JIM ANDERS _ im Griff

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Recording sessions from 29/11/2023 to 14/12/2023
3 tracks MOOG Modular (vst Arturia),
1 track PianoV2 (Arturia),
presets, mixing, processing and editing: Pier WILL.
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A long whisper... thus sums up all the cries that we did not hear or did not want to hear from all those who suffered a life that they should never have had, but who is to blame?
All of us have forgotten so much of what once united humans without it being perfect, that's for sure, but the teaching of respect, love and peace were instilled in us. It's up to everyone to see what they do with it next... and it's unfortunately... a long whisper...

01-12-2023-Pier WILL - in mmemory of François Verdys

Un long murmure... résume ainsi tous les cris que nous n'avons pas entendus ou que nous n'avons pas voulu entendre de la part de tous ceux qui ont subi une vie qu'ils n'auraient jamais dû avoir, mais à qui la faute ?
Nous avons tous oublié une grande partie de ce qui unissait autrefois les humains sans que cela soit parfait, c'est sûr, mais l'enseignement du respect, de l'amour et de la paix nous a été inculqué. C'est à chacun de voir ce qu'il en fera ensuite... et c'est malheureusement... un long murmure...

01-12-2023-Pier WILL - à la mémoire de François Verdys
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🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
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Complex work - ❤️🕊️🙏 A Long Whisper

A Long Whisper

FULL INSTRUMENTAL!

“The Way” started with a piano melody and kept unfurling as I healed from the loss of a few loved ones last year…which was capped off with my beautiful family dogs both passing. The lyrics to this song took on their loss, but the whole thing is really an open entry from my own grief process through to happiness again.

Written, performed and produced by Jason Langvee
Mixed & Mastered by Uezurii (audius.co/uezuriiwav)

The Way [Instrumental]

HELLO GABI THIS IS SIGGI TALKING ON THE PHONE
 KNOCK KNOCK HEY STEPHANIE ANYBODY HOME?
JUST WANTED TO REACH OUT AND PASS MY THANKS ALONG 
SO I FIGURED WHY NOT MAYBE PASS THEM THROUGH A SONG

BRAVO LADIES MERCI AUSSI FOR THE BRILLIANT JOB YOU’VE DONE 
AND YOU KEEP DOING DAILY MAN ! YOU TWO ARE ONE AWESOME
SHAKING UP THE DANCE FLOOR TURNING HEADS AROUND 
YOU LOVE MEZCAL I DO TOO SO NEXT ONE IS MY ROUND
DOO DOO DOO
WE WON’T GET BASHED JUST RAISE ONE GLASS FOR YOUR SHOW TO COME WHICH I’M SURE WILL BE A BLAST QUELQUE CHOSE D’ÉNORME 
HORS NORME

HELLO GABI ET STEPHANIE POUR VOS CRÉATIONS
DE LA PART D’UN SIMPLE FROGGIE FÉLICITATIONS
YOU GOT GUTS LOVE ENERGY PLUS IMAGINATION
I GUESS THAT’S THE RECIPE OF WHAT’S MORE THAN JUST FASHION

SO MAYBE JUST ONE MORE SHOT MY VERY LAST ROUND 
SEEMS TO ME YOU’RE ON A HOT SPOT ACCOMPLISHMENT BOUND
DOO DOO DOO DOO DOO DOO

WISH I WAS A MODEL AND I COULD FLY LIKE SUPERMAN 
WISH I WAS A MODEL

SIGGI'S APPLAUSE (Lyrics) Song for Gabi & Stephanie

Composed in September 2016 and finally named and art finalised in February 2024. 

It will be one of the songs on the upcoming 'Realm II' album.

Synth work by Rob Ulysses (@rob-ulysses) and Masha Solo (@masha-solo).

We hope you enjoy it, thanks so much for listening!

The photo is royalty free from Canva. 
Art by Masha.

Realm II

Endless Adventure (I Wrote My Own Path) - Instrumental

Saturday Evening

And now this is the concluding track 10, "Stay with Me", in my just completed album "New Beginning" (2024): composed in Garage Band iOS in the late evening of 3 March 2024 and arranged, mixed and recorded in Logic Pro in the late evening of 4 March 2024, with final arrangement and mix in Logic Pro in the late evening of 5 March 2024, by Alex M, then posted on SoundCloud on 7 March 2024 (together with the album as a whole).

The album artwork cover, also used as the cover of each constituent track, was created in PowerPoint and annotated in Mac OS Preview on 19 July 2023 (and 5 January 2024, changing the year from 2023 to 2024 in the brackets of the album title).

Duration: 3:19 minutes
Tempo: 124 bpm
Time Signature: 4/4
Key Signature: Bb

Digital instruments used, in the order of composing and recording:

1. Piano - Boesendorfer Grand Piano
2. Bass - P-Bass
3. Keyboard - Alchemy Synth - Mallets - Spacetime Keys (Breathy)
4. Drums - Electronic - Simmons SDS-V
5. Synthesizer - Strings - String Decay
6. Cinematic - Textures - Tranquility
7. Synthesizer - Sound Effects - Thunderous Ambience
8. Cinematic - Ambient Drone - Twilight Splendor

Stay with Me

at the moment this is my best synthesizer track for memphis. not exactly sure how it will mix in but I love the solo so much. best part is my fingers slapping on the screen of my phone. cheers to synoprezFM. Jesus, the things you can do on just a phone. 

memphis raw synth track - holy shit!

Classica Remastered

working on it

Like walking a tight rope on a cold, grey rainy day, feeling that sensation of loose balance in the pit of ones stomach, on the edge.

Highwire in the Wind

Thank you for visiting and listening. I appreciate your comments and messages. Please feel free to say hello! - Steve
General life - info / bio - - -
I began my musical education with listening as an infant and at the age of 7, in 1958, composed my first piece of music which was a brass quartet.

Early influences were guided by the musical taste of my Mother which was often Tchaikovsky and other romantic composers, with an occasional diversion to Big Band and pop music of the late 40's and early 50's.

The Boys Club Band, Grade School Choir and High School Band were a great education in basic orchestration and harmony and in the mid 60's, and self taught as a guitarist, I began live performance, which lasted until 1999.

Music and technology have always been my main interests and as those two elements continued to merge through the late 90's to the present, they have led me to the point where I now can successfully realize my earliest childhood dreams of musical expression in composing for full orchestra.

Special thanks to Mom for the great listening experience, brother Greg for the continued guidance in music from a formal perspective, and brother Lew for the technological expertise.

Highwire in the Wind

Steve Karl