God Unknown Records

Releases include:

MONSTER MAGNET
DUKE GARWOOD
WHITE HILLS
WELLWATER CONSPIRACY
CHARLES HAYWARD
RAINBOW GRAVE 
BUSHPILOT
BARDO POND
ACID MOTHERS TEMPLE
GNOD 
SEX SWING
ETERNAL TAPESTRY
ONEIDA
DEZ DARE
TEETH OF THE SEA
CARLTON MELTON
HEY COLOSSUS
WHITE MANNA
KOGUMAZA
KINSKI
CLINIC
XEELAND
RESEARCH GROUP
THE BEVIS FROND
MAN FOREVER
LIFE COACH
THE MYRRORS
CAVALIER SONG
HENGE
JOHN MCBAIN
BLOWN OUT
BROKEN DC

and a whole lot more....

The Music Production Academy (The MPA), is a London-based online Music Production School, that aims to teach and provide innovative, useful production techniques for people working with music and sound. Our process and techniques have been finely tuned over three decades of lived studio experience. 

Learn directly through knowledge gained from Producing, Mixing, Engineering, and Mastering sessions for artists such as, Björk, Massive Attack, Depeche Mode and U2 to name a few. We aim to show you the process you haven’t lived yet, sharing with you what it is like to be in the studio with some of the most talented bands and artists in the world.

Along the way explaining what it is like to be in the room for those moments in musical history, teaching you the techniques used to make those records.

The MPA endeavour to foster creativity through engaging and playful experiences. We combine past influences with modern concepts and possibilities, to allow a place for new ways of working and thinking while allowing original ideas to flourish.

Hove based mashup DJ. Expect the unexpected. Has played Bestival, Glastonbury, Secret Garden Party and Hove Bowls Club. 

http://www.facebook.com/flyingwhitedots
http://twitter.com/FlyingWhiteDots
http://www.last.fm/music/Flying%2520White%2520Dots?ac=flying%20white%20dots

Combining traditional and medieval music elements with improvisation, including extended instrumental techniques such as the "deconstructed bow" and double recorders, the artist draws inspiration from the emotional influence of the landscape, animal calls or fragments of liturgical music in order to build a unique form of chamber music that avoids historicism and instead inhabits an imagined territory, combining contemporary and archaic elements.

Stephen Wood is following