Name: One Hearts Azimuth by Steve Karl
Duration: 2 min 33 s
Description: Letting the feeling flow watching internal sensations lead the process.

Incredible harmonies and changes in the flow which create amazingly dramatic tension

Beautiful orchestration, feels like searching the light in darkness

I'm hooked up to your music ! so much talent in here! I'll surely check all of your songs.

JIM ANDERS _ im Griff

painting by me, a little cropped and resized

Cyclopean Descendants of Magpies

Cyclopean Descendants Of Magpies

Letting the feeling flow watching internal sensations lead the process.

One Hearts Azimuth

songs used:
    Clay Young - Pickle Party
        https://soundcloud.com/clay-young-360347153/pickle-party
    Clay Young soundcloud:
        https://soundcloud.com/clay-young-360347153
    Clay Young instagram:
        https://www.instagram.com/clay.young.961/

   TsArWiCc - Come here
       https://soundcloud.com/tsarwicc/failureishere
   TsArWiCc soundcloud:
       https://soundcloud.com/tsarwicc
   TsArWiCc yahoo:
   Tsarwicc@yahoo.com

Clay Young & TsArWiCc - Pickle Party (dj Baubau Remix)

Winter Breeze

FULL INSTRUMENTAL!

“The Way” started with a piano melody and kept unfurling as I healed from the loss of a few loved ones last year…which was capped off with my beautiful family dogs both passing. The lyrics to this song took on their loss, but the whole thing is really an open entry from my own grief process through to happiness again.

Written, performed and produced by Jason Langvee
Mixed & Mastered by Uezurii (audius.co/uezuriiwav)

The Way [Instrumental]

Mega - Omni 3

Fire Spirit

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten.
In the meantime, I'd been following John Anthony on both YouTube (youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion.
Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher.
You can even watch a video of us all adding our parts on John's page right here. www.youtube.com/watch?v=1mdeT8ySZ…owTechniqueCovers
Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

The Eclectic Collective w/ John Anthony - Hey Hey What Can I Do

Nora’s Theme is the opening piece from a suite of incidental music I composed in 2021 to accompany a performance of Henrik Ibsen’s play “A Doll’s House”.

Like the play, it remains a great favourite of mine and I’m delighted to present it with a new orchestration

A Dolls House - Nora's Theme 2024

YellowStone Orchestra

Thank you for visiting and listening. I appreciate your comments and messages. Please feel free to say hello! - Steve
General life - info / bio - - -
I began my musical education with listening as an infant and at the age of 7, in 1958, composed my first piece of music which was a brass quartet.

Early influences were guided by the musical taste of my Mother which was often Tchaikovsky and other romantic composers, with an occasional diversion to Big Band and pop music of the late 40's and early 50's.

The Boys Club Band, Grade School Choir and High School Band were a great education in basic orchestration and harmony and in the mid 60's, and self taught as a guitarist, I began live performance, which lasted until 1999.

Music and technology have always been my main interests and as those two elements continued to merge through the late 90's to the present, they have led me to the point where I now can successfully realize my earliest childhood dreams of musical expression in composing for full orchestra.

Special thanks to Mom for the great listening experience, brother Greg for the continued guidance in music from a formal perspective, and brother Lew for the technological expertise.

One Hearts Azimuth

Steve Karl

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