Name: For Christin by Fausse Note in Rough ep list
Duration: 2 min 4 s
Description: Blues

really cool feeling, almost has a post-apocalyptic feel

Rough ep list

In Your Own Time

*Under creative common license CC-BY-NC-ND*
© All  songs originals(no remix) and protected ©

This track represents many things for me .... If i close my eyes, the images of holidays with all my family in Erquy Brittany, in the 70s, reappear.
Thank you to all those who appreciate my music and all those who have at least heard!

Donate ♥

Memories Of Erquy ©(original). See the description for more informations ;)

I Asked For The Moon And Received A Spoon

Stephenmantra

ThebLuEStrack

For Christin

New track on an upcoming EP release Strangers Can Be Friendly

Blue Kreepin

Dj-set with vinyls recorded in studio by Marzio Pelù in Massa (Ms, Italy) in 1989. 
-------
Dj-set con dischi in vinile registrato in studio da Marzio Pelù a Massa nel 1989.

"Wild session", studio dj-set recorded in 1989

ICECREAMMANPLAYPEN

Disingenuity, of your editing, when there’s struggling 
the words are all cliche
There’s no unity, cops on tv screens, modern duality 
dead kids left in its wake
Personality, of an anomaly, kiss my morality 
and shove it right up your own greed 
My own vanity, doesn’t keep me happily, your catastrophe 
Was letting me breathe 
Chorus:                                                                                                                                 *
now I’m not saying that the world would be better off without me
I’m just saying I just say about half of what I think
Everybody is shouting with me and its like a reverie 
The bands still playing I’m just saying we could use a remedy 
Verse 2:											*
To the frame focus shot, what’s the line and the plot, drop the mic when its hot			Why are you fucking with me 
I can’t think start, can’t even masterbate, sucked at the debate
 a regular O’Malley 
but this ally cat is done, a death framed upon, roommate grabbed a gun
People love their betrayal stories 
it’s the nice and boring ones, slipping your girl all the drugs, putting casings of their slugs
into the old mans heart  
Chorus:											*
Verse 3:											*
Because there’s so much hatred, I can’t say I blame them, the fires getting bigger
Then the shelter were we spent our nights
I use to pass by, I would sit and talk awhile, parking lots have been my style 
except for the fights
That I would enjoy, if it not for the drama boys, with all the violent toys
Something in me just snapped
no more baby mama’s, no more homie collars, stop selling for the dollar
You are strong and better than them.
Outro: 												*
Who’s tough guy, who’s tough guy, who’s a…
Who’s tough guy, who’s tough guy, who’s a, whose a..
(Repeat)


Viral Lost of Humanity

Order 'I Could See The Smoke' EP on Cassette Tape / Digital here: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

"Returnee" is taken from Seabuckthorn's upcoming EP 'I Could See The Smoke', coming out October 2016 on Lost Tribe Sound.  Seabuckthorn is UK experimental guitarist Andy Cartwright. 

Mastered by William Ryan Fritch

I Could See The Smoke

Returnee

Buy EP

Seabuckthorn - Returnee (from I Could See The Smoke EP)

Spotify/Apple/etc

Earths

Cowboy

Vinyl pre-orders available now.

Seattle experimentalists NEWAXEYES play with tension and contradictions. Merging dark electronics, crystalline guitar melodies, pummeling beats and samples to refract the volatility, paranoia, and catharsis of the post-Information Age, the band spins carefully orchestrated and recklessly warped instrumentals into something entirely their own.

Their debut album, BLACK FAX, recorded live to tape over the course of two days and produced by Randall Dunn (Sunn O))), Earth, Wolves In The Throne Room), is a testament to the band’s genre-agnostic approach to music. A quartet of skilled multi-instrumentalists, Jordan Rundle (Bass/Synths/Sampler), Bret Gardín (Electronic drums/Synths), Tyler Coray (Guitar/Sampler), and William Hayes (Guitar/Synths), draw inspiration from a wide variety of places and seamlessly merge them into songs that are as abrasive as they are cinematic. 

Opening song “False Flag” samples vocals from dozens of conspiracy theory videos, unrecognizable as they are seamlessly woven through soaring guitars and a glitchy drum machine. “Aleph Null” is an example of the way the band is adept at mixing textures, moods, and instruments to create something that nods at the band’s eclectic list of references while being simultaneously unique. Parts of “Dennis” could easily be used as a thumping beat-driven background to a hip-hop song while others are downright ambient, blending post-rock sensibilities and a strumming guitar line. “At Blood’s” serves as a slow meditation between the punching percussion that drives the rest of the album. With guest vocals from composer/vocalist Hanna Benn recorded in a cavernous gutted stairwell and distorted over a droning synthesizer, there’s a hint at the dynamic abilities the band is able to pull from.

Since forming in 2013, NEWAXEYES has pursued a diverse range of projects within and beyond a traditional band structure. Versatile performers with backgrounds in modern composition, sound design, film and visual art, their wide-angle vision has encompassed various multimedia projects, art collaborations, and large-scale works - including 2015’s The 8th Passenger, a 2-hour-long live rescoring of Ridley Scott’s 1979 sci-fi horror classic ‘Alien’, performed to a sold-out theater.

NEWAXEYES guitarist William Hayes recently played on Jóhann Jóhannson’s score to Panos Cosmatos' (Beyond the Black Rainbow) Nicolas Cage-starring film Mandy (2018), the latest Myrkur album Mareridt (2017, Relapse Records), and toured as live keyboardist of Wolves in the Throne Room in 2016. Bret Gardín contributed electronic drums to post-punk pioneers Sort Sol’s Stor Langsom Stjerne (2017, Sony). 

If BLACK FAX is anything to go by, NEWAXEYES is sure to carve out something all their own in the coming years. 

Members of NEWAXEYES have played guitars on Jóhann Jóhannson’s score to Panos Cosmatos' (Beyond the Black Rainbow) Nicolas Cage-starring film Mandy (2018), the newest Myrkur album Mareridt (2017, Relapse Records), toured as live keyboardist of Wolves in the Throne Room, and contributed electronic drums to post-punk pioneers Sort Sol’s Stor Langsom Stjerne (2017, Sony).

Black Fax

Newaxeyes - Aleph Null - from Black Fax - pre-order now

I am self releasing an ep at some point soon, I hope you enjoy my musical journey.






For Christin

Fausse Note

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