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Ladat’s Support Nov’25 vol.2

I Really F**ked It Up

Dive

Fuck It Up

I'm Not Yours

New Release - Hellmarch

She used to call it home.

Now every corner is a memory.
The bathroom where she cried with the water running.
The kitchen where he slammed a plate just to watch her flinch.
The hallway she learned to tiptoe through like a ghost.

This song lives inside those walls —
the ones that held their photos and their fights.
It’s not the bruises on her skin that hurt most —
it’s the ones left in the drywall,
in the carpet,
in the way the floor creaks when she walks like she’s still afraid.

She knows she has to leave.
But before she can run,
she has to face the house that watched it all.
The house that never protected her.
The house that still knows her name.

Because healing starts with the truth:
it wasn’t a home.
It was a cage that smiled.

House Full of Bruises

A country-tinged road song full of longing and solitude. With vivid imagery and a steady groove, it’s a love letter from the highway, counting down the miles to reunion.

Count the Days

Fragile by The Jeremias Langsämmer Ensemble blends emotional piano, dark cinematic strings, subtle bells, and plucked textures to create an atmospheric modern classical piece with a haunting edge. Vintage piano tones meet sweeping orchestral strings and expressive cello lines, moving between delicate moments and ominous tension.

This track is perfect for fans of emotional instrumental music, cinematic soundtracks, contemporary classical, study playlists, and atmospheric orchestral pieces. Whether you're focusing, unwinding, or looking for cinematic inspiration, Fragile delivers a rich and immersive listening experience.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Jóhann Jóhannsson, A Winged Victory for the Sullen, Dustin O’Halloran, Philip Glass, Hildur Guðnadóttir, Michael Nyman

The Jeremias Langsämmer Ensemble – Fragile | Piano, Cinematic Strings & Atmospheric Orchestral Music

https://on.soundcloud.com/InZSaAfnExDOBk9Uns by Wirth-X @wirth-x

ShAnkAri touch - ShAnkAri prod.
🚬🧲@djShAnkAri 💫

Wirth-X - Trouble at the chapel (ShAnkAri touch)

 This track is a raw, introspective dive into the weight of unspoken emotions. Driven by a restless pulse and atmospheric alt-rock textures, it captures the quiet pressure of trying to hold yourself together when everything feels heavy. The lyrics walk through empty streets, ticking clocks, and the echo of thoughts better left unsaid—building a haunting sense of isolation that feels universal. With a chorus that hits like a confession whispered into the void, the song blends vulnerability and grit, making it perfect for fans of moody, cinematic, emotionally charged rock.

Left unsaid

Wake Soft, My Love is a gentle sunrise piece written for someone waking up from emotional exhaustion, communication shutdown, and long nights spent fighting invisible battles. This song is made to feel safe, warm breath on your shoulder, soft morning light on your face, the reminder that you don’t have to carry everything alone.

It’s a quiet promise:
you’re loved, you’re held, you’re enough,
even on the days when your mind freezes and your words fall apart.

Built with soft acoustic textures, warm harmonies, and a soothing slow-rise atmosphere, this track is crafted to ground the nervous system and give the listener a calm place to land. It’s intimate, emotional, and written from a place of genuine care.

If you’re waking up anxious, overwhelmed, or feeling frozen in time, this song is for you.
If you need someone to tell you that you’re safe, this song is for you.
If you’ve forgotten that you deserve gentleness, this song is for you.

Thank you for listening.
Thank you for healing.
Wake soft today, you’re loved.

Wake Soft, My Love

SS3 Goku Remix

Musician • Composer • Producer

I've been immersed in music for as long as I can remember. I began classical piano training at age 9 through the Royal Conservatory, and by Grade 7, I was exploring multiple instruments — flute, saxophone, trumpet — eventually teaching myself guitar at 13.

Over the years, I toured extensively with Vancouver-based bands including Krysalis, Bad Boys, September, and Metropolis, where I honed my performance and songwriting skills. My early compositions were mostly instrumental, but my passion for recording took off in the 1990s when I began producing music at home.

I collaborated closely with the singer from Metropolis, and together we released a project called Joe Fish. Since then, I’ve continued writing, recording, and producing my own material — now available on most streaming platforms.

I currently produce using Cubase 14, RME UCX II, Genome software, and Helix pedals, blending classic musicianship with modern production tools.

You can also find me on Spotify HERE:https://open.spotify.com/artist/3i1KcPKjFkNPbqRsrVXH2q?si=u2W7ortvQ2ax1Z4lS2GtyA

Left unsaid

Steven Sutcliffe