Scorched Earth and the Blessing of the Dead

If the Apocalypse Could Speak

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https://linktr.ee/yellowsalamandr

Yellow Salamand'rs shelter
UNDERGROUND, they feed off the COUNTER-CULTURE, their minds have vast experi-MENTAL capacity, they search through the AVANT GARDEn, they DAMn the MAINSTREAM, and live the SURreal life. They are the “Dunning-Kruger” of their coterie. They are Illusional Engineers, Dystopian Spelunkers, Desolation Cartographers, Misanthropic Therapists, Pragmatic Escapists, Clinical Obscurists, Oxymoronic Magistrates, Elaborate Equivicators, Elevator Operators, Hallucinogenic Fungi Analysts, and Restroom Attendants, to name but a few prestigious occupations. Never underestimate the Yellow Salamand’r.

(Started making experimental music in ‘81 at 18 years old with circuit bent devices. 
Did some underground tape trading. Also made field recordings when working in a steel mill at night. (Lost all cassettes from that era.) Domestic life halted almost all artistic endeavours for many years. Along came 2013, and my world and technology had changed drastically. I started back into music using an iPhone and various technological detritus. I had shifted from lo-fi analog, to lo-fi digital. This is where I am still at nowadays. I can create unique experimental music, and yet still be satisfied with the outcome. I truly enjoy working with minimal equipment allowing me to be challenged by the limitations. (Inability is often the mother of restriction, and restriction is the great mother of inventive performance. - Holger Czukay) Even my visual art has gone from analog (painting, drawing) to digital collage. I don’t use AI and even though I think it will one day have it’s place in the art world, it just doesn’t align with my personal principles. If you enjoy esoteric, obscure, experimental sounds, I hope you enjoy some of the material provided here. If you do like my works, and are curious to discover more, go to the link at the top of this bio. It can take you in many different directions. Cheers)

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... возможно, это гитарный лоу-фай хип-хоп...//...perhaps it's guitar-based lo-fi hip-hop...

Debut album "Scorched Earth and the Blessing of the Dead" is now available on Bandcamp. Free or name your own price!

Composer, lyricist, published poet, sound artist, improviser, recording artist.

Also known as @ajkaufmann.

"no uchū" is a small online boutique, where you can buy unique items associated with me and support me directly. European Union only, sorry.

https://nouchu.wordpress.com/

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

If the Apocalypse Could Speak

steviath