Based.

💿

Rock 3

Ladat’s Support Nov’25 vol.2

I Really F**ked It Up

Dive

Fuck It Up

I'm Not Yours

every fucking week i hate my job

all that success…but deep down you’re still just a fatty loser (not that i’m anywhere slowed)

Caio Ocean - 12/12

This one reflects the incredible experience of visiting Peru, thanks to all my good friends in LIma! Enjoy.

Nazca Reveries.WAV

New Release - Hellmarch

She used to call it home.

Now every corner is a memory.
The bathroom where she cried with the water running.
The kitchen where he slammed a plate just to watch her flinch.
The hallway she learned to tiptoe through like a ghost.

This song lives inside those walls —
the ones that held their photos and their fights.
It’s not the bruises on her skin that hurt most —
it’s the ones left in the drywall,
in the carpet,
in the way the floor creaks when she walks like she’s still afraid.

She knows she has to leave.
But before she can run,
she has to face the house that watched it all.
The house that never protected her.
The house that still knows her name.

Because healing starts with the truth:
it wasn’t a home.
It was a cage that smiled.

House Full of Bruises

Song: Go Away
Artist: OBXIDION

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🎵 OBXIDION
✗ instagram.com/obxidion
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Go Away (VIP)

“Thriving Without Me” starts at the lowest moment of my life — a night I wasn’t sure I’d survive — and ends with something I never thought I’d be able to say again: "still alive"

The song is about the people I once made music with… the friends who told me my writing wasn’t good enough, the ones who drifted away, and the ones who went on to make it big while I was still trying to put myself back together.

It’s a song about betrayal, loss, resilience, and the slow climb back to finding my voice after everyone else had already moved on.

If you’ve ever felt left behind — or like you had to rebuild your entire life from the ground up — this one’s for you.


LYRICS:

[Verse 1]
February rain, cold steel and silence
Woke up to flowers and fear in their eyes
They said they’d stay, but they faded to shadows
Left me here counting who never said goodbye

[Pre-Chorus]
I built my heart into every band
But the dream keeps slipping through my hands

[Chorus]
And I see them shining on the screen
With faces from the life that used to be
Linda, Dina, all the ones who used to dream beside me
They’re up there smiling, wild and free
While I’m just haunted by the melody
Yeah, all of them thriving without me

[Verse 2]
Linda wrote lines, said mine weren’t worth singing
I walked away before the radio played
Less than a year, and the world was listening
While I was stuck in the echo and the shade

[Pre-Chorus]
I tried again, I found new friends
But the same old story starts again

[Chorus]
And I see them shining on the screen
With faces from the life that used to be
Linda, Dina, all the ones who used to dream beside me
They’re up there smiling, wild and free
While I’m just haunted by the melody
Yeah, all of them thriving without me

[Verse 3]
Now Dina’s rich, she’s flying high in L.A.
Karen’s still strumming with my old friend
Sandy’s laughing behind the drum set
And I’m here wondering how it all could bend

[Bridge]
It’s a cruel kind of beautiful, watching them bloom
While I’m still singing to an empty room
But maybe the stars still remember my sound
Maybe my story’s still turning around

[Chorus]
‘Cause I see them shining on the screen
With faces from the life that used to be
Linda, Dina, all the ones who used to dream beside me
They’re up there smiling, wild and free
While I’m still haunted by the melody
Yeah, all of them thriving without me

[Outro]
But the song’s still burning in my veins
Every scar still whispers my name
I may be lost between what was and what could have been
But I’m still here
Still writing my songs
Still me, still alive...

Thriving Without Me

 This track is a raw, introspective dive into the weight of unspoken emotions. Driven by a restless pulse and atmospheric alt-rock textures, it captures the quiet pressure of trying to hold yourself together when everything feels heavy. The lyrics walk through empty streets, ticking clocks, and the echo of thoughts better left unsaid—building a haunting sense of isolation that feels universal. With a chorus that hits like a confession whispered into the void, the song blends vulnerability and grit, making it perfect for fans of moody, cinematic, emotionally charged rock.

Left unsaid

This was the first Northern Sky song we ever recorded, all the way back in 2021. It started with a spark — and This Time still carries that warmth: messy hair, morning coffee, quiet rooms, and choosing someone with your whole heart.

This Time

A warm Thanksgiving- Holiday themed jazz–soul–blues piece filled with gratitude, soft candlelight vibes, soulful reflection and gratitude. 🙏🏼

Grateful in the Quiet - Holiday Song

feel the way i feel about ya

It's Shawn John @ghostwriterstudio72 who made me eager to craft a full Country Rock session... Then came Wirth-X @Wirth-X, Texas Titan & Wildcard Studio @user-180359676, I've put my dusty boots on and remixed all the tracks I play in this mix. Big up to you, guys, thank you for this revival of my Texan roots ! And a blink to my sis, Vicky @VickStiX, ex-biker, who delivered a superb anthem to CA roads ! Love ya sis !! 🚬🧲 ShAnkAri 🎵🤠🎤🔥🎵💫

DUST ON MY BOOTS, DREAMS IN MY HEART (30.11.25)

Texas Titan - Twenty years don’t feel like enough (ShAnkAri touch)  
Texas Titan - Lone Star stomp (ShAnkAri touch) 
VickStiX - Shadow highway (ShAnkAri touch)
Tyler Childers - Nose on the Grindstone (ShAnkAri touch)
Shawn John - Dream on (Kusht - ShAnkAri touch) 
Texas Titan - Dust on my boots (ShAnkAri touch) 
Shawn John - Puppet on a string (ShAnkAri touch) 
Wirth-X - Trouble at the chapel (ShAnkAri touch) 
Wildcard Studio - River takes the weight (ShAnkAri touch) 
Texas Titan - Ghosts in the gas station (ShAnkAri touch) 
Wildcard Studio - Dirt road revival (ShAnkAri touch) 
Wildcard Studio - Porchlight glow (ShAnkAri touch) 
Texas Titan - Slow Burn (ShAnkAri touch) 
Shawn John - Thunder (ShAnkAri touch) 
Shawn John - Little bit of Black (ShAnkAri touch) 
Wildcard Studio - Backroads built my heart (Tlazohtla - ShAnkAri touch) 
Wildcard Studio - The breath between stars (ShAnkAri touch) 
Shawn John - Waking up with the dawn (ShAnkAri touch) 
Shawn John - I want it now (ShAnkAri touch)  
Anthony Newman - Peace in a Bottle (ShAnkAri touch)
Wildcard Studio - Almost had you (ShAnkAri touch) 
Wirth-X - Gods country (ShAnkAri touch) 
Colter Wall - Sleeping on the Blacktop (ShAnkAri touch) 
Shawn John - You're at it again (ShAnkAri touch) 
Tom Harris - Feeling life (ShAnkAri touch) 
Wirth-X - Austin (ShAnkAri touch) 

@ShAnkAri-touch ✨

Would you have the heart to help me a bit ? ❤️‍🩹 https://www.gofundme.com/f/help-save-shankaris-homeone-last-chance-for-justice ❤️‍🩹

DUST ON MY BOOTS, DREAMS IN MY HEART  #26TRACKS #Dj_MIXTAPE #Country #Rock

Pirilampos Malditos | Album "Tales From The Crypt"

Tales From The Crypt

Sanatorio Salesianus

Fat Rambo

Who Really Cares: 

An album about Sex 
Or lack thereof 
And its consequences 
Or lack thereof

Music and Lyrics by Brad Petering 

Mixing and Mastering by Jason Wyman 

Additional Vocals from Amber Quintero and Maddie "Acid" Keaton 

"Cigarettes out the Window" and "For You" feature Frankie Cosmos samples, used with her permission. 

"Not Allowed" features samples from The Yeastie Girlz's "Ovary Action" 7 inch. Used with permission from the Girlz. 

The cover art is a slightly altered photograph taken by George M. Hester. Used with his permission. 

The liner note image with two people on a bed is a slightly altered photograph taken by the late M. Richard Kirstel. Used with permission from his family. 

As a friend once said: Thanks for yr ears
tags



Not Allowed

Cigarettes Out The Window

Musician • Composer • Producer

I've been immersed in music for as long as I can remember. I began classical piano training at age 9 through the Royal Conservatory, and by Grade 7, I was exploring multiple instruments — flute, saxophone, trumpet — eventually teaching myself guitar at 13.

Over the years, I toured extensively with Vancouver-based bands including Krysalis, Bad Boys, September, and Metropolis, where I honed my performance and songwriting skills. My early compositions were mostly instrumental, but my passion for recording took off in the 1990s when I began producing music at home.

I collaborated closely with the singer from Metropolis, and together we released a project called Joe Fish. Since then, I’ve continued writing, recording, and producing my own material — now available on most streaming platforms.

I currently produce using Cubase 14, RME UCX II, Genome software, and Helix pedals, blending classic musicianship with modern production tools.

You can also find me on Spotify HERE:https://open.spotify.com/artist/3i1KcPKjFkNPbqRsrVXH2q?si=u2W7ortvQ2ax1Z4lS2GtyA

Left unsaid

Steven Sutcliffe