Name: Whistler by Steve Karl
Duration: 2 min 40 s
Description: A happy up-tempo groove with a nice melody to welcome the coming of Spring!

Bright and happy mood indeed. I'm so ready for Spring. Here's hoping it feels this inviting. :)

I love the inclusion of those Dolby Surround intros they use to play in the theaters. Adds a little sonic excitement.

Hopefully this song will lead to a great spring. Anyway, you did everything for it, Steve. Beautiful melody, beautiful sound.

very positive track, and huge quality of production, I like your crescendo vibes a lot

very nice fun sound!! good happy track!☺👍

This is my first TMS proper tune since Chunka a few months ago, but I've had lots of fun working with various collaborators since then, so thanks to everyone who jammed with me or graciously asked me to play on their track.  i had fun with all of them

This is something that popped in when I wasn't trying to write it.  I started with the second half of the song first and was kinda stuck on how to start it.   I was listening to my friends in Electric Hokum @electric-hokum and their latest couple of tunes and they were killing it.  Just going to town and that was kinda the inspiration for the first part of this thing.  So, thanks guys!!


This is a rock/metal/psychedelic kinda jam.  Hope you enjoy it !

vidya: https://youtu.be/z0sVPLmA5g0
Lyrix:
Whoo!
C'mon
Whoo!
Can't we eat the mushrooms now?
Whoo!
Whoo!

Whoo!

From Lebo's very final drum session, as it sadly turned out -
Taken from live session 2021-11-05 at Tjarda, room 5

Tom - guitar and voice
Peter Paul - bass
Lebo - drums

free download 🌹

Laybow - House of Spirits

Real Love- Carkiss with Dorian Lydia Elsewhere

I played Roland E drums on this strange song and played my old Yamaha electric piano.
Mark Dennis and Jussi Welin played bass and guitar respectively to accompany my crazy ass.

14/August/2022

Going At This Too Long w/Jussi Welin/Mark Dennis

https://soundcloud.com/audiobake/sets/this-dystopia-open-collab

Audiobake - This Dystopia (noxpox RMX)

Viscera

“Curios”

人形は　子らの病を　身に宿し
皿や器や　ひとの念浸む

The old dolls absorb the children's diseases and carry them in their bodies.
Old plates and vessels are imbued with the various thoughts of the people who once used them.

Curios

N-Lovely Gold Digger

Song written by Bryan Ciliberto

Joseph and Anna Houck - backing vocals
all other instruments played by me

Don’t You Know You’re Killing Yourself?

Don’t you know you’re killing yourself
We have it all in writing
look around there’s nobody else
but that’s what’s exciting

What good has free will got you
Coffee or tea?
Don’t you know you’re killing yourself
How else could it be?

Can’t you see you’ve done this before
with no variation
Caught in a call you just can’t ignore
the same old situations 

You always catch me walking alone
or my identical twin
Can’t you see we’ve done this before
I know we’ll do it again

You’re so high, you feel dizzy
like a prehistoric bird
perched on a cliffs edge
sublime but absurd

Can’t you see you’re killing yourself
it’s written in the stars
you remind me of Nellie Bly 
or Belshazzar
 
I’m not here to tell you something
you don’t already know
Can’t you see you’re killing yourself
so it goes, so it goes

Don't You Know (You're Killing Yourself)

A happy up-tempo groove with a nice melody to welcome the coming of Spring!

Whistler

Fall Up * Instrumental

Thank you for visiting and listening. I appreciate your comments and messages. Please feel free to say hello! - Steve
General life - info / bio - - -
I began my musical education with listening as an infant and at the age of 7, in 1958, composed my first piece of music which was a brass quartet.

Early influences were guided by the musical taste of my Mother which was often Tchaikovsky and other romantic composers, with an occasional diversion to Big Band and pop music of the late 40's and early 50's.

The Boys Club Band, Grade School Choir and High School Band were a great education in basic orchestration and harmony and in the mid 60's, and self taught as a guitarist, I began live performance, which lasted until 1999.

Music and technology have always been my main interests and as those two elements continued to merge through the late 90's to the present, they have led me to the point where I now can successfully realize my earliest childhood dreams of musical expression in composing for full orchestra.

Special thanks to Mom for the great listening experience, brother Greg for the continued guidance in music from a formal perspective, and brother Lew for the technological expertise.

Whistler

Steve Karl

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