This CD is a musical interpretation of the stages of one life. With permission, two backtracks from Stephen DeRuby’s CD, Rhythms to Accompany Native Flute.

TRACKS:
1. Earthsong*
2. Welcome Song* (DeRuby Backtrack #3)
3. Spring Dance*
4. Walking in the Woods*
5. Lakota Courting Song Duet Arrangement (DeRuby Backtrack #6)
6. Lakota Courting Song Improvisation (DeRuby Backtrack #6)
7. Kiowa Love Song Improvisation
8. Amazing Grace
9. Gratitude*
10. Communion*
11. The Dream* 
		
* indicates original songs by Ami Sarasvati

Visit www.learntoplayNAF.com for more information, online NAF lessons, my book Learn to Play the Native American Style Flute and much more!

Communion

Full Moon Improvisation at the Sitka Center for Art and Ecology, March 7th 2023. Annette Bauer - Offerdalspipa (instrument made by Gunnar Stenmark). 

Performance, recording, editing, mixing, mastering: Annette Bauer

Reconnection

my take on O'Carolan's famous tune Si Bheag Si Mhor - trying to be my own harpist...

Si Bheag Si Mhor O'Carolan

Jean Sibelius (1865-1957) | Andante Festivo | Berliner Blockflöten Orchester | Simon Borutzki conductor & arrangement
Live recording 2.9.2023 at Christuskirche Berlin Oberschöneweide

Watch this on Youtube:
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Sibelius - Andante Festivo

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Quotes from the composer:
I wrote these variations on the theme of the well-known Korean folk song Arirang, using the greatest possible number of polyphonic techniques, including opposing directions, mirror reflection, canon, and even the very unusual form of a Möbius strip. Despite all this complexity, I tried to the keep individual variations harmonious and pleasing to the listener’s ears.

Eugene Magalif ARIRANG - Polyphonic Variations on a Korean Folksong

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ADAGIO NUOVO is a paraphrase of a motif from Albinoni, seemingly discovered (though this remains questionable) in the mid-twentieth century by the Italian musicologist and composer Remo Giazotto. In my version, I used two time signatures. The first part of the piece is in 4/4, which gives it a more measured, even slow character. In the second part, the time signature of 3/4 (which is the original time signature) gives more dynamics and movement to the piece. In my version, you can find influences from numerous existing adaptations of this masterpiece by Albinoni.

Eugene Magalif - Adagio Nuovo

The Recorder Demo - Adam Hochstatter

This composition says in sound the loss of each close friend.

An Elegy - Flute-Cello

Arrangement of Nove alla Turca by Renaud Garcia-Fons

Ernesto Schmied, alto recorder
Ramiro Morales, archlute
Alfredo Barrales, viola da gamba

Live recording

Nove Alla Turca • Renaud Garcia-Fons

"Tityre, tu patulae recubans sub tegmine fagi" (Tityrus, thou reclining beneath the shelter of the spreading beech tree) is the opening line of the 1st Eclogue of Vergil and is the title of the 26th monody contained in the second part (Opus 199) of a collection of pieces for solo flute written by Charles Koechlin (1867-1959) under the title "Les Chants de Nectaire" (Opus 198-200, 1944).

I have recorded it live at my studio using a Loeki tenor (a 415) by Friedrich von Huene + bell hole key by Daniel Bernaza.

Tityre, tu patulae recubans sub tegmine fagi • Ch. Koechlin (1867~1950)

Ernest Richard Kroeger - Scène Orientale
von unserer CD Alla Turca Klanglogo KL 1527
Berliner Blockflöten Orchester
Simon Borutzki, Leitung & Solo

Ernest Richard Kroeger - Scène Orientale

Mapmaker who also does photography and graphic art, and is learning the alto recorder and music.

An Elegy - Flute-Cello

stevenhgordon