ive tried to land this back into the 80's when bands like poison and GnR ect swayed towards soft rock/country  

electric fury

Damn Good Mornings (Marvin Shelton-ASCAP)

Verse
Every time I went out with my buds on the town
There was hell to pay at work the next day
So many times before, I’d barely make it through the door
At 5am, saying I’ll never do it again.
 
Pre-CH
Before a cup of joe, I gave out warnings
“Don’t you tell me no damn good mornings”
 
Chorus
Who would have guessed that I’d change
All my friends think I’m acting strange
I’ve traded in drinkin' nonsense
For an all-inclusive romance
I don’t need neon lights
You’re brighter than a Texas sunrise
Girl, with you in my life, they’re all great nights 
And damn good mornings

Verse
I never would’ve thought I could ever be caught
Cuddlin’ tight with the love of my life on a Saturday night
When we’re surfin’ the couch, I don’t wanna go out
Yeah, I got all I need, with you laying on me

Pre-CH
Now I find I'm  always resorting
To hit the sack early for a damn good morning!

Chorus
Who would have guessed that I’d change
All my friends think I’m acting strange
I’ve traded in drinkin' nonsense
For an all-inclusive romance
I don’t need neon lights
You’re brighter than a Texas sunrise
Girl, with you in my life, they’re all great nights 
And damn good mornings

Instrumental

Chorus
I’m so happy that I’ve changed
Now it doesn’t even seem strange
I’ve traded in drinkin' nonsense
For an all-inclusive romance
I don’t need neon lights
You’re brighter than a Texas sunrise
Girl, with you in my life, they’re all great nights 
And damn good mornings
damn good mornings

Damn Good Mornings

Blind

Rust on My Halo

A raw, bluesy confession of love lost and lessons learned—where regret isn’t a weakness, but the melody.

Songs of Regret

Inspired by a lesson from my father, this song is a reminder that every side believes they’re the “good guys.” Both Sides Believe invites listeners to look deeper, listen longer, and keep an open mind, because the first story you hear is rarely the whole truth.

[Verse 1]
I was just a kid with questions
’Bout the battles we had fought
Said, “Dad, were we right to fight those wars
That’s what history taught
He looked at me for a long, quiet time
Like he’d carried this truth for years
Said, “Son, both sides believe they’re right 
That’s why the world still bleeds its tears

[Chorus]
Truth wears more than one face
The first tale may only show one view
A wise soul waits before it draws a line
Listens for the voices history hides
’Cause both sides believe
Yeah, both sides believe they’re the good guys

[Verse 2]
Sometimes the truth gets tangled
In the ties we choose to keep
We lean toward the voices
That sing the song we seek
The telling often changes
When the teller has a stake
And flags can find their footing
Where roots don't run too deep

[Chorus]
Truth wears more than one face
The first tale may only show one view
A wise soul waits before it draws a line
Listens for the voices history hides
’Cause both sides believe
Yeah, both sides believe they’re the good guys

[Bridge]
If you look deep enough
You’ll find a child on every side
A mother praying through the night
A father’s quiet pride
We all hold tight to stories
That we’re certain must be true 
But sometimes truth is bigger
Than the frame we’re looking through

[Final Chorus]
Truth wears more than one face
The first tale may only show one view
So dig down deep before you cast that stone
Ask what you don’t know before your mind’s been sold
’Cause both sides believe
Yeah, both sides believe
They’re the good guys

[Outro]
Both sides believe
Both sides believe
They’re the good guys

Both Sides Believe

Can't Hide Country

Building on the first album, the Beau Williams Band's second album deepens its roots in Southern rock, country, and folk while venturing into new sonic territories and genres. The conceptual feel-good journey continues, this time exploring the themes of nostalgia, growth, and the unbreakable bonds of community. The live jam session feel is still very much present.
The intricate guitar work and layered harmonies remain a signature element, and the album offers a dynamic range, from foot-stomping, front-porch sing-alongs that evoke a sense of shared history to intimate, soulful tracks that feel like a quiet conversation between old friends. It’s a perfect companion for a late-night drive home, a walk through a familiar landscape, or simply savouring a moment of quiet reflection.


Made a Believer

My Ride or Die

Let yesterday go

One In A Million is done in a style of music called Swamp Rock. Swamp rock is a term coined in the 1960s to describe a style of Southern rock music that fused elements of blues, country, and rock and roll. The genre has its roots in the music of the early 20th century, when blues, country, and rock and roll were all beginning to take shape. The term “swamp rock” was popularized by southern rock band CCR, whose sound was heavily influenced by the swampy environment of their hometown in El Cerrito, California.

One In A Million

Stephen Ryder is a country artist with a storyteller’s heart, weaving real-life experiences into heartfelt, powerful songs. His music blends traditional country with modern influences, creating songs that speak to love, life, and the journey in between. 

With a growing catalog of music, Stephen continues to share songs that resonate with listeners, whether it’s a heartfelt ballad, a foot-stomping anthem, or a reflective tune about life’s unexpected roads. His dedication to authenticity and storytelling makes his music a perfect fit for country radio and beyond. Follow me on Spotify!  

https://open.spotify.com/artist/60jKjrPsJ9Z43m0qF60S74?si=ayZTWLy5T5udCZ1y1hhYlA