A very special song for me, wonderful collab with Mari Kattman!
Lyrics and vocals: Mari Kattman (http://soundcloud.com/day-twelve)
There is also another version of this song with additional accoustic guitar played by Flohbold on my cloud: http://soundcloud.com/zeitfaktor/echoes-of-the-past-guitar

I search the ground
and walk the sky
And you alone are the magnetic
pull of the tide
A silver cord
keeps me here
My heart burns alive
Your soul so covered by circumstance
it can barely see the outside

Your restless soul
so restless so
Will you ever see whats in front of you now

Your restless soul
so restless so
It’s just me and you we’re woven through 

Your restless soul
so restless so
Just a little tear at the bottom of a well

Your restless soul
so restless so
Will you ever see whats in front of you now.

Artwork: LobosStudio Hamburg /www.pixabay.com (Under Public Domain Licence)

ZEITFAKTOR feat. Mari Kattman - Echoes Of The Past (Piano Version)

Buy it here

Korablove - Aftertaste

I met https://soundcloud.com/milanazilnik here on sound cloud. She posted a song called Moonlight Stroll for an open collab. Here is the link to that song. https://soundcloud.com/milanazilnik/moonlight-stroll-milana 
So I took my chances and made an orchestral mix for her piano. I hope you are going to enjoy it as much as we do! 

Moonlight Stroll

Moonlight Stroll - Milana (feat. Koen Janssen) Orchestral Mix

This is my  submission to the second part of 'The Piano Clouds' (TPC) - 'Ebony and Ivory' Challenge (initiated and hosted by https://soundcloud.com/simon-reich), which involves creating a piece using only the black keys on the piano (yikes! hehe). The first part of the Challenge involved creating a piece using only the white keys ('As the Garden Grows'). This 'black keys'  piece was originally a piano solo improvisation, but I wanted to learn more and add some more FX and instrumentation, so I'm not sure what it is! The piano is still dominant for the Challenge, whilst I tried to incorporate a more 'ambient' mood. I'm now looking forward to listening to all the submissions for the Challenge, as I've only had a chance to listen to a few! :-) 

If you'd like to listen and give some feedback, especially given this approach to music is still relatively new to me, its always much appreciated :-) xx



When The Night Falls - Megs McCarthy (Black Keys Challenge)

Last Serenade

Loosed in heaven KJV 2: Results

"Shipley’s claustrophobic prose sweats and mutters in an 
ecstatic delirium of isolation, the embodied mind locked 
inside its own system, a synthetic cosmos where perception 
and language mutate into a self-writing, self-destructive 
protocol. Siratori’s “void topology” maps that fever as a 
biospiritual, machinic womb where philosophy, eros, and 
parasitology fuse into recursion. Together, their texts pursue 
compulsive analysis from opposing coordinates, one visceral 
and the other structural, until confession and theory form a 
Möbius strip of nausea and reﬂection, a self-metabolising 
hybrid organism. Inside this sealed inﬁnity, thought 
corrodes into revelation, cognition disperses through a 
techno-mediated wormhole sustained by excess, and the void 
asserts itself as boundless possibility. Dear Void is both 
eruption and contagion, a luminous collapse where thought 
and ﬂesh exchange places, a poetics of decay in which the 
posthuman body persistently rewrites itself against the 
horror of existence and the horizon of sense.” 
- Zoetica Ebb, 
Gary J. Shipley / Kenji Siratori.
“Dear Void”  
_-_
@unsampled

Dear Void,

wackyfuntimefunland

A cue from the feature length documentary film Belief: The Possession of Janet Moses

Clear Glass

Steven Gutheinz