I love these chords! The whole instrumentation makes it sound so epic! Wish I could make music like this! :D

Steven Gutheinz

Now available on Itunes:

itunes.apple.com/us/album/the-cho…-one/id692919671

and amazon MP3:

www.amazon.com/The-Chosen-One/dp/B00EQIYWE2

One Day On Earth

Soundtrack written, arranged, produced and mixed by Rhian Sheehan. 
NZSO String section orchestrated and conducted by Ewan Clark.
Soundtrack © The X PRIZE Foundation
 
Back To The Moon For Good is the brand new 24min Planetarium documentary Fulldome show produced by The National Space Centre, and Robert K. Weiss (The Blues Brothers, The Naked Gun). Narrated by Tim Allen (Toy Story, Galaxy Quest), the show chronicles teams around the world competing for the largest incentivized prize in history, the Google Lunar XPRIZE, by landing a robotic spacecraft on the Moon for the first time in more than 40 years.

The show is screening in over 120 Planetariums worldwide from early November 2013. More details on where to see the show here: http://www.googlelunarxprize.org/education/domeshow



Back To The Moon For Good (Soundtrack highlights)

Music for string orchestra.

From my score for the feature documentary film "Why We Ride."


Why We Ride (Original Motion Picture Soundtrack)

The Waltz

The Seed

From my score for the feature documentary film "Why We Ride."


MotoGP

Music for guitar and string orchestra.

From my score for the feature documentary film "Why We Ride."

Racing is the Hardest Thing

Racing Is The Hardest Thing

Music for orchestra.

From my score for the feature documentary film "Why We Ride."


Opening

Daytona

Music for string orchestra and piano. 

From my score for the feature documentary film "Why We Ride."



Everyone Has a Reason

Everyone Has A Reason

This is an experimental album based on ideas mixed with tribal sounds, chant, drums, orchestra, strings, electric guitar and even synth sounds. The music turned out great and it's awesome to work out too, work, or read with. It's epic music, enjoy! 

Creation

Epiphany

The idea behind this piece was to use unconventional methods in a conventional score. Sam Cardon had introduced us to Nate Pyfer who had done work for Kaskade, Neon Trees and Lindsey Stirling to name a few. Anyway, he showed us his tricks and tips on how he produced music and that led to us writing music in similar fashion. Thus, I present to you "Breaking Point" featuring me on the guitar, and everything else. Enjoy.

04/15/2016

B R E A K I N G | P O I N T

And here it is, folks! 'Smash' was originally written for my Electronic Music Composition class for my final project. The one thing I wanted to apply as much as possible was this incredible program call "Evolve Mutation 2" from Heavyocity. I needed to branch out and get more involved with incorporating electronic elements with my film scores and stumbled upon this beautiful program to get the job done. 

Mutation 2 has some of the most fantastic electronica sounds you can get for $120. Seriously, all except the orchestral instruments and the guitars and bass are all found within this program. That's right, the beats, the percussion, the electronica instruments and synth pads and everything.......all straight from Mutation 2. I wanted to implement as much as I could but also keep it at the film score level. I'm not as savvy as other composers when it comes to electronica/orchestral fusions, and I've dabbled a lil' but never have I put this much effort into a score to show case this product! It was a lot of fun to compose and definitely stretched my mind in how to portray certain ideas and emotions throughout this piece.

Anyway, enjoy the piece, comment, and download and like! Thanks guys!

S M A S H

Composed by Tina Guo
Vocal Soloist: Tina Guo

From the 2013 debut composition album ETERNITY

Opening

Steven Gutheinz

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