Following the introspective tones of previously released singles “Tomorrow, I'll be Fine” and “Somewhere Beyond the Sea,” "Acacia" continues to expand Tarçın's versatile musical palette. This piece gently weaves together intimate piano keys and textured strings, reflecting on the subtle beauty and resilience found in life's quiet moments of realization.

“The inspiration for 'Acacia' comes from a white acacia tree partially visible from my studio’s garden. Whenever I step outside for fresh air, my gaze invariably finds this tree. Watching it transition through the seasons — its branches lush green and blooming with white flowers, shedding leaves, bearing winter’s snow, and blossoming anew — has mirrored the cycles of life itself. It’s a kind of reminder to me that some of life’s profound truths are right before our eyes. This piece was born from these reflections. The cover photograph shows the tree itself, capturing one of its beautiful moments.” says Onur.

Acacia

Onur Tarçın - Acacia

PODRÓŻ W CZASIE-TIME TRAVEL

Cello cover of "Ain't No Sunshine" by Bill Withers.

Cello Covers

Ain't No Sunshine

"Ain't No Sunshine" - Bill Withers (Cello Cover)

Wanderer

"Hello World" is my entry to Piano Day 2016.
http://www.pianoday.org
#PianoDay

Mash Waves Music is a music project by Daniel Soffner based in Melbourne, Australia.

Blog:   http://mashwavesmusic.soffner.com
Bandcamp:  https://mashwavesmusic.bandcamp.com
Twitter:  https://twitter.com/danielsoffner
Facebook:  https://www.facebook.com/MashWavesMusic

Hello World

Steve Gibbs - In Passing

Artist: Bruno Sanfilippo
Track: Far
Rework of Ed Carlsen's track of the same name
Album: The Journey Tapes (Deluxe Edition)

Buy the album here: https://modernarecords.bandcamp.com/album/the-journey-tapes-deluxe-edition

Ed Carlsen - Far
Original song composed by Ed Carlsen
Rework and piano by Bruno Sanfilippo (http://bruno-sanfilippo.com)
Cello by Manuel del Fresno

Ed Carlsen - Far (Bruno Sanfilippo Rework)

Graham Reynolds loves to explore narrative in his work. This tendency makes him a natural fit for the film, theater and dance work that form one of the cores to his composing career. In fusing a loose concerto format with the story of Charles Babbage and his invention the difference engine, Reynolds' composing voice finds itself in a work that is intense and driving, beautiful and intimate, personally expressive and broadly accessible all at the same time. Developed over a course of years, the initial ideas for each movement were introduced and inspired separately before being woven into this one piece.

The musical onslaught of the opening movement came to Reynolds during a lecture by LB Deyo on Babbage and his work, inspired by the ferocious pace of both Babbage's thinking and the calculating speed of his invention. The fourth movement was developed in a very different form for the Rude Mechs play "The Method Gun", now touring the country. The fifth movement started as a solo piano piece, an Austin Museum of Art commission, in response to the work of Sol Lewitt. Reynolds joins other alt-classical voices in a 21st century approach that is no longer in rebellion against tonality and melody, nor desperate to prove their validity through focus on a "unique" extended technique, while folding 20th century ideas from clusters to modal harmonies to polyrhythms into a broad vocabulary.

The completed concerto "The Difference Engine" premiered on February 6th, 2010 with a 35-piece string orchestra in a Golden Hornet Project performance at Ballet Austin’s Austin Ventures Studio Theater. Soloists Leah Zeger on violin, Jonathan Dexter on cello, and the composer himself on piano fronted the debut, with parts written specifically for their skill set and personal voices. Those voices were then captured for this CD. Not fully realized in his lifetime, the difference engine was the masterwork of 19th century inventor and mathematician Charles Babbage, an attempt to create the world's first computer. A remix of each movement forms the album's second half with contributions from DJ Spooky, Octopus Project, Grammy-nominated producer Adrian Quesada of Grupo Fantasma, Golden Hornet Project's Peter Stopschinski, and finally one from the composer himself.

04 Movement IV  Late at Night The Astronomer

Near

Younger

Third and final chapter for my "Transitions" project.

Dark room

Shin mesle Shadi

For any enquiries regarding music for film/advertising feel free to contact me via stevegibbsmusic.com/licensing

Previous clients include Lincoln Motor Company, Spotify, Riot Games, Alexia Sinclair, Scion Racing/Toyota USA, Energetiks, Khaadi, Hunger TV, Flaunt, ZEAL Optics, VELUX, Deerz & David Dang.