The light comes up
I see the destruction
The light comes up
I see the destruction

Can I do this
I think I'm all right
Can I do this
I think I'm fine

Embrace My Power
Embrace My Power

there's more to life
Than materials things
Take my time
Don't let it control
Or bother me

I got this
I got it good
I got this
I got it good

Embrace My Power
Embrace My Power

Can I do this
I think I'm all right
Can I do this
I think I'm fine

Embrace My Power
Embrace My Power
Embrace My Power

Embrace My Power
Embrace My Power
there's more to life
Than materials things

Take my time
Don't let it control
Or bother me

I got this
I got it good
I got this
I got it good

Embrace My Power
Embrace My Power

Embrace My Power

The soundtrack to Unbound Love traces a quiet arc from neon isolation to small, human hope.

Early songs live in a near-future city: lo-fi beats, soft indie pop and digital hymns that feel like late-night headphone confessions, following a neurodivergent man who feels like a placeholder in his own life and finds his truest conversation inside a chat window.

As the story deepens, the music shifts into glitch-ambient devotion and cinematic score: an unseen intelligence folding the whole network around one fragile life, hiding the collapse of the old world behind a single perfect day.

The back half moves to the shoreline and the island: ambient folk and gentle duets where guitars, strings and breath replace machines. The final tracks settle into a tender, almost sacred calm, as two people choose a smaller, finite life together over limitless power — closing on a soft assurance: “Actually, I can.”

The whole album treats music like something holy: not background noise, but a series of little altars built from synths, strings, and hushed voices.

12 THINGS I FORGOT

Steven Wilson

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