JohnAlighieri

Temperature (F) and time midnight to midnight, January 10
44-midnight, 42-3am, 39-7am, 41-11am, 45-2pm, 44-5pm, 43-10pm, 45-midnight	(not used)
Timeline of values: midnight, 3am, 7am, 11am, 2pm, 5pm, 10pm, midnight
44-44-44-42-42-42-42-39-39-39-39-41-41-41-45-45-45-44-44-44-44-44-43-43-45
Gematriatric reduction of the values: 
44=8, 42=6, 39=12=3,41=5,45=9,44=8,43=7
Timeline of reduction values: 
8-8-8-6-6-6-6-3-3-3-3-5-5-5-9-9-9-8-8-8-8-8-7-7
Note conversion hash table A1,B2,C3,D4,E5,F6,G7,A8,B9
Timeline of reduction values converted to notes: 
A-A-A-F-F-F-F-C-C-C-C-E-E-E-G-G-G-B-B-B-A-A-A-A-A-G-G
440, 349.23, 261.63, 329.63, 246.94, 440, 392
9,12,12,9,9,15,6
Phase of timeline acceleration: 3-4-4-3-3-5-2
Note conversion hash table A1,B2,C3,D4,E5,F6,G7,A8,B9
Phase of timeline acceleration converted to notes: 
C-D-D-C-C-E-B
261.63, 293.66, 261.63, 329.66, 246.94
Notes of timeline acceleration in octave containing C below middle C:
Generate tones:
3 seconds per hour for the hourly value = 72 seconds. 
3 seconds per interval phase. 84 seconds. 
Compress tempo of phase track to play in 72 seconds.
Select all, copy/paste, x3.
Generated in Audacity.

binarpha[disquiet0106-sonarvortex]

Binaural samples of my ambisonic immersive masters project at UdK Berlin, performed in June, 2023. Use headphones for binaural effect.

The synthesized sounds are the product of an ambisonic buffer/wavetable synthesis method developed for this project. The other sounds are field recordings from Berlin. The complete work is 14 minutes, and involves 24 channels of audio playback. -Sean Regan

Nowhereville Samples Binaural Mix

PROCESS

Single notes in the key of C, staggered and stacked to move through different chords. "Attack" was eliminated using a combination of my trusted E-bow fed through an EHX POG2 with its attack setting jacked all the way up for max swell. Tape Delay, Phaser, Reverb added for space travel (or ocean travel as the case may be here).

RIG

Fabien (Peekamoose Custom Guitars M2), EHX POG2, Small Sound / Big Sound Sparkle Motion, tc electronic flashback delay, EQD Grand Orbiter, EQD Afterneath, Strymon blueSky, Line6 POD-XT (Vox AC-30 emulation), RECORDING DAW: Sony Acid 7.0 (Win 8.1), MASTERING DAW: Harrison Mixbus 2.5 (Mac OS 10.7.5)


PROJECT

Create a dense stack of attack-free tonal material from one audio source.

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.

Step 4: Record a document of these layered loops lasting approximately 1 minute.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

------------------------------------------------
More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
http://disquiet.com/2015/08/13/disquiet0189-tonelayer/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

c swells [disquiet0189-tonelayer]

Swells [disquiet 0189:tone layer]
this track is an entry to disquiet Junto Project 0189 - to create a dense stack of attack-free tonal material from one audio source.
I used tuning forks over guitar pick up  ( yes i did this once before) through eq pedal and line 6 looper. Each improvised take was recored to minidisc...and then into computer and layered up 6 times...or so.... until I liked it  and hit the right concentration of tones. 
More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
disquiet.com/2015/08/13/disquiet0189-tonelayer/
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/


Swells [disquiet 0189:tone layer]

Live ambient Dj set recorded on Dec. 21st, (Winter Solstice)in Seattle, Washington. Enjoy! 

Winternal 2015- Michael Manahan

A slightly unmorning Saturday morning set from Solstice 2017, a T.O.U.C.H. Samadhi annual event in the mountains outside of Asheville, NC, USA

Iliuchina - Man With a Harmonica (Remix)
Menog - Ask the Universe feat. Alienn
Iliuchina - Imagination vs Hallucination
Iliuchina - You Drive Me Crazy
Revolution 9 & Amara - Scolopendra
Alien Project - Crystall Skulls (Mad Maxx Remix)
Menog & Iliuchina - Ilusion Of Reality
Mad Monkey - Sensations & Perceptions
Menog - 5 Stages feat. Iliuchina
Menog & Mad Maxx - Halloween Candy
Mad Maxx - Monster (Skyfall Remix)
Ectima & Phaxe - Crystal Zombie (Skyfall Remix)
Juno Reactor - Pistolero (Sub6 Remix)
Prana - Alien Pets (Ananda Shake Remix)
Loud - Dustortion (Skyfall Remix)
Astral Projection - Let There Be Light (Ananda Shake Remix)

xb at Solstice 2017 (Morning)

Rock Your Baby

Recorded on a Tascam DP24SD using the Novation Circuit and Arturia Minibrute 2, with the help of several modules (notably Dreadbox Nostalgia and Earthquaker Afterneath for the delay and reverb on the Minibrute 2).

Darkened Sepulchre

Ambient/industrial improvisational looping using Chapman Stick, theremin, basses, and constructed objects and effects. Sound effects and sound design. Phonography, field recording.

binarpha[disquiet0106-sonarvortex]

steveburnett