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O melhor do Rock

Rock, Jazz & Pop 2025 🔥🔈🔥

BXLNT Showcase

Hi Fi Sound System (playlist)

Re-Extase 27

Support the good stuff

Re-Ex Sound 95

June 2025

Indie, dipped in fuzz.
Watch the lyric video here: https://youtu.be/wA6-ZuJQ8g8

Time at the End for Questions

The Way

Meeski Money - White Paper

I NEVER LIKED YOU

I'M DAT N****

In "I need a doctor" Mino Music delves into the insecurities of a man entangled with a beautiful woman. He tells himself he doesn't need her, yet can't help but give her his time. While he claims lust is all he seeks, deep down he wonders if something is wrong with him. This hip-hop track captures the complexity of desire and self-doubt, resonating with anyone who's questioned their own feelings.

I Need A Doctor.wav

#Getplays #Getplays #Soundcloudweekly #SoundcloudWeekly 
#playlist #playlist #Top100 #Top100
#Getmoreplays #Getmoreplays #Soundcloudweekly #SoundcloudWeekly 
#playlist #playlist #Top100 #Top100
#Getmoreplays #Getmoreplays #Soundcloudweekly #SoundcloudWeekly 
#playlist #playlist #Top100 #Top100
#SCxiamOTHER2
#SCxiamOTHER2

#SCxiamOTHER2

#SCxiamOTHER2
#SCxiamOTHER2

Luh Lambo - Always

TwentyFirstCenturyMedievalWorld

Yea I know it’s  better
Than it’s ever been before
With all the technobabble things
That we all vie for 
Like wi-fi and internet
Uber this and google that
And here’s one thing you can’t forget      
We’re still
Yes we’re still 
In a twenty first century medieval world
A twenty first century medieval world

Annexation 
The red pill or the blue pill
God save the King
Oh Buck Rogers

Apathy is a catastrophe
That plagues our society
Acceptance and obedience
Feeds the endless greed
Like billionaires with rocket ships
Carrots hanging from a stick
And here’s one thing you can’t forget  
We’re still
Yes we’re still 
In a twenty first century medieval world
A twenty first century medieval world

Solo

Ahh…

Genuflection
Masters of the Universe
By the grace of God
Does my head in

One generation to the next
Ad nauseam
begone you old bad habits
So we carry on
To live a life without the threat
Of crazy wars or massive debt
And here’s one thing you can’t forget  
We’re still
Yes we’re still 
In a twenty first century medieval world
A twenty first century medieval world
A twenty first century med-ie-val-world

TwentyFirstCenturyMedeivalWorld

Pop out

Kingdom For a Saint - Acoustic version

X
Music by Overdrive & Smilex
Master by Chris Schlue

This is my reinterpretation/remix of the song X by the awesome English band Smilex. The initial plan was to produce something industrial/cyberpunk, but I was seduced by the idea of making a rockabilly version of X, with hints of punk rock.

Huge thanks to Lee (lead singer), who kindly offered me the invitation to do a remix of the song -- he's probably regretting it by now, but it's too late, man. 😄

Boasting an ear splitting career spanning over a decade, Smilex are the band who have done it all. Several releases on Quickfix Recordings (who discovered Youthmovies) and spots on various compilations & singles clubs, including a split ep with The Young Knives & a collaboration with MC Lars, have made Smilex a band renowned within their native Oxford. Explosive live shows – betraying a tendency for reckless self-endangerment coupled with a drive to put the audience's experience above all else – have led local music bible Nightshift to dub Smilex “Oxford's one band Riot”. Infamous live antics have caught the eyes and ears of musical types across the country, earning them the title of Playmusic's “best unsigned live act of 2010”, whilst securing slots playing beneath (and raising the bar for) the likes of The Damned, The Datsuns, and The Eighties Matchbox B-Line Disaster.

I recommend checking out Smilex's great tracks on their Soundcloud page:
https://soundcloud.com/smilex

Also check out the original song X:
https://soundcloud.com/smilex/x-clean

Once again, Chris Schlue has done a wonderful job mastering the track. Check out Chris's excellent music production on his Soundcloud page:
https://soundcloud.com/chris-schlue

Also check out his latest song as a producer/instrumentalist, OBEDIENCE TOY:
https://soundcloud.com/chris-schlue/obedience-toy

Hope you enjoy this madness.😄

No More Believing

No More Believing -With AnandaTuk

Threatening Steps

Threatening Steps - KRT Production

Lyrics by Amara
175 BPM ·Amin

V1:
Energy hypnotic
Got you in my pocket
Hear you just say stop it, stop it
Why you make me look and wanna watch it? (x3)
I’ll make you wanna watch it (x2)
Yeah I’ll make you wanna watch it
Stop it, why you make me wanna look and watch it?
V2:
Got you down like 10 toes Guess you lost that control Yeah that’s right, I got it
Stop, why you make me look and wanna watch it? (x3)
Why you make me look and wanna watch it (x2)
Yeah I’ll make you wanna watch it (x4)
Watch it
Yeah I’ll make you wanna watch it
Stop it, why you make me wanna look and watch it?

🔥Spotify🔥

Watch It

My daughter and I were watching a RoomieOfficial YouTube video about multiples songs that have the same name. One of these titles was "Hit The Lights". We decided to have a competition to see who could write the best song title "Hit The Lights" and here is mine. I'm not 100% sure what genre it is, I'm guessing Country-Pop-Rock or something like that. I've used driving as a metaphor for life.

Lyrics:

The way was winding
But now you're finding
That you're going nowhere
The lights are blinding
Constantly reminding
You've lost yourself in their glare

Don't think of stopping
You can still find your way
It's time for gear dropping
Rev up now and you may

Just hit the lights before they change
Follow your dreams, while they're still in range
Discover your way as you drive through the night
You'll only get lost if you don't hit the lights

Have to keep moving
Always you're proving
That all you left was right
The road ain't smoothing
But now you're cruising
Round obstacles of hindsight

Don't think of stopping
You can still find your way
Your engine is throbbing
Rev up now and you may

Just hit the lights before they change
Follow your dreams, while they're still in range
Discover your way as you drive through the night
You'll only get lost if you don't hit the lights


Don't think of stopping
You can still find your way
Your music is rocking
Rev up now and you may

Just hit the lights before they change
Follow your dreams, while they're still in range
Discover your way as you drive through the night
You'll only get lost if you don't hit the lights

You'll only get lost if you don't hit the lights

Hit The Lights

This song is the antithesis of my previous track, Higher. It's heavily influenced by 90s grunge, and aims to portray the lowest point in someones life, with a hint of hope.

Lyrics:

Feel the weight of the world
It's all slipping away
Lost in noise, can't be heard
Another dark and empty day
Lower, they might hear
Thoughts pounding in your head
Some things should stay hidden
Some words should not be said

Lower my expectations
Lower my guard
Trying to find salvation
But it's just so hard

Lower than I ever was, Lower than I ever was,
Lower than I ever was
Lower than I ever was, Lower than I ever was,
Lower than I ever was

Seeking light in the grey
Shadows dancing on my mind
All I've known fades away
Leaves me broken behind
They said I should get high
Changing me to something else
But I think I like this way
When I'm low I'm just myself

Lower my expectations
Lower my guard
Chasing a faint reflection
Of a life that's scarred

Lower than I ever was, Lower than I ever was
Drowning in the echoes of my loss
(Lower than I ever was)
Lower than I ever was, Lower than I ever was
No one can see the lines I've crossed
(Lower than I ever was)

Lower than I ever was, Lower than I ever was
(Drowning in the echoes of my loss)
Lower than I ever was
(No one can see the lines I've crossed)
Lower than I ever was, Lower than I ever was
(Drowning in the echoes of my loss)
Lower than I ever was
(No one can see the lines I've crossed)

Feel the weight of the world
It's all slipping away
Lost in noise, can't be heard
Another dark and empty day

Lower

This is a classic 12 bar blues song, with the verses in Am, chorus in C and transition bridges between. It is based on a poem that was included in the BBC ghosts TV series:

Flowers die, the trees fall
The house can change brick by brick
until nothing of the original remains.
Everything changes.

So, home is not the walls or the gardens.
Home is the souls within those walls.
Home is the memories made on this spot.
Home is not a place.
Home is a feeling.

The lyrics are:

You could build a mansion
But that ain't a home
And plant a fancy garden
But that don't make a home
Bricks ain't gonna hold ya
When you're all alone

Home is a feeling of memories and dreams
Yeah Home is a feeling
Home is the feeling that however bad it seems
Yeah Home is a feeling
When you're with the ones you care for
You know what being home means

The walls could fall and crumble
But it's still your home
The trees and flowers wither
But it's still your home
When everything is changing
The spirits never gone

Home is a feeling of being safe and free
Yeah Home is a feeling
Home is a feeling wherever you may be
Yeah Home is a feeling
When you're feeling lost and lonely
You know what being home means

See it, feel it
Touch it, hold it
Never ever
Let it go

Home is a feeling of memories and dreams
Yeah Home is a feeling
Home is the feeling that however bad it seems
Yeah Home is a feeling
When you're with the ones you care for
You know what being home means

Home

This is a dark-wave / new-wave track inspired by Depeche Mode. The theme is being different to others, and being happy out of place.

Lyrics:

Shadowed I walk alone
My world is dark like stone
They wear colors so bright
I can't join in their light
They laugh and shine so clear
But my heart holds the fear
In their glow I'm unseen
Caught in a world between

Out of place I stand
Where dark is my land
In a world of light
I'm lost in the night

They see rainbows and sun
But for me it’s all gone
Their smiles don't touch my soul
In this dark I feel whole
In their world I’m a ghost
A shadow they have lost
No matter how they try
I’m a dark lullaby

Out of place I stand
Where dark is my land
In a world of light
I'm lost in the night

I know you think I am cold
Invisible
A phantom that you cannot hold
At home in the dark

Out of place I stand
Where dark is my land
In a world of light
I'm lost in the night

I'm lost in the night


Dark

The End of the Century

Spotify

Red Dress

This song was originally written as an acoustic track with just piano and vocals, and has been through multiple levels of feedback to reach its current stage. I have tried to approach overcoming isolation and depression in a way that is generally relatable, and to build to an optimistic conclusion. It's in Db Major, which is the musical equivalent of someone putting on a happy face.

Lyrics:

Did you ever feel that the world's not listening
Did you ever feel that the world just don't care
Did you catch a glimpse of the sky made of diamonds
Did you look again and it wasn't there

When you see through the illusion
And you break through your confusion
You can find the truth in your heart
You can heal as your world falls apart

Did you ever think that you were a loser
Did you ever think that you didn't belong
Did you hear the song in the colors of the rainbow
Did you look again and it was gone

When you see through the illusion
And you break through your confusion
You can find the truth in your heart
You can heal as your world falls apart

You're not the only one that's hurting
You're not alone in your pain
You can find solace in remembering 
That rainbows only follow rain


When you see through the illusion
And you break through your confusion
You can find the truth in your heart
You can heal your world and not fall apart

Yes, you can heal your world and not fall apart

The Illusion

Lie To Me EP

Back To You

Du5k.

THE DEATH OF ME

Looking For

Stream

The Story Begins ✨🎶 → https://links.rma-music.com/Seyna

Seyna

Free Download

Seyna (Extended Mix)

(basely loosed on Waltz Op. 64 No. 3 in A-flat by Frederic Chopin)

it slips away
my darling
one dip in the hot sun
then gone back where we come from

it slips away
my darling
one lick and we're done for
don't think it will stop for you

your rage won't throw off the night
though if you're doing it right
you'll wish you could go for one more
round on the carousel

sit still and go around
can't get off the carousel
sit still and go around

it slips away
my darling
one dip in the hot sun
then gone back where we come from

it slips away
my starling
one blink and we're done for
don't think it will stop for you

rage won't turn off the night
though if you've done alright
you'll wish you could go for one more
round on the carousel

Support Gom

Carousel (with Chopin)

Like the Mix? Click the [Repost] 🔁 button so more people can hear it!

Want more like this? Check out our blog for the latest news, music premieres, exclusive mixes and more: https://www.undrtone.co.uk.

Follow our House and Techno Spotify Playlist: https://tinyurl.com/mr3k96z7.

For the final chapter of our ‘Undrtone Invites’ series with Mlink Records, we’re handing the reins to a true mainstay of the underground—MAARKK.

Based in Athens, MAARKK is the force behind Full Circle and co-founder of Bulgarian techno label ФАЗА. He’s been deep in the game since 2008, not just behind the decks but also curating standout events that have helped shape the regional scene.

His musical journey started with Sasha’s ‘Involver’, which sparked a long-running love for progressive house. Over time, his style evolved—pulling from artists like Mano Le Tough, Âme, Craig Richards, Voiski, and Apollonia—into something uniquely his own: groovy, psychedelic-tinged sets layered with breaks, depth and movement.

This mix is a perfect snapshot of that sound. No tracklist this time—just press play and let it unfold naturally. Expect deep textures, rolling rhythms, and moments that catch you off guard. MAARKK builds tension with patience, never rushing the vibe, always pushing forward.

Across a 15+ year career, he’s played everywhere from Sisyphos Berlin to Yalta Club Sofia, supported artists like Âme, WhoMadeWho, Mind Against, Diplo and held residencies at Pixi Athens and more. His sets always reflect the rooms he plays—intimate, immersive, and full of detail.

A fitting way to round off our first ever guest mix series with Mlink Records.

Thanks to all the artists involved. More collaborations soon.

MAARKK
https://www.instagram.com/maarkk_fullcircle
https://soundcloud.com/mark_kfullcircle

Mlink Records
https://www.instagram.com/mlinkrecords
https://soundcloud.com/mlinkrecords

Undrtone Invites: Mlink Records - MAARKK  Guest Mix

Prod by Paranoia 
Prod by Imparanoik on Youtube

Hayrt - LMFY! prod. Paranoia

less than watch me

Popthecrash - Revolt  (Official Music Video): https://youtu.be/H4MWupCVa1g?si=Y3K_My5zAIUlqCFi

Mv making/映像作家/영상작가 - nowa kuriwaki (noixy)
https://noixy.xyz/

즐겁게 들어주십쇼! 감사합니다:)
Hope you guys love this.
みんなに楽しんでもらえたら嬉しいです！

Follow Popthecrash:

Instagram: www.instagram.com/popthecrash/
Youtube: https://www.youtube.com/@Popthecrash
Youtube(remix):https://www.youtube.com/@popthecrashremix
Soundcloud: https://soundcloud.com/pop_thecrash
Spotify: https://open.spotify.com/track/0V6Hkgrlx8qFAiq6Pe8eVv?si=731c3333046b47a7
Tiktok: www.tiktok.com/@popthecrash

Official Music Video

Popthecrash - Revolt

In My Arms

This tune was released by Robbie Williams in 2002. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #578 by Robbie Williams

Red...
Our cross is red.
Our crescent, red.
The broken flag
hung from power lines
is red.
The bullets that passed beside
my brother’s head
They chose red.

Red...
The sky when drones descend,
The soil where mothers end,
The blood that dries before we scream,
The god that watched,
and left the dream.

Red...
My mother’s eyes,
searching for the face of God
as the next beast roars
she finds red.
Red...
The soldiers stay awake to watch
the fires bloom where children crouch.
They mark the roofs, they count the dead
then close their eyes
and dream in red.
Red...
The moon above the wreckage
of our sound,
too proud to die quietly
bleeds red.

Red...
The schools they shelled at dawn’s first light,
The tents that burned all through the night.
The babies swaddled next to flame
their blankets red, their skin the same.
Red...
The dust that chokes the broken air,
The limbs they count, then leave right there.
The prayers unsaid, the graves unread
Gaza writes its psalms in red.

Red...
The sky when drones descend,
The soil where mothers end,
The blood that dries before we scream,
The god that watched,
and left the dream.

Gazan Psalm (Red)

Impulsive Response feat. Marko Smiljanic

Track's lyrics were written by Badtripp Inc and the music came to be by try and retry for hours the Suno AI. A song about the horrors that changes soldiers: "They don't come back right"

Soldier, universal

This track was another version of the track "Soldier, universal" that is released simultaneously. I found this version too good to not let folks listen to it, so this will show those who think it's easy to use the Suno AI to make music: first I wrote the lyrics and then I spent several hours vith the AI and got songs that were mostly good at killing flies. But this version is so catchy!!
SOLDIER, UNIVERSAL (LYRICS BADTRIPP INC/MUSIC BY BADTRIPP INC/SUNO AI)

(Verse 1:)
I aimed my gun to hit that mark
The shot flashed through the dark
But my bullet scraped off some bark
Being what I am is no walk in the park
My head is wide open to the pain of it all
I used to think it might be better come fall
Winter comes and I still can't silence the call
of every universal soldier in this empty hall

(Chorus):
So what it takes to get me through the night
Must have been there for the medieval knight
Those who go to any war and fight
Just never come back right

(Verse 2:)
I got no money for those I sent to the grave
The victims were never close to being brave
I was something nobody knew how to save
I was like the early humans hiding in a cave
So I live like a bat in the middle of the day
Trying to escape but there's not any way
My mind hurts too much for me to stay
Yeah, it hurts too much for me to stay
Yeah, it hurts too much for me to stay

(Chorus:)
So what it takes to get me through the night
Must have been there for the medieval knight
Those who go to any war and fight
Just never come back right



Soldier, another version

close your eyes baby
Im comin on 
gonna reach your door 
baby before dawn 
my motorcycle baby
shes running hot 
Im gonna give you baby
more more
than you want
----------------------
more than you want
ride with me baby
all night long
ride with me baby
all night long
----------------
chorus 
Shes a freight train lover
and Im her man
Shes a freight train lover
and Im her man
she'll ride you so hard baby
you gonna be in pain
freight train lover
freight train lover 
freight train lover
---------------
solo
--------------
shes a freight train lover 
and Im her man 
man
freight train lover

FREIGHT TRAIN LOVER

musicvideo watch here: https://vimeo.com/1076171833

"Silent Shores, A Memory's Tide" - Music from "Hinter uns das Land" / "Behind Us The Land"

A new song by Beyond & Before Music, inspired by the novel "Hinter uns das Land" / "Behind Us The Land". "Silent Shores, A Memory's Tide" captures the melancholic yet hopeful mood of arrival, remembrance, and internal rebuilding. Discover the atmospheric sound journey. #BehindUsTheLand #SilentShores #BookSoundtrack

---

"Silent Shores, A Memory's Tide" - Musik zu "Hinter uns das Land"

Ein neuer Song von Beyond & Before Music, inspiriert vom Roman "Hinter uns das Land". "Silent Shores, A Memory's Tide" fängt die melancholische und zugleich hoffnungsvolle Stimmung des Ankommens, Erinnerns und inneren Wiederaufbaus ein. Entdecke die atmosphärische Klangreise. #HinterUnsDasLand #SilentShores #BookSoundtrack

Silent Shores, A Memory's Tide

Shine

Guitars: Clay Willis
Cello: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Keyboards: Bob Patin
Backup Vocals: Julie Laverty, Spencer Brochard
Vocal: Will Montgomery
Engineering: Paul Osborn @ Audio Dallas
Written & Mixed by Will Montgomery

God Left The Chat

It's a quiet Sunday
I cut the grass
In the alley

I see a blackbird
Jumping quickly
Away from me

You left me there
Well, it's nowhere
You didn't warn me
A note would suit me
In this crappy city
I die slowly

It's a quiet Sunday
I drink a beer
In my hallway

I see red ants
They stare at me
They find this funny

You left me there
Well, it's nowhere
You didn't warn me
A note would suit me
In this crappy city
I die slowly 

A Quiet Sunday

Along the rainbow we go into the snow
Beautiful, it is, to watch a cabbage grow
Cryptic usernames, they keep me on my toes
Sparkly little fluffs I pump at the show
Brace for impact as we make this roux
Messy in the dark is fudge on pantyhose
Laymen's terms and pleasantries and vital prose
Exotic crumpet dancers hold crossbows
Fast or slow I don't mind the tempos
Alienation from the Scarecrows.

Written, recorded, performed and mixed by Naïve Composer.

Alienation from the Scarecrows

Hey Now, Say Now

Adelheide's Wisdom - The Project & The Song
About the Project

Adelheide's Wisdom is more than a band—it is a musical saga. It is the sound of a story, a journey from a lost world into the heart of resilience.

This project is the official musical companion to the German historical novel "Hinter uns das Land" (The Land Behind Us) by Frank Talmon l'Armée. Based on the true autobiographical account of Inge Talmon l'Armée (1927-2006), the story follows a family's journey through the loss of their East Prussian homeland during World War II, their traumatic flight, and the arduous process of rebuilding a new life from the ruins of the old. The music translates universal themes of trauma, memory, inner strength, and the search for a new identity into a powerful sonic experience.

Our sound is a fusion of Epic Progressive Rock and Symphonic Metal, infused with elements of melancholic Folk and classical forms like the Pavane and Bolero. The music mirrors the narrative's arc, shifting from delicate, atmospheric passages to powerful, heavy riffs—a constant dialogue between a fragile past and a complex present. The members of Adelheide's Wisdom are virtual artists, their names and personalities drawn from the key characters of the novel, each bringing their unique part of the story to the music.

Featured Epic: "When the River Sings"

At the heart of our concept album lies the monumental 28-minute epic, "When the River Sings." This track is a multi-act symphonic journey that encapsulates the entire narrative arc of the project, exploring trauma, confrontation, and ultimate catharsis.

The song uses the metaphor of a river to tell the story of a refugee's soul. It begins with the arrival of a fragile protagonist (Adelheide) who sees only her painful past in the water's reflection, asking, "Will it heal me… or just drag me deeper?" The river (voiced by André) responds as a majestic yet menacing force, leading to a powerful confrontation. After a chaotic inner struggle, she finds strength not by defeating her pain, but by embracing it ("THE PAIN YOU INFLICTED IS NOW MY THRONE!"). In the triumphant finale, the river becomes a cleansing stream, leading to the profound realization: "I AM BOTH THE WRECK AND THE SHORE!"

Musically, the song is a masterclass in fusion. It opens with an instrumental Pavane/Bolero carried by a classical wind ensemble, establishing the melancholic theme of a lost world. This fragile beginning explodes into a driving Progressive Rock section, led by a virtuosic and aggressive flute in homage to the pioneers of 70s prog. The song’s core is a long, complex instrumental piece that shifts between a brutal symphonic dialogue—where orchestra and rock band "answer" each other—and moments of profound silence featuring a sorrowful cello solo and whispered words. The journey culminates in a slow, majestic, and hymnic finale, where all the sonic worlds—orchestral, metal, and baroque—merge into a single, soaring statement of healing and redemption.

DEDICATION

This music is dedicated to the inspirations who shaped its sound:

Ian Anderson

Maurice Ravel

Gabriel Fauré

Martin Turner

Manfred Mann

And in a very special way, this work is dedicated to the memory of
Carlo Borocco (1931-2007)
(https://www.leo-bw.de/detail/-/Detail/details/PERSON/wlbblb_personen/1019496355/Borocco+Carlo)
A former music teacher and conductor whose passion for music inspired a lifetime of creativity.

When The River Sings

THE BOY - WAR

Peace on Earth

Prayer Song

February 24 2022

I write, produce, and sing my own songs as an outlet for my feelings. Being born British, we tend to bottle things up, so here's me letting go.