Now available on Itunes:

itunes.apple.com/us/album/the-cho…-one/id692919671

and amazon MP3:

www.amazon.com/The-Chosen-One/dp/B00EQIYWE2

One Day On Earth

So, here's one of the bits I could extract from the Blu-ray. It's very difficult to cleanly extract the music - a lot of SFX in different channels, and instruments broken up across channels as well like the first film.

Anyway, enjoy!

Composed by Michael Giacchino.

London Falling (w/ SFX) - Michael Giacchino - Star Trek Into Darkness

From my score for the feature documentary film "Why We Ride."


Why We Ride (Original Motion Picture Soundtrack)

MotoGP

Music for orchestra.

From my score for the feature documentary film "Why We Ride."


Opening

Daytona

Dear friends, finally again another release by Quenya Projects.
After a lot of hard work we think we’ve managed to create a real Orchestral version with real voices of Bilitis 2014 (v4). 
This time we’ve done a mass collab with April Gibson (solo vocals), Imperial Choir (backing vocals) and The Orchestra helping us to get a real orchestral sound, although we couldn't exchange / replace all the instruments yet.

We all sincerely hope you’ll love it just as much as we did making this release, and we hope you can also advice us too, or grant us with your comments and critics, it will help us to evolve even more.

The Assignment of Bilitis 2014:

Make a 2014 version of the theme song Bilitis composed by Francis Lai in 1977, and give it your own signature still keeping the main structure.
Replace all synth sounds for orchestral sounds, piano’s and/or Guitars.
Create 4 different (opus) pieces/versions within 1 end production, and make a new intro.
At least 1 part should have a choir doing the lead, for the ending part create a crescendo/percussion style.

Matt and I made 6 different versions, and kept on working to get the sync spot on and still give it our own signature, and tried different tempo’s and instruments, but it just wouldn’t work properly.
Finally after so many different version we managed to come with this version, and I have so much respect for Matt for all the patience he had with me and all the work he has done on this creation.
It was one of the most difficult tasks for us both, especially because I am still not 100%, so a lot depended on Matt’s skills and time, I could only explain him over the phone or emails what needed to be done, and I think he did it splendidly, and his improving skills and patience with me, made it possible for us to finish it.

Composer Bilitis (1977): Francis Lai
Arrangement: John Styles & Matt Baker
Solo vocals: April Gibson
Orchestral Instruments & Choirs: Matt Baker, The Orchestra & Imperial Choir  
Piano’s & Guitars: Matt Baker & John Styles
Producer: John Styles

Our special thanks too: April, Barry, Piotr, Sergey, Jaap, Ellen, Maria and Jeanette

Quenya Projects (feat. April Gibson) - Bilitis (2014 v4)

Music for string orchestra.

From my score for the feature documentary film "Why We Ride."

Vintage Bikes Have a Soul

Vintage Bikes Have A Soul

It's no easy thing to destroy an object of such power...

Check out some of my films: https://www.youtube.com/watch?v=w_IVBp6V4ak

Wizards will often use prisms to store and focus their magic.  Sometimes, the easiest way to defeat an enemy wizard is to destroy their precious prism.

Matthew 5:16 NKJV
Let your light so shine before men, that they may see your good works and glorify your Father in heaven.

https://bible.com/bible/114/mat.5.16.NKJV

At Lion's Mane Orchestra, we make Drone Films, Soundtracks, and Fantasy Music!  Enjoy!

Art generated in Copilot AI
Music By Peter Iverson
Unpublished work copyright (c) 2025 by Peter Ian Iverson

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Fracturing the Prism | Fantasy Music

Guitars - Nicklas Thelin @nicklas-thelin

© Michael Ottosson 2017 -

License this track at: http://www.sync-music.com/hybrid_trailers

Opening

Steven Gutheinz