szeboss selection 4

tigre

Chill the Fuck Out

The mix Tape

Classics remixed

70's

► Download audio on our app: http://blrrm.tv/BR_APP ► Watch here: http://blrrm.tv/frankiedaytime
► Documenting a legacy. The late godfather of house music, Frankie Knuckles.

Frankie Knuckles Boiler Room London DJ Set

Free Download

Sade - Nothing Can Come Between Us (Pomo Edit)

classic 80's megamix - (kool gang, maddona, rick ashley)105

The Joker - Steve Miller Band - [www Flvto Com]

I'm Not In Love (10cc cover and first attempt to use Ableton)

Dj Vas - Bring Us Back Together
https://djvas.bandcamp.com/track/bring-us-back-together
https://www.junodownload.com/search/?facet%5Bmirror_artist_facetm%5D%5B%5D=dj+vas

Bring Us Back Together

New Album 'I Remember' Out Now
Download on iTunes: http://smarturl.it/IRemember.AG
Listen on Spotify: http://smarturl.it/IRemember.SP
Apple Music: http://smarturl.it/IRemember.AM
Amazon: http://smarturl.it/IRemember.AMZ 
Google Play: http://smarturl.it/IRemember.GP

https://www.instagram.com/alunageorge  
https://twitter.com/alunageorge 
https://www.facebook.com/alunageorge  
Spotify: http://smarturl.it/IRemember.SP  https://www.youtube.com/AlunaGeorgeVEVO 
https://soundcloud.com/alunageorge 
Snapchat: AlunaGeorge

Coldplay - Magic (AlunaGeorge Remix)

The classic 1975 I’m Not In Love reimagined in a brand new Re -Edit.
Follow SteveO on:

steveoshow.com/
www.facebook.com/steveo.show.sydney

10CC - I'm Not In Love : RE -EDIT

Children of the sun, here comes our latest musical creation. An edit of Angus & Julia Stone’s brand new song „Grizzly Bear“ from Australia. Perfect for enjoying the summer with a cool drink and relaxing the human mind. On the rooftop, in the park or at the lake... 

Listen on Spotify 

Angus & Julia Stone - Grizzly Bear [Lakechild Remix]

Shep Pettibone Mastermix Danceparty Part 2 from the Summer 1983 aired by the best early 80's dance music station in New York City: Kiss FM 98.7 WRKS.

Shep Pettibone Mastermix Part2

Josef Salvat - Diamonds (Noize Generation Remix)

Here's our edit of Sade's "When Am I Going To Make A Living" which originally appeared on our "Day" mixtape http://soundcloud.com/poolside/day-mixtape

When Am I Going To Make A Living (Poolside Edit)

rework I put together for a gig a couple of years back, fully mastered WAV for playing on big nightclub sound-systems & that. hope you likey x

NEW ORDER - THE BEACH (fatneck's beats on the beach rework)

I hope you enjoy this track, It's a positive / hopeful message. 


Song written, played, arranged, produced, mixed & mastered by me. Excellent funk lead vocal by NayJ --  https://soundcloud.com/nayj-2, Lead and Rhythm Guitars by James Oakwood. -- https://soundcloud.com/james-oakwood
All other instruments Waveology - Phil McC 



No more war, no more fighting, no more hatred
No more war, no more fighting, no more hatred no.

I believe there’ll be a better day
When all the people on this earth will say
Peace and love is here for everyone
No more hate and war by anyone - hey

Famine, sickness soon will disappear
Given time there’ll be nothing to fear
Hope and faith their killing be no more
Everybody singing no more war 

I know, there’ll be, peace and love and understanding yeah
Some day, you will see, all the world will get together yeah,

Got to get ourselves together one for all
War and hate I hope will be no more
Life is short no time to be unkind
Love is here for all of us to find 

No more war, no more fighting, no more hatred
I believe there’ll be a better day
No more war, no more fighting, no more hatred
When all the people on this earth will say
No more war, no more fighting, no more hatred
Peace and love is here for everyone
No more war, no more fighting, no more hatred
No more hate and war by anyone
No more war, no more fighting, no more hatred
No more war, no more fighting, no more hatred no
No more war, no more fighting, no more hatred
Peace and love and understanding
I believe there’ll be a better day
Peace and love and understanding
I believe there’ll be a better day
No more war, no more fighting, no more hatred
Peace and love and understanding
No more war, no more fighting, no more hatred
Peace and love and understanding
No more war, no more fighting, no more hatred - no.


No More War is copyright Waveology - Phil McC

No More War

"There are Depeche Mode parties around the world where people listen to our music all night long. The more remixes we can give them, the more interesting those nights have got to be." - Martin Gore"

Remix by DANSHA | www.DANSHAPOP.com


!! No intention of copyrights violation !! 
This remix was made with love by a fan for other fans.

Depeche Mode - Blasphemous Rumours (DANSHA Remix)

* don’t own rights to this song.

Released 2010 off of VS. Redux Album

Otherside - Macklemore (Ryan Lewis Remix) Feat. Fences

Listen to tracks from Ed's debut album '+' out now!

iTunes: http://atlre.co.uk/r1Qybn 
iTunes Deluxe Version: http://atlre.co.uk/rjrmBJ 
Play: http://atlre.co.uk/qvO50K 
Amazon: http://atlre.co.uk/kDOh38 
HMV: http://atlre.co.uk/jI2rGR 
Tesco: http://atlre.co.uk/rrLznw

The A Team

Give Me Love

@leif-garrett-official - Play That Funky Music (White Boy) 
(Made Famous by @wild-cherry-official)

I Love The 70's (Official Playlist)
https://soundcloud.com/cleopatra-recs/sets/the-70s-music-for-sync

Please Subscribe to our channel for the latest
#CleopatraRecords releases @cleopatra-recs


http://cleorecs.com/
(P) (C) 2012 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

#funk #disco #soul #classicrock #oldschool #classic70s #classicsoul 
#pop #LeifGarrett #wildcherry

That 70s Playlist

Leif Garrett - Play That Funky Music (White Boy) [Wild Cherry]

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WATCH THE VIDEO: http://www.youtube.com/watch?v=1uXrXTSASK0
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Pizza Guy, from the long awaited follow up EP to his classic singles 'Real Talk' (with Anna Lunoe) and 'Body Stop'.

This release also includes 'Show Me' and a 'Pizza Guy' remix by Lauer.  

iTunes: http://bit.ly/1316ZbS
Vinyl here: bit.ly/17m61uw

www.facebook.com/touchsensitivemusic

Buy on Beatport

Touch Sensitive - Pizza Guy

The best stereo remastering of the original 1973 recording.

Dancing in the Moonlight (Remastered 40th Anniversay Edition)

Dancing in the Moonlight (Remastered 40th Anniversary Edition)

'Wolves' taken from Denai Moore's debut 4 track EP - Saudade.

Out now at iTunes - smarturl.it/saudade
Vinyl available at - denaimoore.com
Plus sign up to the mailing list now and receive 'Gone' instantly for free: www.denaimoore.com


Denai Moore - Wolves

Gorillaz - On Melancholy Hill

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Buy CD at Amazon USA

Bee Gees - Jive Talkin' (excerpt)

SteveO presents an alternative mix of adult contemporary soul & blue eyed soul,  pop and soft rock with the very best in remixes, re-edits, mashups & revisions from international  DJ/producers.
From a background in radio shows and music production and sets SteveO shares the soundtrack of your life from the 70s 80s 90s and beyond.

Plus interviews with artists and entertainers from the world of music and entertainment.

http:/steveoshow.com/

https://www.facebook.com/steveo.show.sydney

https://open.spotify.com/user/steveoshow?si=Uo9YhWlFQY-wo4a5U3OARg

https://www.youtube.com/channel/UCfs0c9VGbu09uhCxF_PsOAg