Happy New Year friends!!! 2014 starts with a special mix of slow, deep and funky cosmic tunes by http://soundcloud.com/girls-auf-chill. Perfect for the New Year's Eve Afterhour to relax with some smooth dance interludes. ENJOY!!!

photo by: bildaspekt.de  / pixelio.de

Girls auf Chill

Girls auf Chill - Deep Afterhour 'New Year's Day' Special

TRONIK YOUTH  - APRIL 2024 MIX

In a world flipped on its head, reality is like a funhouse mirror, twisted and grotesque. Truth isn’t just dead—it’s been mutilated, buried, and replaced with something darker. War is the new peace, and freedom? It’s just a leash you’re taught to love. Words don’t mean what they used to. Hell, they don’t mean anything at all. This isn’t chaos—it’s a masterpiece of control, where language is the knife that cuts deeper than any wound.

But here’s the kicker: beneath this carnival of lies, there’s something even uglier. The language, the doublespeak, it’s not just there to mess with your head. It’s the mask hiding the real monster. Most people are too far gone, their minds too dulled to see it. But a few—just a few—are starting to feel it. Like a bad itch under the skin. They’re beginning to wonder if the confusion is the point, or if it’s just the curtain hiding something worse. But there’s something stronger than the lies—a force that’s hardwired into the human condition. It’s that deep, primal urge to connect, to come together when everything’s falling apart.

And yet, in the middle of this twisted game, there’s a spark—small, fragile, but real. Those few who see through the lies aren’t just waking up. They’re finding each other, drawn together by the same instinct that drives us all—to survive, to protect, to hope. Together, they’re not just pawns. They’re a force pushing back against the darkness. And in that unity, there’s a glimmer of hope that the game isn’t over. The strings that control them can be cut, the puppet show brought down. And when it does, the world might just find its way back to something real—a place where truth and connection are the foundation of something worth fighting for.

Tracklist
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Andrey Sirotkin (feat. Pyrame) - Untouchable (Acid Washed Remix)
Joseeph & Ademarr - Olin
Ali X & Ximena - VIAJA VOLARÁS (Ulises Arrieta Remix)
Sounds of Porn - Acido En Madrid
Oca MX & Corresponsal (ft Escami11a) - Todos High (Giorgio Brindesi Remix)
Ozur Crystal - Come Here
Ali X, Ximena - CUIDADO CON LOS NIÑOS (Technicism Remix)
Avi Sakorka - Depper
Timo Maas, Marc Werner - Barca Boys (Waterwelt Remix)
Karisma - Powerfull Whisper
Ludviq - Frenzied (She Teiks Remix)
Luke Garcia & Colossio - I Can’t Forget (Theus Mago Remix)

Support the Artist: @andreysirotkin @pyrame @joseephel @carlos-mendez-113 @the_ali_x @ximechula @ulises-arrieta @giorgiobrindesi @corresponsal @printid-label @ozurcrystal @technicismsounds @sakorka @timo-maas @marc-werner-official @waltervelt @ludviqmsc @she-teiks @lukegarciadj @colossiomx @theusmago

Support the Label: @thisberecordings @roam-recordings @controlla @ghostingcorporation @maleanterecords @sinchicollective @sideupworks @kymakomplex @dgtl-festival @engraveltd 

Gig Tickets:
https://www.skiddle.com/whats-on/Inverness/Upstairs-Inverness/Silicone-Soul--Counterterraism-Residents/39150984/

Merch:
https://counterterraism.bandcamp.com/merch/limited-edition-t-shirt

Counterterraism: August 2024

download / stream

ki ya tori - nami

Escape from Shell Beach is an atmospheric track blending melodic and minimal techno, inspired by a cosmic escape from a mysterious city. Part of the conceptual album One Night in Shell Beach, each melody unveils a story of freedom and the mysteries of the night.

Escape from Shell Beach

Urban Decay

Rough Groove

Kaleidoscope x Jumbo / NA•RO Mash

EISSENWERK - Synthetic Flesh

Javi Redondo releases a 5-track EP on Dischi Autunno featuring 3 originals, with the remaining tracks consisting of remixes of lead track ‘Rythmo’ from Pablo Bozzi (aka Lapse of Reason) and Cosmo Vitelli. The pace across the EP may be quite sedate, but the sounds within are anything but: blending analogue techno manoeuvres with a disco-inflected methodology, the producer paints a picture of prime-time energy with a heaped spoon of fun. 

‘Black 5th’ draws heavily on this energy, static, patient acid jittering forward slowly and with intent as the sci-fi-esque samples and spooked electronics flutter in and out of audibility. ‘Non Sei Qui’ takes the energy out of the stars and into an EBM horror soundtrack, shattered vocal samples and 80’s synth leads bringing the listener deeper into the intensifying groove.

‘Rythmo’ sets the bar, gritty bass sludging past a gate of motorik drums. True to its name, the rhythm develops swiftly, krautrock-edged energy gathering momentum as the percussion suite, faintly coloured with house music tropes, reaches for the stars. 

Pablo Bozzi, in the vein of Space Dimension Controller, adds a cinematic punch to ‘Rythmo’, transforming the original into an enigmatic, almost trance-like piece, while Cosmo Vitelli’s ‘K hole’ remix pulls the other way, using a stylised view of the percussion as an ephemeral layer above treacle-thick bass and whirring, panic-stricken machinery.

Javi Redondo - Rythmo

This week's podcast is curated by progressive mastermind Mulya.

Follow @mulyamusic // https://www.facebook.com/mulyamusic/

Melodic Diggers 070: 'Chrome Extra' by Mulya

Entropy (Negentropy Version)

Steven McIntyre, born in 1975 in Münster, discovered his passion for music as a teenager at a British boarding school, where he immersed himself in various pop genres and electronic sounds. His journey into the music scene began in 1990 with an internship at the record shop King Music in Münster, which led to his first DJ experience. He quickly gained recognition, becoming resident DJ at the Cosmic Club and from then on travelling as Steve Stix. His first own events, with headliners like Miss Djax, Ilsa Gold, Steve Mason and Scooter, caused a sensation.
In the late 90s and early 2000s, Steve's career blossomed as he performed alongside renowned DJs and opened his own record shop “Dundrum Records” in 1999, which was originally planned as record label. With residencies at Maria am Ostbahnhof in Berlin and Cosmic Club Münster, as well as founding Monopark events, he continued to create a stir in the electronic music, which had a major influence on the electronic music scene in northern/western Germany, especially for minimal and early melodic techno. He also worked as a freelance record critic for various dance magazines (Raveline, Groove …) and on the jury of the German Dance-Music Awards in 2000-2003. 
In 2013 he founded his own event and media agency, also dedicated himself to artist management and graphic design. His commitment to music production culminated in releases on renowned labels such as Traum Schallplatten and Stil vor Talent in 2023.