in Scotland and emigrating to Windsor, Canada has certain advantages if you are an electronic music producer.

First, Windsor has the unique feature of being situated just two minutes by car from Detroit, Michigan, the city where one of electronic music's most important movements began and the sounds of seminal techno music broadcast from Detroit radio stations were easily received by those who lived in Windsor.

Meanwhile, Paul David's cousin back in Scotland was sending him a steady stream of mixtapes from the rich UK underground music scene.

Moving to Toronto after university, Paul began to release electronic music under the name Sudden and performing as a Live PA which led to him opening for techno legends Orbital and invitations to play at festivals like Detroit's Movement from Carl Craig, WEMF and Toronto's Edgefest, where he mixed beats to a huge crowd of astonished Nickleback fans. 

Later, Paul released two albums of 8-bit electronic music under the name "Le Bus"; stripped down songs with abstract yet catchy vocals. One of the albums CBC Radio declared "..could easily be one of the best electronic albums of the year!". This project made massive impact on Canadian college radio, gaining top tens in most Canadian cities.

Then, Paul David turned his attention to producing House and EDM, but always with one foot in his musical roots. It was then, along with fellow Toronto producer Barletta, that Paul co-founded the Burner Records label.

With releases on Cr2, Pukka Up and his own Burner Records, Paul's original productions and remixes have turned heads in the global dance music scene, receiving enthusiastic support from outlets such as Mixmag, the DMC Buzzchart, Earmilk, Hypemachine and world-renowned DJ's like Chuckie, Sebastian Ingrosso, Carl Craig, Sander Kleinenberg, Markus Schulz and BBC Radio 1 Dj Kissy Sell Out as well as numerous Beatport chartings.

ULTRABOSS is a synthwave project by austrian/italian guitarist and producer PJ d'Atri. ULTRABOSS is dedicated to "shredwave", a Synthwave subgenre chosen by PJ to highlight the electric guitar as a powerful and important synth wave force!
ULTRABOSS was founded in autumn 2016 after PJ released his debut in the synthwave scene on "New Retro Wave" records.: The EP "Follow The Power" - written and recorded together with his good friend Vincenzo Salvia.
Go to ultrabossmusic.com for more info.

https://rlgrime.lnk.to/play

contact: deker@mixedmanagement.com

booking: dcallender@teamwass.com

Partnered Twitch Streamer. YouTuber. Content Creator. Software Engineer. Musician.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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